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Creators:
Smithsonian Institution, Office of the Secretary
Dates:
1986-1987
Size:
38 cu. ft. (38 record storage boxes)
Collection ID:
Accession 90-074
Repository:
Smithsonian Institution Archives

This accession consists of administrative records of the Office of the Secretary, Robert McCormick Adams, for fiscal year 1987.

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
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Dates:
1925-1993
Size:
19 Boxes
The subseries contains black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.11
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Dates:
1889-1910
Size:
0.25 Cubic feet (1 slim legal document box)
Collection ID:
NASM.1991.0075
Repository:
National Air and Space Museum Archives

Carl Myers (1842-1925) was a meteorologist, photographer and balloonist. In 1875, Myers and his wife Mary ("Carlotta, Queen of the Air") began experimenting with balloons and made their first ascensions in 1880. Myers constructed and flew a variety of balloons and airships, and worked on the following technical advances: he developed a varnishing machine for producing fabrics impervious to hydrogen gas; he produced a portable system for generating hydrogen gas; he patented an apparatus for guiding balloons; and he made the first balloon ascension using natural gas as the lifting medium. Myers manufactured balloons for the U.S. Weather Bureau's rainmaking experiments and also supplied the United States Army Signal Corps (USASC) with twenty-one balloons for use in Spanish American War. Myers retired in 1910. The collection consists of 91 images of the following: balloons, airships, and aeronautical gear in various stages of construction and flight; interior and exterior views of the Carl Myers Balloon Farm; and a number of portraits taken of the family and visitors, including Thomas C. Benbow, a noted pioneering aeronaut. It also contains correspondence written by Myers to Professor Henry Allen (H.A.) Hazen, a meteorologist connected with the United States Signal Office, and one letter to George E. Curtis, head of the U.S. Weather Bureau.

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Creators:
Teiwes, Helga
Dates:
1965-2002
Size:
3775 negatives (photographic)
3126 slides (photographs)
433 Photographic prints
196 Transparencies
16 Linear feet
Collection ID:
NMAI.AC.070
Repository:
National Museum of the American Indian

The Helga Teiwes photograph collection contains over 7,000 negatives, slides and prints made by Teiwes between 1965 and 2002. For over thirty years Teiwes worked as a staff photographer for the Arizona State Museum, photographing and documenting Native American communities across the American Southwest. During this time, Teiwes also privately took photographs and built personal relationships among members of the Akimel O'odham, Tohono O'odham, Apache, Diné (Navajo) and Hopi tribes. These photographs include portraits of artists at work, families in their homes, daily life on the reservation, special events and landscape photography. Additionally, the Teiwes collection includes photographs from a 1975 trip to Peru and photographs of the Tarahumara (Rarámuri) community in Chihuahua, Mexico.

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Creators:
Smithsonian Institution. Office of Financial and Management Analysis
Dates:
1961-1991
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 93-050
Repository:
Smithsonian Institution Archives

This accession consists of forms used by bureaus throughout the Smithsonian Institution (SI) that have been registered with the Office of Financial and Management Analysis. The records contain the most recent versions of the forms, along with prior versions and rough drafts. Some files contain correspondence regarding the history and compositi...

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Creators:
Seckler, Dorothy Gees, 1910-1994
Dates:
1962-1976
Size:
1.6 Linear feet
Collection ID:
AAA.seckdoro
Repository:
Archives of American Art

The Dorothy Gees Seckler collection of sound recordings relating to art and artists measures 1.6 linear feet and dates from 1962 to 1976. Recordings include 17 interviews conducted by Seckler, one interview by John Jones, and 17 additional recordings of mostly contemporary art-related programs and interviews taped from radio and television broadcasts. Recordings are on 26 sound cassettes and 25 sound tape reels.

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Creators:
National Museum of Natural History. Office of the Director
Dates:
1971-1990
Size:
79.5 cu. ft. (78 record storage boxes) (3 document boxes)
Collection ID:
Record Unit 374
Repository:
Smithsonian Institution Archives

These records primarily document the administration of the NMNH during the tenures of Kier, Fiske, and Hoffman. A small amount of files were created by Talbot, and Acting Directors James F. Mello, 1979, and James C. Tyler, 1985 and 1988. The records document the research, exhibition, and educational missions of the NMNH. They also document ...

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Creators:
National Museum Act Program
Dates:
1966-1986
Size:
53 cu. ft. (53 record storage boxes)
Collection ID:
Record Unit 574
Repository:
Smithsonian Institution Archives

The National Museum Act (NMA) of 1966 affirmed the Smithsonian Institution's traditional role of assisting other museums and authorized the Institution to strengthen its activities of service to them. Funds appropriated to the Smithsonian for the implementation of the National Museum Act were made available primarily by grants and contracts ...

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Creators:
Blackmun, Barbara Winston
Dates:
circa 1969-1994
Size:
1,469 color slides
Collection ID:
EEPA.2016-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes 1,469 color slides (35mm) which were taken in Nigeria from circa 1964-1994, and focus on ancestral altars; artists; art objects in museums, including bronze plaques and carved ivory tusks; ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, Olokun, title-taking, and Blackmun's initation ceremonies; and people, including Oba Erediauwa and chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide; and street and landscape scenes in Benin City, Ife, Lagos, Ishiago, and Mbarri, Owerri, Owo, among other locations in Nigeria.

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Creators:
Smith, Joseph Lindon, 1863-1950
Dates:
1647-1965
bulk 1873-1965
Size:
8.8 Linear feet
Collection ID:
AAA.smitjose
Repository:
Archives of American Art

The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.

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