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Creators:
Cooper-Hewitt Museum. Office of Public Programs
Dates:
1976-1982
Size:
8.5 cu. ft. (17 document boxes)
Collection ID:
Record Unit 324
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Smithsonian Institution. Office of the Secretary
Dates:
2004
Size:
11 cu. ft. (11 record storage boxes)
Collection ID:
Accession 09-299
Repository:
Smithsonian Institution Archives

This accession consists of records that document the administrative activities of Lawrence M. Small during his fifth year as Secretary of the Smithsonian Institution. The records document issues with regard to the Institution's museums, exhibitions, research, fundraising, programs, and special events. Materials include correspondence, memorand...

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Creators:
Evans, John, 1932-
Dates:
1957-2012
bulk 1970-2012
Size:
7.1 Linear feet
1 Gigabyte
Collection ID:
AAA.evanjohn
Repository:
Archives of American Art

The papers of John Evans, 1957-2012, bulk 1970s-2000, measure 7.1 linear feet and 1.00 GB and document the collage artist's involvement with mail art. The vast majority of letters are from mail artists, often with embellished envelopes and include and a digital version of Collected Essays by John Held, Jr. Writings include a thesis about mail art by Marya Trianfellos. Subject files concern art stamps, mail art shows and events, Ray Johnson's death and memorial tributes to him. The most thoroughly documented mail art project, "John Evans Fake Collages," is of unknown origin. In addition, there are a few items relating to projects conceived by Evans and more substantial documentation of projects initiated by Christina Behmenburg, Leslie Caldera, Ryosuke Cohen, Peter W. Kaufmann, Angela and Peter Netmail.

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Creators:
Smithsonian Institution. Office of the Secretary
Dates:
2001
Size:
11 cu. ft. (11 record storage boxes)
Collection ID:
Accession 07-145
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the administrative activities of Lawrence M. Small during his second year as Secretary of the Smithsonian Institution. The records document issues with regard to the Institution's museums, exhibitions, research, fundraising, programs, and special events. Materials include correspondence, memoranda...

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Creators:
Smithsonian Institution. Assistant Secretary for Public Service
Dates:
1961-1974
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Record Unit 145
Repository:
Smithsonian Institution Archives

The records are arranged in four alphabetic series, in the order in which they were received from the originating office. The series overlap in chronology and subject matter and are probably just segments of one general alphabetic subject file that was haphazardly weeded and separated as parts of the file became non-current. Much of the pre-1...

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Creators:
Messmore, George Harold
Messmore and Damon Company
Damon, Joseph
Dates:
1892 - 1998
Size:
16 Cubic feet (40 boxes)
Collection ID:
NMAH.AC.0846
Repository:
Archives Center, National Museum of American History

The records document Messmore and Damon's work in the design and construction of parade floats, museum dioramas, exhibitions, displays and scenery. The materials include business records, photographs, patents, scrapbooks, promotional materials, sound recordings and moving image.

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Creators:
Ortner, Donald J.
Dates:
1963-2013
Size:
44.37 Linear feet (96 boxes, 3 map-folders)
Collection ID:
NAA.2014-07
Repository:
National Anthropological Archives

The Donald J. Ortner Papers, dated 1963 to 2013, document his research and professional activities while working in the Division of Physical Anthropology in the Department of Anthropology at the Smithsonian Institution National Museum of Natural History. They primarily deal with his contributions to the field of paleopathology and his work with specimens from Bab edh-Dhra, Jordan and Chichester, England. The bulk of this collection consists of correspondence, files related to Ortner's publications, specimen observations and analysis, and photographs.

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Creators:
National Collection of Fine Arts. Office of Exhibition and Design
Dates:
1964-1978
Size:
11 cu. ft. (11 record storage boxes)
Collection ID:
Record Unit 448
Repository:
Smithsonian Institution Archives

These records consist of correspondence, photographs, and slides which document the design and installation of exhibitions at the National Collection of Fine Arts (NCFA) and the Renwick Gallery. Of special interest are records concerning the Patent Office Building (POB) Opening, 1968 and the exhibition America as Art, 1976. The records al...

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Creators:
Purnell, Louis R., interviewee
Dates:
1993-1994
Size:
13 audiotapes (reference copies).
Collection ID:
Record Unit 9578
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
De Land, Colin, 1955-2003
Dates:
1968-2008, bulk 1980-2003
bulk 1980-2003
Size:
15.15 Linear feet
0.901 Gigabytes
Collection ID:
AAA.delacoli
Repository:
Archives of American Art

The Colin de Land collection measures 15.15 linear feet and 0.901 GB and dates from 1968 to 2008, with the bulk of the collection dating from the early 1980s through 2003. The majority of the collection consists of photographic material, primarily snapshots, documenting daily life in and around de Land's gallery American Fine Arts, Co., as well as de Land's pesonal life and affairs. There are candid photographs of exhibition openings, day-to-day gallery operations, art fairs, vacations, social gatherings, and New York City street scenes. Also included are some personal objects belonging to de Land and his wife Pat Hearn, as well as two scrapbooks containing items once decorating the walls of de Land's office at American Fine Arts. The collection includes video recordings documenting trips to Cape Cod, Hearn's illness, and occasional art world events.

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