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Creators:
Blackmun, Barbara Winston
Dates:
circa 1969-1994
Size:
1,469 Color slides
Collection ID:
EEPA.2016-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes 1,469 color slides (35mm) which were taken in Nigeria from circa 1964-1994, and focus on ancestral altars; artists; art objects in museums, including bronze plaques and carved ivory tusks; ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, Olokun, title-taking, and Blackmun's initation ceremonies; and people, including Oba Erediauwa and chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide; and street and landscape scenes in Benin City, Ife, Lagos, Ishiago, and Mbarri, Owerri, Owo, among other locations in Nigeria.

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Creators:
National Portrait Gallery (Smithsonian Institution). Office of Exhibitions
Dates:
circa 1968-1976
Size:
14.5 cu. ft. (29 document boxes)
Collection ID:
Record Unit 361
Repository:
Smithsonian Institution Archives

Records in this record unit document the exhibition research and activities of the National Portrait Gallery and its Office of Exhibitions. Particularly well represented are exhibitions mounted between 1974 and 1976, with materials documenting research and publications on numerous artists, paintings, prints, broadsides, books, documents and ...

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Creators:
Biren, Joan E.
Dates:
1931-2019
Size:
5 Cubic feet (8 boxes, 13 map-folders)
Collection ID:
NMAH.AC.1216
Repository:
Archives Center, National Museum of American History

Joan E. Biren (JEB) is an internationally recognized photographer and documentary artist. She assembled this collection as her Queer Film Museum. It consists of a variety of materials about and associated with queer films, both foreign and domestic.

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Creators:
Hemphill, Herbert Waide
Dates:
1776-1998
bulk 1876-1998
Size:
26.7 Linear feet
Collection ID:
AAA.hempherb
Repository:
Archives of American Art

The papers of folk art collector and museum curator Herbert Waide Hemphill date from 1776-1998, bulk 1876-1998, and measure 26.7 linear feet. Found within the papers are biographical materials, personal business records, files documenting his collecting, writings, art work, minutes of meetings, a scrapbook, printed material including exhibition and auction announcements and catalogs, and miscellaneous artifacts. The collection also contains numerous photographs of Hemphill, family members, his residences, friends and colleagues, exhibitions, travel, and art work. Sound and video recordings include interviews of Hemphill.

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Creators:
National Museum of the American Indian. Exhibits Media Office
Dates:
1973, 1992-1996
Size:
23 cu. ft. (23 record storage boxes)
Collection ID:
Accession 09-281
Repository:
Smithsonian Institution Archives

This accession consists of audiovisual recordings created by the Exhibits Media Office for the exhibition This Path We Travel: Celebrations of Contemporary Native American Creativity. This inaugural exhibition was installed at the National Museum of the American Indian (NMAI), George Gustav Heye Center (GGHC) in New York, New York (NY) an...

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Creators:
Smithsonian American Art Museum. Curatorial Office
Dates:
1988-2006
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 08-056
Repository:
Smithsonian Institution Archives

This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum and the Renwick Gallery. Staff represented include Virginia M. Mecklenburg, Senior Curator, Painting and Sculpture, SAAM; Kenneth R. Trapp, Curator-in-Charge, Renwi...

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Creators:
Cornell, Joseph
Dates:
1804-1986
bulk 1939-1972
Size:
24.9 Linear feet
Collection ID:
AAA.cornjose
Repository:
Archives of American Art

The papers of Joseph Cornell (1903-1972) measure approximately 24.9 linear feet and date from 1804 to 1986 with the bulk of the material dating from 1939-1972. The collection documents the life, work, interests, and creative activities of the self-taught artist, who was best known for his shadow box constructions, assemblages, and collages. Papers include correspondence, diaries, source material, notes, writings, photographs, printed material, two- and three-dimensional ephemera, art works, and books, as well as a limited amount of legal and financial records, and some miscellaneous personal and family papers. The collection also includes the papers of his sister, Betty Cornell Benton, relating to the handling of Cornell's estate and the personal papers of his brother, Robert Cornell.

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Creators:
Dehn, Adolf, 1895-1968
Dates:
1912-1987
Size:
6.6 Linear feet
Collection ID:
AAA.dehnadop
Repository:
Archives of American Art

The papers of printmaker and painter Adolf Dehn measure 6.6 linear feet and date from 1912-1987. The collection contains extensive correspondence, as well as writings, exhibition announcements, catalogs, clippings, invoices, receipts, legal documents, scrapbooks, artwork, and photographs. There is also scattered correspondence of Virginia Dehn, mostly concerning her husband Adolf Dehn.

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Creators:
Wildenhain, Frans, 1905-1980
Dates:
circa 1890-1991
Size:
8.2 Linear feet
Collection ID:
AAA.wildfran
Repository:
Archives of American Art

The papers of ceramicist, sculptor, and educator Frans Wildenhain measure 8.2 linear feet and date from circa 1890 to 1991. The papers document his career in Europe and the United States through biographical material, correspondence, diaries and notebooks, writings and notes, subject files, project files, printed material, three mixed media scrapbooks, artwork and sketchbooks, and photographic materials.

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Creators:
Susan Conway Gallery (Washington, D.C.)
Dates:
circa 1928, 1940s-2003
bulk 1987-2003
Size:
23.9 Linear feet
0.001 Gigabytes
Collection ID:
AAA.susacong
Repository:
Archives of American Art

The modern and contemporary art gallery records of the Susan Conway Gallery in Washington, D.C. measure 23.9 linear feet and 0.001 GB and date from circa 1928, circa 1940s-2003, with the bulk of the material dating from 1987-2003. Nearly half of the collection documents the gallery's work as the sole representative of artist and political cartoonist Pat Oliphant through administrative records, exhibition files, press clippings, and a handful of photographs. Also found in the collection are artists' files of other artists represented by the gallery, client files, administrative records, printed and digital materials, and the records of the Susan Conway Conservation Studio.

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