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Creators:
Bunker, Dennis Miller, 1861-1890
Dates:
1882-1943
bulk 1882-1890
Size:
0.4 Linear feet
Collection ID:
AAA.bunkdenn
Repository:
Archives of American Art

The Dennis Miller Bunker collection of letters, an exhibition catalog, and photographs measures 0.4 linear feet and dates from 1882 to 1943, with the bulk of the material dating from 1882 to 1890. Most of the collection consists of letters to Bunker's friend Joseph Evans (46 letters) in New York City, written between 1882-1889. Four volumes of letterpress books, circa 1889-1890, contain letters to Bunker's fiancée Eleanor Hardy prior to their marriage in the fall of 1890, and his untimely death a few months later. There are also a 1943 exhibition catalog and three photographs of Bunker.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1859-1913
undated
Size:
1.96 Cubic feet (consisting of 4 boxes, 1 folder, 5 oversize folders, 2 map case folders. )
Collection ID:
NMAH.AC.0060.S01.01.Firearms
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Firearms forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Jackson, Frank R., 1908-2007
Dates:
circa 1932 - 1999
Size:
2 Linear feet (4 boxes; 1 oversize folder)
Collection ID:
ACMA.06-068
Repository:
Anacostia Community Museum Archives

This collection, which dates from circa 1932-1999, documents the personal and professional life of Frank R. Jackson, as well as daily life in Anacostia. Materials include color and black-and-white photographs, negatives, clippings, programs, certificates, scrapbooks, programs, and crossword puzzles. Many of the photographs depict the dismantling of the Frederick Douglass housing project and the construction of Henson Ridge.

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Creators:
Harte, Neville A.
Museum of the American Indian, Heye Foundation
Harte, Eva M.
Dates:
1951-1967
Size:
52 Photographic prints (3.5"x4.25")
Collection ID:
NMAI.AC.089
Repository:
National Museum of the American Indian

Neville A. Harte (1907-1997) was an amateur archaeologist in Panama in the 1950's and 1960's. This collection contains 52 photographic prints of archeological objects excavated at Venado Beach, Panama as well as photographs of the excavation itself. The archaeological collection was sold by Neville and Eva Harte to the Museum of the American Indian, Heye Foundation in 1967.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
More …
Dates:
1948-1949
Size:
2 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.09
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.9 consists of negatives used for publication. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Marsh, Reginald, 1898-1954
Dates:
1897-1955
Size:
9.3 Linear feet
Collection ID:
AAA.marsregi
Repository:
Archives of American Art

The papers of Reginald Marsh (1898-1954) measure approximately 9.3 linear feet and date from circa 1897 to 1955. The collection documents the life and work of the artist, who was best known for his paintings and illustrations depicting scenes of vaudeville, night clubs, burlesque, and New York City. Marsh was a lifelong free-lance illustrator for the New Yorker, Esquire and many other national magazines. Papers include correspondence, diaries, notebooks, sketches, scrapbooks, business and financial papers, and photographs, as well as some biographical and printed material.

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
1989-1991
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 02-130
Repository:
Smithsonian Institution Archives

This accession consists of 18 video elements (1" magnetic masters, Beta masters, dubs and burn-ins, VHS copies); and 4 audio elements (1/4" audiotapes) documenting the interactive video, "300 Years of American Papermaking," that accompanied the National Museum of American History exhibition of the same name. The exhibition commemorated th...

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Creators:
Arts Club of Washington (Washington, D.C.)
Dates:
1916-1991
Size:
9 Microfilm reels (61 volumes on 9 microfilm reels)
Collection ID:
AAA.artsclub
Repository:
Archives of American Art

The microfilmed Arts Club of Washington scrapbooks document the club's membership and activities through membership lists, correspondence, photographs, exhibition checklists, publicity items, and other related material.

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Creators:
Biddle, George, 1885-1973
Dates:
circa 1910-1970
Size:
0.76 Linear feet
Collection ID:
AAA.biddgeor
Repository:
Archives of American Art

The papers of New York painter and muralist George Biddle (1885-1973), measure 0.76 linear feet and date from circa 1910-1970. The collection includes a certificate signed by President Harry Truman, transcripts of Biddle's diaries, a manuscript of a memoir about meeting President Franklin Roosevelt, three letters from William Hunt Diederich's daughter, transcripts of letters from Bernard Berenson, sketches and mural studies, and two glass plate negatives.

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Creators:
Bluemner, Oscar, 1867-1938
Dates:
1886-1939, 1960
Size:
6.9 Linear feet
Collection ID:
AAA.blueosca
Repository:
Archives of American Art

The papers of painter Oscar Bluemner date from 1886 to 1939, with one item from 1960, and measure 6.9 linear feet. The collection documents Bluemner's career through scattered biographical material and personal and professional correspondence. Almost one-half of the collection consists of Bluemner's extensive writings and notes about his artwork, painting techniques, and art theory in the form of diaries, notebooks, lists, essays, and notes - many of which are also illustrated. Also found are annotated books, exhibition catalogs, newsclippings, artwork and sketches by Bluemner, and photographs of Bluemner's artwork and of architecture. Bluemner's work in architecture is documented to a lesser degree through scattered licenses, photographs, and design drawings.

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