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Creators:
Pearmain, William Robert, 1888-1912
Dates:
1888-1955
Size:
0.4 Linear feet
Collection ID:
AAA.pearwill
Repository:
Archives of American Art

The papers of painter and activist William Robert Pearmain (1888-1912) and the Pearmain family measure 0.4 linear feet and date from 1888-1955. Papers are found for William Robert Pearmain, his wife Nancy Douglas Brush (later Bowditch), their daughter Mary "Polly" Pearmain, and other members of the Pearmain family. There are biographical materials; family correspondence; a watercolor; a travel diary and school essays by Pearmain; printed materials, including clippings and two publications by the Industrial Workers of the World; and photographs of the Pearmain family and artwork.

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Creators:
Schaefer, Bertha, 1895-1971
Dates:
1909-1975
bulk 1940-1965
Size:
4.6 Linear feet
Collection ID:
AAA.schabert
Repository:
Archives of American Art

The Bertha Schaefer papers and gallery records measure 4.6 linear feet and date from 1909-1975, with the bulk of the material dating from 1940-1965. The collection documents the Bertha Schaefer Gallery as well as Bertha Schaefer, the interior designer, through correspondence with artists and galleries, artist files, client files, exhibition material, printed material, financial material, biographical material, photographs, and six scrapbooks.

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Creators:
Rosenberg, Harold, 1906-1978
Dates:
circa 1880-1985
bulk 1940s-1970s
Size:
4 Linear feet
Collection ID:
AAA.roseharo
Repository:
Archives of American Art

The papers of New York author, art critic, and teacher Harold Rosenberg, and writer May Tabak Rosenberg, measure 4.0 linear feet and date from circa 1880-1985, with the bulk of the collection dating from the 1940s to the late 1970s. Records primarily document May Rosenberg's writing career and, to a lesser degree, her husband's career, through address books and calendars, letters, writings and notes, scattered business records, printed material, and photographs. Harold Rosenberg is documented most fully in the photographs, which include individual and family portraits, photographs of the Rosenbergs with family and friends, including artists and writers, and photographs taken in Springs, New York, where the Rosenbergs were part of the summer art colony in East Hampton.

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Creators:
McLaughlin, John, 1898-
Dates:
1922-1979
bulk 1936-1976
Size:
3.3 Linear feet
Collection ID:
AAA.mclajohn
Repository:
Archives of American Art

The papers of Southern California art dealer and abstract painter John McLaughlin measure 3.3 linear feet and date from 1922 to 1979. The collection documents John McLaughlin's personal life and career through biographical material, correspondence, writings, Tamarind Lithography fellowship files, scattered personal business records, printed materials, artwork, and photographic material.

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Creators:
Kootz Gallery
Dates:
1923-1966
Size:
7.1 Linear feet
Collection ID:
AAA.kootgall
Repository:
Archives of American Art

The records of modernist New York City Kootz Gallery measure 7.1 linear feet and date from 1923-1966. They consist of scattered correspondence and exhibition files; photograph files of artists, including ones for Picasso, William Baziotes, and Hans Hofmann, among many others; 23 scrapbooks; photographs and slides of the gallery and exhibitions; and scattered personal papers of Samuel M. Kootz.

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Creators:
Albers, Josef
Dates:
1929-1970
Size:
1.5 linear feet
Collection ID:
AAA.albejose
Repository:
Archives of American Art

The papers of painter, printmaker, and art teacher Josef Albers date from 1929 to 1970 and measure 1.5 linear feet. Found within the papers are biographical materials, writings, a recorded lecture, and photographs. The bulk of the collection consists of printed materials.

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Creators:
Ludman, Joan
Dates:
circa 1910-2003
bulk 1976-2001
Size:
4.2 Linear Feet
Collection ID:
AAA.ludmjoan
Repository:
Archives of American Art

The Joan Ludman papers relating to Fairfield Porter measure 4.2 linear feet and are dated circa 1910-2003, bulk 1976-2001. The papers primarily document her research for Fairfield Porter: A Catalogue Raisonné of his Prints (1981) and Fairfield Porter: A Catalogue Raisonné of the Paintings, Watercolors, and Pastels (2001). There are records concerning "Prints by Fairfield Porter from the Lauris and Daniel J. Mason Collection," a traveling exhibition organized by Ludman. Also found are Ludman's records concerning her authentications of Porter's artwork, and general printed material about Porter. Photographs are of Porter and his work. A 2015 addition includes provenance forms sent to Ludman from artwork owners.

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Dates:
1924-1989
bulk 1955-1983
Size:
12.3 Linear Feet
Collection ID:
AAA.chrihans
Repository:
Archives of American Art

The papers of designer, silversmith, and educator Hans Christensen measure 12.3 linear feet and date from 1924 to 1989 with the bulk of the collection dating from 1955 to 1983. The collection includes biographical materials, correspondence, writings and notes, personal business records, teaching files for the Rochester Institute of Technology, printed and broadcast materials, artwork, photographic materials, and sound and video recordings.

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Creators:
Jenkins, Paul, 1923-2012
Dates:
circa 1915-2010
Size:
11.1 Linear Feet
Collection ID:
AAA.jenkpaul2
Repository:
Archives of American Art

The papers of abstract expressionist painter and playwright Paul Jenkins measure 11.1 linear feet and date from circa 1915 to 2010. Jenkins's career in New York and Paris is documented through biographical material, family papers, correspondence, writings, personal business records, printed material, photographs of Jenkins in his studio and at various events, and original artwork by Jenkins and others.

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Creators:
Schaeffer Galleries
Dates:
circa 1921-1982
bulk 1935-1950
Size:
1.6 Linear Feet
Collection ID:
AAA.schagall
Repository:
Archives of American Art

The Schaeffer Galleries records measure 1.6 linear feet and date from circa 1921 to 1982, with the bulk of the material dating from 1935-1950 when the gallery was most active. Owned by Hanns S. and Kate Schaeffer, the gallery first operated in Berlin from 1925 to 1939 and later in New York City from 1936 to circa 2000. Correspondence, subject and exhibition files, purchase records, printed materials, and photographs document the gallery's operations. Primary correspondents include art collector Arthur C. Tate and the gallery's Pacific Coast Director LeRoy Backus.

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