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Creators:
Bohnen, Carl A., 1872-1951
Dates:
1888-1977
Size:
3.7 Linear feet
Collection ID:
AAA.bohncarl
Repository:
Archives of American Art

The papers of portrait painter Carl Bohnen date from 1888-1977, and measure 3.7 linear feet. Found within the papers are biographical materials; correspondence among family, clients, and colleagues; scattered business records; a sketchbook and loose sketches; miscellaneous notes and writings; three scrapbooks of clippings and additional printed materials. Photographs are of Bohnen, family members, colleagues, views of Paris in the late 1920s, Native American models, portrait clients, and artwork.

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Creators:
Bunce, Louis, 1907-1983
Dates:
1890s-1983
Size:
9.1 Linear feet
Collection ID:
AAA.buncloui
Repository:
Archives of American Art

The papers of Portland, Oregon painter, printmaker, and educator Louis Bunce (1907-1983) measure 9.1 linear feet and date from the 1890s to 1983. Found are biographical materials, correspondence, writings and notes, interviews and interview transcripts, organizational records, personal business records, printed materials, nine scrapbooks, eighteen sketchbooks, artwork, and photographs. A few audiovisual recordings are scattered throughout series.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1819-1957
Size:
2.98 Cubic feet (consisting of 3.5 boxes, 1 folder, 5 oversize folders, 2 map case folders, 3 flat boxes (partial).)
Collection ID:
NMAH.AC.0060.S01.01.Watchworks
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Watchworks and Clockworks forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1807-1955
Size:
1.39 Cubic feet (consisting of 3 boxes, 1 folder, 1 map folder. )
Collection ID:
NMAH.AC.0060.S01.01.Spas
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Spas and Resorts forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Gershoy, Eugenie, 1901?-1983 or 6
Dates:
1914-1983
Size:
7.2 Linear feet
Collection ID:
AAA.gerseuge
Repository:
Archives of American Art

The papers of sculptor and art instructor, Eugenie Gershoy, measure 7.2 linear feet and date from 1914 to 1983. The collection documents Gershoy's career through biographical material, correspondence, business records, notes, writings, artwork, printed material, and photographs.

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Creators:
National Museum of Natural History. Department of Entomology
Dates:
1932-2000
Size:
16 cu. ft. (16 record storage boxes)
Collection ID:
Accession 02-181
Repository:
Smithsonian Institution Archives

These records document the activities of Karl V. Krombein (1912- ), Chairman of the Department, 1965-1971; and Senior Entomologist, 1971-2000. The records encompass the scope of his career, from Cornell University, to the U.S. Department of Agriculture, to the U.S. Air Force Malaria Control Unit, to his tenure at the Smithsonian. Materials ...

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Creators:
Rose Fried Gallery (New York, N.Y.)
Dates:
1936-1972
bulk 1945-1970
Size:
8.1 Linear feet
Collection ID:
AAA.rosefrig
Repository:
Archives of American Art

The Rose Fried Gallery records measure 8.1 linear feet and date from 1936 to 1972 with the bulk of materials dating from 1945 to 1970. The majority of the collection consists of artists files documenting the gallery's relationship with abstract, modern, and Latin American artists; additional named subject files; and scattered administrative and financial files. Individual artists and subject files contain a wide variety of documentation, such as correspondence, photographs, financial records, and printed materials.

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Creators:
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
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Dates:
1929-1989
Size:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
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Dates:
1964-1994, undated
Size:
72 Boxes
Collection ID:
NMAH.AC.0618.S05
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 5 primarily consists of color negatives, but occasionally includes order forms, envelopes, and other photographic materials associated with the order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
McCausland, Elizabeth, 1899-1965
Dates:
1838-1995
bulk 1920-1960
Size:
45 Linear feet
Collection ID:
AAA.mccaeliz
Repository:
Archives of American Art

The papers of art critic, writer, and historian Elizabeth McCausland measure 45 linear feet and date from 1838 to 1995, with the bulk of the material dating from 1920 to 1960. The collection provides a vast accumulation of research data on various artists and aspects of American art, especially the early American modernists and the Federal Arts Projects. Papers include McCausland's extensive research and writing files, particularly on Marsden Hartley, E. L. Henry, Lewis Hine, George Inness, and Alfred H. Maurer. McCausland's correspondence with artists includes a substantial amount with Arthur Dove and Alfred Stieglitz. Her collaborative work with Berenice Abbott on the Changing New York book and series of photographs is well-documented within the collection. Also found are general writings, subject files, files relating to exhibitions, teaching, and committees, photographs, art work, personal papers, and printed material. Additional McCausland material donated later from the estate of Berenice Abbott include biographical materials, project files, writings, and printed materials.

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