8288 records — Page 590 of 829
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Creators:
Smith, H.G.L.
Dates:
1905-1907
Size:
90 photographic prints ((1 box)., black & white, 7 x 9 cm.)
90 photographic prints ((dupe prints) (1 v.), black & white, 8 x 10 in.)
90 negatives (photographic) ((dupe negs), black & white, 4 x 5 in.)
Collection ID:
EEPA.1980-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

An album of photographs taken between 1905 and 1907 by H.G.L. Smith or his associates to document his hunting trips in Rhodesia (now Zimbabwe) and the accompanying African workers.

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Creators:
Scott, Victoria, 1943-
Dates:
1969-1979
Size:
580 slides (photographs) (1 volume, color)
Collection ID:
EEPA.1984-003
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Victoria Scott from 1969 to 1979 in Nigeria to document Nigerian art, in particular works at the Oshogbo school, while teaching and working as a visual artist at the Jebba Technical College. Photographs are of artists and their works. Scott used the images in her courses on Nigerian art at the college. The photographs document drawings, graphic prints, paintings and textiles of the Oshogbo school of artists. There are photographic reproductions of the following works: Elephant by Nike; Elmina Castle by Kwe Ade Odus; Free Yourself and See Yourself by Twins Seven-Seven; Mamiwata VoyiboII by Bruce Onobrakpeya; Obatala and his Wife by Joseph Olu-Billy; Ogun, God of Iron by Sam Babarinsa; Reindeer by Jimoh Buraimoh; The Secret Life of the Twins of Nigeria by Asiru Olatunde; and Yam Festival Masquerade by Adebisi Fabunmui. Also included within the collection are images of artists at work and the town in which they live. People portrayed include artist Adebisi Fabunmi; a blacksmith at work in Kaduna, Nigeria; and potters in Gahana. Images of the towns include a market in Abeokuta, Nigeria; a Portuguese fort in Cape Coast, Ghana and an Osun (deity) shrine in Oshogbo.

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Creators:
Watts, Hazel Bivens
Watts, David Luell
Dates:
1922-1952
bulk 1922-1938
Size:
1 folder ((1 file))
9 issues (object groupings) (illustrated, 26 cm.)
25 postcards (black & white, 9 x 14 cm.)
2 photographic prints (black & white, 11 x 16 cm. or smaller.)
1 volume
Collection ID:
EEPA.1984-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken and postcards collected by David L. and Hazel B. Watts during their work as missionaries with the Disciples of Christ Congo Mission among the Nkundu people in the Congo during the 1920s and 1930s. Images depicted on the postcards were taken by commercial photographers. Magazines collected by David L. and Hazel B. Watts and published by the United Christian Missionary Society in Indianapolis, Indiana, entitled, "Congo Portfolio," issues No. 1 through X, circa 1952. The magazines describe the efforts of the missionary society in the Congo during the first half of the 19th century.

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Creators:
Machado, Soura (photographer)
Andrade e Serrano, Freire d'
Dates:
circa 1888
Size:
36 negatives (photographic) (black & white, 4 x 5 in. )
36 photographic prints ((2 portfolio boxes), black & white, 16 x 22 cm.)
36 photographic prints ((1 volume), black & white, 8 x 10 in. )
Collection ID:
EEPA.1988-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Freire d'Andrade e Serrano and Soura Machado in Mozambique for Carta Agricolo-Silva Imp. (Agricultural Charter-Silver Importers), circa 1888. The photographs were collected by the trading company to document its activities and the conditions in Mozambique.

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Dates:
between 1877-1895
Size:
169 negatives (photographic) (dupe negs., black & white, 4 x 5 in. )
169 photographic prints (dupe prints (2 v.), black & white, 8 x 10 in. )
169 photographic prints ((1 album), black & white, 14 x 20 cm. or smaller.)
Collection ID:
EEPA.1995-017
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs of West Africa, mostly from Lagos and coastal Nigeria, 1877-1895. There are high quality pictures of trading houses and residences in Lagos, often with the name of the owners given in the caption. One of the buildings depicted is the cathedral. Several exceptional images portray chiefs, such as the King of Opobo, and the wives of the King of Opobo, the Balogun of Epe, the Alake of Abeokuta, and the chief of New Calabar. Of greatest interest is a photograph entitled "Benin Gods" which shows figures from the Kingdom of Brass, taken in circa 1877/1878. There are also views of Cape Coast, Elmina, Accra, Wydah, Fernando Poo, Porto Novo, Grand Popo, and one from Liberia. The themes range from architecture to dances and weddings. Of particular interest are two depictions of fancy dress.

