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Creators:
Cox, Kenyon, 1856-1919
Dates:
1876-1977
Size:
0.3 Linear feet
Collection ID:
AAA.coxkenyl
Repository:
Archives of American Art

The papers of Kenyon and Louise Cox measure 0.3 linear feet and date from 1876 to 1977. Included are Kenyon and Louise's Certificate of Marriage, autobiographical notes by Louise focusing on her time at the National Academy of Design, writings, and correspondence, primarily from Kenyon Cox, including several illustrated letters. Also found is artwork by Kenyon and others, including Julian Alden Weir, biographical material on Jacob Dolson Cox, Keyon's Father, photographs and printed reproductions of artwork, magazine and newspaper clippings, an unpublished bibliography on Kenyon Cox, and a handwritten list of Kenyon Cox paintings in the National Academy of Design permanent collection.

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Creators:
Mekeel, H. Scudder (Haviland Scudder), 1902-1947
Dates:
bulk 1930-1933
circa 1920-1947
Size:
1 Print (photochrom)
443 Negatives (nitrate)
235 Prints (silver gelatin)
Collection ID:
NAA.PhotoLot.94-21
Repository:
National Anthropological Archives

The photographs primarily document ceremonies, people, and lands of American Indians in the Plains and Southwest, taken during Mekeel's field research from 1929 to 1936. A large portion of the collection depicts Mekeel's research during the early 1930s among the Oglala of the Pine Ridge Reservation in South Dakota. Another large portion of the coll...

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1827-1986; undated
Size:
66 Boxes
Collection ID:
NMAH.AC.0300.S09
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 9: Domestic and Community Life documents family, love, marriage, home, and social organizations. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
circa 1810-1980
Size:
62 Boxes
Collection ID:
NMAH.AC.0300.S02
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 2: Armed Forces contains circa 3,400 pieces of sheet music and song folios documenting the military history of the United States; there are only a handful of foreign imprints. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Perine, Robert
Dates:
circa 1923-circa 1985
Size:
1.8 Linear feet
Collection ID:
AAA.perirobe
Repository:
Archives of American Art

The Robert Perine research material on the Chouinard Art Institute measures 1.8 linear feet and date from circa 1923 to circa 1985. Documents consist of research material used in Perine's book Chouinard: An Art Vision Betrayed (1985) including catalogs for the Chouinard Institute and California Institute of the Arts; notes and preliminary writings for the book, including an annotated table of contents and a bibliography; floor plans of the Institute; material concerning the lawsuit brought against the board of trustees in an attempt to prevent the closing of the school; 158 photographs of Nelbert Chouinard, classes, students and buildings; and 27 sound cassettes of interviews of 52 artists and staff, some with partial transcripts.

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Creators:
Rountree, Helen C., 1944-
Dates:
1969-1990
Size:
27 sound recordings (1/4" reels and cassettes)
2.4 Linear feet (4 boxes)
Collection ID:
NAA.2005-22
Repository:
National Anthropological Archives

Helen C. Rountree is emeritus professor of anthropology at Old Dominion University in Norfolk, Virginia. She studied the history of the Virginia Tribes from the 17th century to the 21st century and is considered a leading expert on Pocahontas. The Helen C. Rountree papers include field notes, correspondence, and sound recordings relating to her field work among the Pamunkey, Mattaponi, Nansemond, Rappahannock, Chickahominy, Monacan, as well as the area around Nottoway Reservation and Gingaskin Reservation.

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Creators:
Army Medical Museum (U.S.)
Dates:
probably 1870s-1880s
Size:
100 Negatives (circa, glass)
Collection ID:
NAA.PhotoLot.73-26C
Repository:
National Anthropological Archives

Photographs of skulls in the United States Army Medical Museum collection, which appear to have been collected for physical anthropological purposes. Included are archeological remains and remains of historical American Indian tribes and some other ethnic groups. Other than tribe or location, data for the specimens include Army Medical Museum speci...

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Creators:
United States. Department of Agriculture
Dates:
1928-1929
Size:
2 acetate negatives
3 nitrate negatives
100 Prints (ca. 100 prints: silver gelatin)
120 Prints (ca. 120 glass negatives)
Collection ID:
NAA.PhotoLot.91-8
Repository:
National Anthropological Archives

Images of settlements, people (including Negritos), artifacts, agriculture (especially sugarcane), headdresses, tattooing and body marking, members of the expedition, and the expedition's plane. This collection contains photographs by every member of the expedition. Other images are from Frank Hurley's documentary, "Pearls and Savages", or were m...

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Creators:
Morrow, Stanley J.
Dates:
circa 1865-1887
Size:
434 copy prints
Collection ID:
NAA.PhotoLot.R4468
Repository:
National Anthropological Archives

Photographs made by Stanley J. Morrow depicting Plains Indians, agencies, and United States Army installations and expeditions. About half of the subjects relate to American Indians, including Arikara, Hidatsa, Mandan, Ponca, Crow, Cheyenne, Bannock, Hunkpapa, Oglala, and other Teton Sioux including "Loafer Band," Yanktonai, Santee, Sisseton and W...

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Creators:
Roche, John P.
Roche, Mary Alice
Dates:
circa 1954-1970
Size:
0.5 Cubic feet
28 Transparencies (col. , 4 x 5 in.)
62 Photographic prints (b&w , 8 x 10 in.)
1 Photographic print (col. , 2.5 x 3.5 inches)
3 Transparencies (col. , 120mm)
Collection ID:
AAG.ROC
Repository:
Archives of American Gardens

The Roche Collection documents some of the work of John and Mary Alice Roche, garden photographers who photographed numerous gardens throughout the United States. Several of the Roches' images appeared in popular gardening magazines and books on flower arranging from the 1950s and 1960s.

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