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Creators:
Gracie Mansion Gallery
Dates:
1972-1991
Size:
5.3 Linear feet
Collection ID:
AAA.gracmans
Repository:
Archives of American Art

The records of the New York City contemporary Gracie Mansion Gallery measure 5.3 linear feet and date from 1972-1991. Most of the records date from the gallery opening in 1982 and later. The bulk of the collection consists of printed material and exhibition loan files that document the activities of the gallery and the East Village art scene. Loan and consignment files are found for numerous artists including Michael Bidlo, Buster Cleveland, Claudia DeMonte, Rodney Alan Greenblat, Stephen Lack, Ed McGowin, David Sandlin, Hope Sandrow, David Wojnarowicz, Rhonda Zwillinger, among others. Also found are scattered business records.

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Creators:
Gerber, H. Joseph
Gerber Scientific Instrument Company (Hartford, Conn.).
Dates:
1911 - 1999
Size:
75 Cubic feet (182 boxes)
Collection ID:
NMAH.AC.0929
Repository:
Archives Center, National Museum of American History

Records document the Gerber Scientific Instrument Company, Hartford, Connecticut, and its four subsidiaries: Gerber Garment Technology, Inc., Gerber Scientific Products, Inc., Gerber Systems Corp., and Gerber Optical, Inc. Gerber Scientific designs, develops, manufactures, markets and services computer aided design and computer aided CAD/CAM systems. The records include correspondence, memoranda, product literature, trade literature, patent records, instruction manuals, proposals, engineering records, photographs, technical reports, drawings, press releases, and newspaper clippings.

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Creators:
Curtis, Edward S., 1868-1952
Dates:
circa 1895-2001
bulk 1898-1951
Size:
86 Linear feet
Collection ID:
NAA.2010-28
Repository:
National Anthropological Archives

The Edward S. Curtis papers and photographs, circa 1895-2001 (bulk 1898-1951) primarily relate to Curtis's work on his opus, the North American Indian (NAI), although other subjects are documented as well. The papers relate closely to the Edward S. Curtis papers at the University of Washington Libraries Special Collections (UW), as that collection ...

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Dates:
1865–1870
Size:
20,421 digital files
Collection ID:
NMAAHC.FB.M1902
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 21 rolls of microfilm described in NARA publication M1902. These digital surrogates reproduced the records of the District of Columbia field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1870. Some pre-Bureau records dated 1863 and 1864 are included. These records consist of bound volumes and unbound records, containing materials that include letters and endorsements sent and received, monthly reports, registers of marriages, and employment registers.

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Creators:
Craton, Forman H., 1902-1983
Dates:
1902-1983
Size:
4.15 Cubic feet (13 boxes)
Collection ID:
NMAH.AC.0454
Repository:
Archives Center, National Museum of American History

Diaries and memoirs, profusely illustrated with photographs and other mementos, which describe Craton's life, education and work experience as an engineer at General Electric in minute detail, and include his comments on the culture, current events and politics of the times; and correspondence, mostly letters from Craton to his wife and to his mother.

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Creators:
Northern States Power Company
Hooks, Benjamin, Dr.
Xcel Energy
Reddy Communications, Inc.
More …
Dates:
1926-1999
Size:
30 Cubic feet (119 boxes )
Collection ID:
NMAH.AC.0913
Repository:
Archives Center, National Museum of American History

The records document the development and use of Reddy Kilowatt, a cartoon figure trademark created in 1926 by Ashton B. Collins, Sr. More than 150 investor-owned electric utilities in the United States and at least twelve foreign countries licensed the use of the Reddy Kilowatt trademark. The records include a wide range of textual and visual materials and sound and moving image recordings.

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Creators:
Olmstead, G. Dwoyid (Gilbert Dwoyid), 1914-1985
Williams, Sydney Olmstead
Dates:
ca. 1941-1949.
Size:
0.3 Cubic feet (2 vertical boxes)
Collection ID:
NMAH.AC.0270
Repository:
Archives Center, National Museum of American History

The collection contains one hundred seventy eight (178) film photonegatives by G. Dwoyid Olmstead in 4 x 5 in. sheet and cut film and 2 1/4 x 2 1/4 in. (#120) rollfilm sizes; the rollfilm negatives are cut apart into either individual frames or double image strips. Most of the photographs were taken in the early 1940s in the Hill District, Pittsbur...

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Creators:
National Museum of American History. Division of Cultural History
Dates:
1971-2004
Size:
14 cu. ft. (14 record storage boxes)
Collection ID:
Accession 07-143
Repository:
Smithsonian Institution Archives

This accession consists of the records of Cynthia Adams Hoover (CAH), Curator Emeritus at the National Museum of American History (NMAH), and document her involvement in the organization of the exhibitions Piano 300: Celebrating Three Centuries of People and Pianos and Music Machines - American Style during the years she was Associate Cur...

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Creators:
Biddle, Livingston, 1918-2002
Dates:
circa 1940-2002
Size:
40.2 Linear feet
Collection ID:
AAA.biddlivi
Repository:
Archives of American Art

The papers of government arts administrator and novelist Livingston L. Biddle, Jr. (1918-2002) measure 40.2 linear feet and date from circa 1940 to 2002. The papers are comprised of biographical materials, correspondence, interviews, writings, numerous files reflecting his work to establish the National Endowment for the Arts (NEA), political committee files, personal legal records, printed materials, scrapbooks, and photographs. Throughout the collection are video and sound recordings.

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Creators:
Richenburg, Robert
Dates:
circa 1910s-2008
Size:
5.3 Linear feet
4.32 Gigabytes
Collection ID:
AAA.richrobe
Repository:
Archives of American Art

The Robert Richenburg papers, circa 1910s-2008, measure 5.3 linear feet and 4.32 GB. Biographical material, correspondence, subject files, writings, sound and video recordings, printed material, and photographs document the professional career and personal life of the educator and New York School painter and sculptor best known for his Abstract Expressionist paintings.

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