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Dates:
1897
Size:
63 photographic prints (dupe prints (1 v.), black & white, 8 x 10 in. )
63 photographic prints (albumen (1 album), black & white, 18 x 26 cm. or smaller )
63 negatives (photographic) (dupe negs, black & white, 4 x 5 in. )
Collection ID:
EEPA.1995-024
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by unknown photographers in Nigeria and found in an album signed on the front inside cover, "W.H. Himbury, Grosvenor Club, Piccadilly 10." Funeral pictures of important African chiefs are prominent within the album and include burial pictures of the family members of the deceased as well as of the belongings of the deceased. Images include views of Lagos and Abeokuta. African peoples include the Anang Ibibio, Kalabari and Efik. Images of individuals include British colonial officials and chiefs of the Niger Delta. Prominent among the British officials is Sir Claude Maxwell Macdonald (1852-1915), Governor of the Oil River Protectorate, which, after 1896, was known as the Niger River Protectorate.

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Dates:
between 1924-1935
Size:
120 postcards ((silver gelatin prints), black & white, 9 x 14 cm.)
3 photographic prints ((silver gelatin), black & white, 26.5 x 19.7 cm. or smaller)
3 drawings (visual works) (black & white, 29.8 x 22.7 cm. or smaller)
Collection ID:
EEPA.2002-005
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photographs belong to the series of 417 images, entitled "L'Afrique qui disparaît", which Casimir Zagourski (1883-1944), a Polish photographer who lived in Léopoldville, created in the years between 1924 and 1935. He edited the series in different forms. One of the postcards includes a mistake in the captioning which could occur in the printing...

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Creators:
Lee, James
Dates:
1963-1970
Size:
323 slides (photographs) (1 volume, color, 35 mm.)
Collection ID:
EEPA.1985-006
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by James Lee in Cameroon, Ghana, Cote d'Ivoire, Kenya, Mali, Nigeria, Burkina Faso, and Zimbabwe between 1963 and 1970. The images reflect a variety of themes.

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Creators:
Cole, Herbert M
Dates:
1973
Size:
357 slides (photographs) (color)
Collection ID:
EEPA.2000-008
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Herbert M. Cole of people and architecture in Kenya, 1973. Peoples included are the Samburu, Turkana and Pokot.

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Creators:
Roget, Léon, Major, 1865-1929
Dates:
1886-1888
Size:
53 photographic prints ((1 album), black & white, 12 x 17 cm.)
53 negatives (photographic) (dupe negs, black & white, 4 x 5 in.)
53 photographic prints (dupe prints (1 v.), black & white, 12 x 17 cm.)
Collection ID:
EEPA.1997-013
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs assembled by Major Leon Roget, 1858-1909, in 1886 and 1888 in Boma, Congo Free State. Major Roget had organized the first companies of Force publique and had become its first commander (1886-1888). Most of the images are described in captions written on separate sheets by Rene J. Cornet, author of "La Bataille du Rail." Some images show the building of the railroad of the lower Congo (Matadi-Kinshasa), Katanga, and relate to the Belgian occupation and geological exploration of the Southeastern province and Maniema of the Belgian Congo by his father, Jules Cornet, 1865-1929. The majority of the images show architecture and colonial life in Boma and Matadi. They include a balloon ascent in 1889, a group of African men and women, African troops and African women with scarification. The most remarkable photographs include a picture of a Kongo burial ground, a studio photograph of a "horizontale" in Sierre Leone and a portrait of Makoleka, a "feticheur," who was executed for murder.

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8288 records — Page 590 of 829