Query: Elizabeth Murray Oral History of Women in the Visual Arts Project
Ruth Landes papers
Creators:
Mead, Margaret, 1901-1978
Boas, Franz, 1858-1942
Wallis, Ruth Sawtell, 1895-1978
Wagley, Charles, 1913-1991
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Dates:
1928-1992
Size:
26.5 Linear feet ((63 document boxes and 1 oversized box))
Collection ID:
NAA.1991-04
Repository:
National Anthropological Archives

Most of Ruth Landes's papers relate directly or indirectly to Landes's American Indian research, her work in Brazil, and her study of bilingualism. There is also a considerable amount of material that relates to her experiences (sometimes fictionalized) at Fisk University. There is only small amount of material related to her other interests. Her collection also has material of and relating to the Brazilian folklorist and journalist Edison Carneiro. There is also noteworthy material concerning Herbert Baldus, Ruth Benedict, Elmer C. Imes, Charles S. Johnson, and Robert E. Park. There is a large amount of printed and processed materials in the collection, mainly in the form of newspaper clippings and a collection of scholarly papers.

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in NAA.1991-04 for Elizabeth Murray Oral History of Women in the Visual Arts Project
Program Records
Creators:
National Collection of Fine Arts. Department of Education
Dates:
1961-1981
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Record Unit 443
Repository:
Smithsonian Institution Archives

These records include Gallenkamp's files as a staff member, 1965-1966, old exhibition files, miscellaneous subject files, information concerned with secondary education programs, interns, workshops and docents. Some of the docent records include information on the docent program in general, docent reports and docent research papers. Also included is information on various …

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in Record Unit 443 for Elizabeth Murray Oral History of Women in the Visual Arts Project
Marilyn Houlberg Nigeria collection
Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 Slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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in EEPA.2005-002 for Elizabeth Murray Oral History of Women in the Visual Arts Project
Smithsonian Folklife Festival records: 2008 Smithsonian Folklife Festival
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 6, 2008
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2008
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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in CFCH.SFF.2008 for Elizabeth Murray Oral History of Women in the Visual Arts Project
Smithsonian Folklife Festival records: 2005 Smithsonian Folklife Festival
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 2005
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2005
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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in CFCH.SFF.2005 for Elizabeth Murray Oral History of Women in the Visual Arts Project
Records
Creators:
National Museum of African Art. Associate Director for Collections and Research
Dates:
circa 1983-1993
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 94-027
Repository:
Smithsonian Institution Archives

This accession consists of the records of Roy Sieber, Associate Director for Collections and Research at the National Museum of African Art (NMAfA), from 1983 to 1993. Materials include incoming and outgoing correspondence with other museums, universities, private collectors, and the general public; information pertaining to NMAfA exhibitions, acquisitions, collections management, and …

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in Accession 94-027 for Elizabeth Murray Oral History of Women in the Visual Arts Project
Henry-Russell Hitchcock papers
Creators:
Hitchcock, Henry-Russell, 1903-1987
Dates:
1919-1987
Size:
24.8 Linear feet
Collection ID:
AAA.hitchenp
Repository:
Archives of American Art

The papers of architectural historian, author, critic, teacher, and museum director, Henry-Russell Hitchcock, date from 1919-1987 and measure 24.8 linear feet. Almost all of the collection is comprised of Hitchcock's correspondence files relating to academic research, teaching, curatorial interests, and professional associations. Letters are from prominent architectural historians, architects, artists, preservationists, museum directors and curators, and family and friends. Also found are two feet of writings by Hitchcock and others, scattered biographical information, printed material, and photographs of Hitchcock and architecture.

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in AAA.hitchenp for Elizabeth Murray Oral History of Women in the Visual Arts Project
Smithsonian Folklife Festival records: 2004 Smithsonian Folklife Festival
Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 2004
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.2004
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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in CFCH.SFF.2004 for Elizabeth Murray Oral History of Women in the Visual Arts Project
Jacques Seligmann & Co. records
Creators:
Jacques Seligmann & Co
Dates:
1904-1978
bulk 1913-1974
Size:
203.1 Linear feet
Collection ID:
AAA.jacqself
Repository:
Archives of American Art

The records of Jacques Seligmann & Co. measure approximately 203.1 linear feet and date from 1904 to 1978, with bulk dates from 1913 to 1974. The collection includes extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies. The collection is an invaluable resource in tracing the provenance of particular works of art and provides a comprehensive view of the activities of collectors and art dealers in the years leading up to and following World War II.

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in AAA.jacqself for Elizabeth Murray Oral History of Women in the Visual Arts Project
Henry John Drewal and Margaret Thompson Drewal Collection
Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 Copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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in EEPA.1992-028 for Elizabeth Murray Oral History of Women in the Visual Arts Project
739 records — Page 58 of 74