6296 records — Page 564 of 630
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Creators:
Holly Solomon Gallery
Dates:
circa 1948-2003
Size:
200.6 Linear feet
Collection ID:
AAA.hollsolg
Repository:
Archives of American Art

The records of Holly Solomon Gallery, a New York City gallery specializing in contemporary American art, measure 200.6 linear feet and date from circa 1948-2003. The gallery's activities are documented through dealer files, subject files, artists' files, inventories, sales and loan records, administrative and financial records, printed materials, photographic materials of artwork and exhibitions, sound, video, and film recordings, and scattered electronic records. Also found are records of the alternative space, 98 Greene Street Loft, as well as Holly Solomon's personal papers.

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Creators:
Gore, Marian L.
Dates:
1958-1969
Size:
2.2 Linear feet
Collection ID:
AAA.goremari
Repository:
Archives of American Art

The Marian Gore "Art Scene" interviews and papers measure 2.2 linear feet and date from 1958 to 1969, with all sound recordings dated between 1962 and 1964. The core of the collection consists of 37 radio programs recorded by Marian Gore for KPFK radio in Los Angeles, California, consisting of interviews with artists, collectors, gallerists, and museum curators. A series of artist files contains notes, correspondence and other materials related to her interview subjects, and a printed materials series contains mainly exhibition posters, programs, and announcements produced by the art spaces with which her subjects were affiliated.

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Creators:
Pène Du Bois, Guy , 1884-1958
Dates:
circa 1900-1963
bulk 1920-1963
Size:
2 Linear feet
Collection ID:
AAA.duboguyp
Repository:
Archives of American Art

The papers of painter and art critic Guy Pène Du Bois measure 2.0 linear feet and date from circa 1900 to 1963 with the bulk of the materials dating from 1920 to 1963. Found within the papers are biographical material; personal and professional correspondence, including letters from Royal Cortissoz and Edward Hopper; writings, including essays, journals, short stories, and drafts of the autobiography Artists Say the Silliest Things; personal business records; printed material; and artwork.

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Creators:
ACA Galleries
Dates:
1917-1963
Size:
1 Linear foot
Collection ID:
AAA.acagall
Repository:
Archives of American Art

The scattered records of the ACA (American Contemporary Art) Galleries date from 1917 through 1963 and include writings by founder Herman Baron, artists Philip Evergood and Anton Refregier, and art critic Elizabeth McCausland; printed materials; and photographs of Baron, ACA artists, art collectors, works of art, and exhibitions. Correspondence is with David Burliuk, Philip Evergood, William Gropper, Lewis Mumford, Moses Sawyer, Max Weber, and others. Also found is a small group of Herman Baron's personal papers.

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Creators:
Fisch, Arline M.
Dates:
1931-2015
Size:
9.8 Linear feet
3.82 Gigabytes
Collection ID:
AAA.fiscarli
Repository:
Archives of American Art

The papers of metalsmith, jeweler, and educator Arline M. Fisch measure 9.8 linear feet and 3.82 GB date from 1931 to 2015. The papers include awards and certificates, correspondence, exhibition and gallery files, project files, San Diego State University teaching files, membership records, and printed and digital and photographic materials.

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Creators:
Museum of Craft and Folk Art
Dates:
1970-2012
Size:
28.9 Linear feet
12.48 Gigabytes
Collection ID:
AAA.musecraf
Repository:
Archives of American Art

The Museum of Craft and Folk Art records measure 28.9 linear feet and 12.48 GB and date from 1970 to 2012. The museum was established in 1982 in San Francisco, California and exhibited local and national craft and folk art collections until it closed in 2012. The collection includes administration records, extensive exhibition files, artists' files, museum publications, printed material, video recordings, born digital items, and photographic material.

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Creators:
Roberts, Mary Fanton, 1871-1956
Dates:
1880-1956
Size:
3.8 Linear feet
Collection ID:
AAA.robemary
Repository:
Archives of American Art

The papers of art writer and editor Mary Fanton Roberts measure 3.8 linear feet and are dated 1880 to 1956. The bulk of this collection is Roberts' correspondence with numerous important artists, dancers, actors, writers, and musicians of the day. Also found are scattered biographical materials, family correspondence, writings, printed material, photographs and artwork.

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Creators:
Liebhold, Peter
Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.
Dates:
1995-1996
Size:
2.5 Cubic feet (9 boxes )
Collection ID:
NMAH.AC.0609
Repository:
Archives Center, National Museum of American History

The Gerber Fabric Cutter S-70 is part of a systematic approach to layout and cutting that has revolutionized the needle trades. This video history contains original, master, and reference videos, Dictaphone microcassettes, and tape digests and notes documenting the development, operation and use of the Gerber Fabric Cutter S-70 in three locations: H.I.S., Inc., in Bruceton, Tennessee (Chic blue jeans use of cuter); General Motors in Grand Rapids, Michigan (automotive use of the cutter); and Gerber Scientific Instrument Company in Hartford, Connecticut (Gerber corporate office and invention factory). The video footage documents H. Joseph Gerber, engineers, assembly workers, operators, and other technicians who worked with the cutter at the three locations. The footage from the Tennessee and Michigan sites provides insight into the complexity of introducing a new technology into the workplace and documents operators and managers discussing the effect of the cutter on workflow, quality, personnel, and attitudes towards the job. The footage from the Connecticut site documents the engineers who developed the cutter and provides valuable insight into the invention process. This collection includes oral history audio tapes, original, master, and reference videos, and notes documenting visits to Bruceton, Tennessee, Grand Rapids, Michigan, and Hartford, Connecticut.

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Creators:
Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.
Dates:
1996 November 11-16
Size:
7.5 Cubic feet (15 boxes )
Collection ID:
NMAH.AC.0610
Repository:
Archives Center, National Museum of American History

This week-long event explored the intersection of technology and music in the 20th century; it included oral and video histories, exhibitions, concerts, and a symposium discussing the cultural significance of the electric guitar as instrument, technology, and symbol.

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Creators:
Cooper-Hewitt Design Archives
Nesbitt, Saul, 1920-1993.
Dates:
1951 - 1984
Size:
3.5 Cubic feet
Collection ID:
NMAH.AC.1275
Repository:
Archives Center, National Museum of American History

Background and biographical information consists of Nesbitt's resume, an artist/designer statement, list of clients and accomplishments of Nesbitt Associates, Ltd., press releases, articles, and photographs of the designer.,The materials in this collection document Nesbitt's work from 1951 through 1984.

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6296 records — Page 564 of 630