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Creators:
National Air and Space Museum. Assistant Director for Exhibits
Dates:
circa 1963-1986
Size:
17.5 cu. ft. (14 record storage boxes) (1 tall document box) (1 tube box) (15 oversize folders)
Collection ID:
Record Unit 352
Repository:
Smithsonian Institution Archives

These records provide documentation of the creation and preparation of exhibits for the most important period in the history of the National Air and Space Museum (NASM) - the planning, fabrication, and installation of two dozen major galleries for the new museum building, which opened in 1976. Also included is material on exhibits in the ...

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Creators:
National Museum of American Art. Office of the Director
Dates:
1969-1991
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Record Unit 438
Repository:
Smithsonian Institution Archives

These records consist primarily of administrative subject files maintained by the Office of the Director, documenting his or her activities in the museum, in the Institution, and with outside people and organizations. Also included are files on the National Museum of American Art Commission, its meetings, and its commissioners. Some materials ...

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Creators:
Smithsonian Productions
Dates:
1968, 1980-1985, 1989-1994, 2002
Size:
59.04 cu. ft. (56 record storage boxes) (3.04 non-standard size boxes)
Collection ID:
Accession 05-263
Repository:
Smithsonian Institution Archives

This accession consists of audiovisual elements created during the production of "The Sea: A Quest for Our Future;" "Coral Reefs: New Discoveries, New Resources;" "Coral Reefs: How to Make Use of 400 Million Years of Evolution;" "Coral Reefs: Understanding Their Passage Through Time;" "Blue Planet;" "Coral Reefs and the Discovery of New Resour...

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Creators:
Marcus, Marcia, 1928-
Dates:
1928-2016
bulk 1950-2000
Size:
0.389 Gigabytes
8.42 Linear feet
Collection ID:
AAA.marcmarc
Repository:
Archives of American Art

The papers of New York painter and educator Marcia Marcus measure 8.42 linear feet and .389 gigabytes (1 computer file), and date from 1928-2016, with the bulk of the materials dating from 1950-2000. The papers include biographical material, correspondence, interviews, writings (including two diaries), project files, personal business records, printed material, photographic material, eight sketchbooks, and artwork. Extensive personal and professional correspondence is with her husband and close friends, galleries, museums, and other arts organizations. Notable correspondents include Sally Avery, Dody Müller, and Robert (Bob) Richenburg, and, to a lesser extent, Dorothy Gill Barnes, Elaine Benson, Elaine de Kooning, Grace Hartigan, and Myron Stout. Photographic material includes photographs of Marcus at all stages of her life and photographs and slides documenting her paintings.

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Creators:
Linda Farris Gallery
Farris, Linda
Dates:
1969-1995
Size:
13.4 Linear feet (13 Boxes, 1 sol, 1 ov folder)
Collection ID:
AAA.lindfarr
Repository:
Archives of American Art

The records of Seattle's avant-garde Linda Farris Gallery measure 13.4 linear feet and date from 1969-1995. The bulk of the records consist of artists' and exhibition files. Also found are gallery business correspondence, administrative files, event files, reference files, records of sales, scattered legal files, the personal papers of gallery owner Linda Farris, and printed materials.

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Creators:
Fendrick Gallery
Dates:
1952-2001
Size:
106.4 Linear feet
0.008 Gigabytes
Collection ID:
AAA.fendgall
Repository:
Archives of American Art

The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.

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Creators:
Hills Bros. Coffee, Inc.
Dates:
1856-1989, undated
Size:
65 Cubic feet
Collection ID:
NMAH.AC.0395
Repository:
Archives Center, National Museum of American History

Printed advertisements, scrapbooks, correspondence, marketing research, radio commercial scripts, photographs, proof sheets, reports, newspaper clippings, magazine articles, television commercial storyboards, blueprints, legal documents, and audiovisual materials primarily documenting the history, business practices, and advertising campaigns of the Hills Bros. Coffee Company, Incorporated. Collection documents the professional and private lives of the Hills family; insight into the cultivation, production, and selling of coffee; and construction of the San Francisco-Oakland Bay Bridge.

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Creators:
Gjording, Chris N., 1943-1993
Dates:
1966-1991
bulk 1977-1991
Size:
6.34 Linear feet (15 document boxes, 1 cassette tape, and 37 computer disks)
Collection ID:
NAA.2008-19
Repository:
National Anthropological Archives

The papers of Chris Gjording primarily document his research and activities in Central America, particularly his research on the Guaymíes and the Cerro Colorado copper mining project in Chiriquí, Panama. Materials pertaining to Panama include Gjording's field notes (portions of which are missing due to severe insect infestation); photographs; reference materials he collected; and his writings, which include his articles, dissertation, and drafts of his dissertation revised for publication. In addition to his work in Panama are his field notes and photographs from his research on campesino communities in Guatemala and El Salvador. Gjording also kept subject files on Latin American countries, focusing on the poor and oppressed and the social and political climate. His writings on those subjects are present in the collection and include a draft of his unpublished paper on peasant uprising in El Salvador and issues of Informacciónes, the Spanish-language newsletter that Gjording published and wrote articles for in Honduras. The collection also contains correspondence and notes relating to his visits to the Guatemalan Indian refugee camps in Los Lirios and Maya Balam in Quintana Roo in Mexico. In addition, the collection contains some of his correspondence with his mentor Ricardo Falla, a Guatemalan Jesuit priest and anthropologist, whom he refers to as "RF" in his notes. The collection also contains computer disks with chapters in Spanish from Falla's book on Ixcán, possibly Masacres de la selva: Ixcán, Guatemala, 1975-1982 (1992).

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Creators:
Hopkins, Budd, 1931-2011
Kingsley, April
Dates:
circa 1945-2017
Size:
11 Linear feet
0.209 Gigabytes
Collection ID:
AAA.kingapri
Repository:
Archives of American Art

The papers of art critic, curator, and educator April Kingsley and painter, sculptor, writer, and educator Budd Hopkins measure 11 feet and 0.209 Gigabytes, and date from circa 1945-2017. Kingsley's papers are comprised primarily of artist files for figures that April had a significant engagement with, project files, interviews with artists, subject file index cards, biographical materials, and miscellaneous correspondence. Hopkins' papers are comprised of biographical material, as well as correspondence with various prominent art world figures including Richard Diebenkorn, Robert Motherwell, Carl Andre, Howardena Pindell, and Robert Rosenblum. Hopkins' personal business records include correspondence and sale and consignment information. Also found are writings, printed material, including exhibition invitations and catalogs and press clippings, and photographic material depicting Hopkins and his artwork.

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Creators:
Flack, Audrey
Dates:
1950-2009
Size:
15.8 Linear feet
0.897 Gigabytes
Collection ID:
AAA.flacaudr
Repository:
Archives of American Art

The papers of painter Audrey Flack measure 15.8 linear feet and 0.897 GB and date from 1950-2009. The collection documents Flack's career as an artist through biographical material, correspondence, extensive project files, writings and notes by Flack and others, exhibition catalogs, news and magazine clippings, other printed and digital material, and scrapbooks. Also found are photographs by Audrey Flack as well as photographs of the artist and works of art.

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