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Creators:
National Museum of American Art. Office of Registration and Collections Management
Dates:
1966-1990
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 97-050
Repository:
Smithsonian Institution Archives

This accession consists of the exhibition files of the Exhibition Coordinator at the National Museum of American Art (NMAA). The files correspond with previously accessioned exhibition files from the Registrar's Office (please see the folder list for cross references). Also includes Registrar correspondence, 1974, 1977-1978; files on the Explo...

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Creators:
Science, Medicine and Society, Division of (NMAH, SI).
Dates:
1985-1992
bulk 1987-1989
Size:
4 Cubic feet (8 boxes)
Collection ID:
NMAH.AC.0538
Repository:
Archives Center, National Museum of American History

The collection was assembled by Museum curators and documents the efforts of persons in eight states to have the Superconducting Super Collider (SSC), a particle accelerator, built in their state. Also documents efforts in each state to oppose locating the SSC in their state. The collection contains correspondence, press kits, posters, signs, bumper stickers, leaflets, handbills, clippings, photographs, and a videotape.

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Creators:
National Museum of the American Indian. Curatorial Office
Dates:
1979-2003
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Accession 08-029
Repository:
Smithsonian Institution Archives

This accession consists of records which document the activities of the curatorial staff of the National Museum of the American Indian (NMAI). Subjects covered include the exhibition master plan, workshops, repatriation, exhibitions, councils, collections management, collection research, conservation treatment, budgetary matters, and research....

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Creators:
Schipper, Merle, 1922-2001
Dates:
circa 1930s-1999
Size:
12.1 Linear feet
Collection ID:
AAA.schimerl
Repository:
Archives of American Art

The papers of Los Angeles art historian, art critic, and writer Merle Schipper measure 12.1 linear feet and date from circa 1930s to 1999. The papers include biographical material, correspondence, writing and research project files, printed material, writings by others, photographs, and artwork.

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Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Registrar
Dates:
1974-1993
Size:
15.5 cu. ft. (15 record storage boxes) (1 document box)
Collection ID:
Accession 96-166
Repository:
Smithsonian Institution Archives

This accession consists of the administrative records of Douglas Robinson, Registrar, at the Hirshhorn Museum and Sculpture Garden (HMSG). The records date from 1974-1993, with the major portion being from 1985-1993. The records include Outgoing loans, 1985-1993; Exhibition Files, which include a list of the exhibition, loan records/agreements...

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Creators:
Goldwater, Robert John, 1907-1973
Dates:
1902-1974
Size:
5.4 Linear feet
Collection ID:
AAA.goldrobe
Repository:
Archives of American Art

The papers of art historian, educator, editor, and museum director Robert John Goldwater measure 5.4 linear feet and date from 1902-1974. Found are correspondence, subject files, teaching records, writings, and printed material. Also included are the papers, primarily correspondence, of Goldwater's father, S. S. Goldwater, M. D., a nationally recognized expert in the fields of public health, hospital administration, and hospital design and construction.

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Creators:
Arnautoff, Victor Mikhail, 1896-1979
Dates:
circa 1920-2017
bulk 1920-1953
Size:
3.3 Linear feet
Collection ID:
AAA.arnavict
Repository:
Archives of American Art

The papers of artist and art teacher Victor Mikhail Arnautoff measure 3.3 linear feet and date from 1920 to 2017 with the bulk of the material dating from the 1920 to 1953. The collection contains biographical material such as marriage certificates, passports, naturalization certificates, and an Arnautoff family history; correspondence between fami...

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Creators:
Gray, Cleve
Dates:
1933-2005
Size:
9.2 Linear feet
Collection ID:
AAA.grayclev
Repository:
Archives of American Art

The Cleve Gray papers, 1933-2005, measure 9.2 linear feet. Papers include biographical material, alphabetical files, writings, artwork, audio/visual records, artifacts, printed material, and photographs. Extensive alphabetical files contain personal and professional correspondence as well as subject files relating to projects and interests. Especially well-documented are: Gray's involvement with the Vietnam protest movement; and Threnody, his best-known work composed of fourteen large panels lamenting the dead of both sides sides in Vietnam, commissioned by the Neuberger Museum of Art.

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Creators:
Jacques Seligmann & Co.
Dates:
1904-1978
bulk 1913-1974
Size:
203.1 Linear feet
Collection ID:
AAA.jacqself
Repository:
Archives of American Art

The records of Jacques Seligmann & Co. measure approximately 203.1 linear feet and date from 1904 to 1978, with bulk dates from 1913 to 1974. The collection includes extensive correspondence files, reference material on American and European collectors and their collections, inventory and stock records, financial records, exhibition files, auction files, and the records of subsidiary companies. The collection is an invaluable resource in tracing the provenance of particular works of art and provides a comprehensive view of the activities of collectors and art dealers in the years leading up to and following World War II.

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Creators:
Tatti, Benedict, 1917-1993
Dates:
1936-2011
bulk 1945-1993
Size:
1.8 Linear feet
Collection ID:
AAA.tattbene
Repository:
Archives of American Art

The papers of New York sculptor, painter, educator, and video artist, Benedict Tatti (1917-1993) measure 1.8 linear feet and date from 1936-2011, with the bulk of the collection dating from 1945-1993. Papers consist of biographical material, correspondence, project files, subject files, exhibition files, writings, notes, and lists, printed materials, and photographs. Exhibition files and printed material, such as catalogues and checklists provide an overview of Tatti's activities as a sculptor and video artist. Also, photographs of artwork are a rich source of provenance-related information on Tatti's sculptures.

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