277 records — Page 7 of 28
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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1708-1938
Size:
10.92 Cubic feet (consisting of 23 boxes, 2 folders, 2 oversize folders, 1 flat box, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Plays
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Plays forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
McNally, George E.
LaClair, Beatrice M.
McNally, Neva Satterlee, -1909
Dates:
circa 1889-1964
Size:
1 Cubic foot (1 box)
Collection ID:
NMAH.AC.0760
Repository:
Archives Center, National Museum of American History

Collection consists of photographs, commercially published sheet music, and original music manuscripts from the McNallys' vaudeville careers. Materials include minstrel show and blackface material; photo of Albert Tovell, once the master of ceremonies for Frances H. "Peaches" Browning; and a photograph of "Gov. Jordan," a blackface female impersonator.

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Creators:
Currier, Thomas, 1906-1986
Currier, Terrence P.
Granville, Bonita
Warner, H.B.
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Dates:
1928-1986.
Size:
0.5 Cubic feet (2 boxes)
Collection ID:
NMAH.AC.1120
Repository:
Archives Center, National Museum of American History

Thomas Currier (1906-1986) and his partner Max Zides (1904-1975) formed the radio, vaudeville, night club and television song and patter duo known as Hum (Zides) and Strum (Currier). The collection documents the career of Currier and Zides as Hum and Strum.

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Creators:
Tartan, James, 1931-
Dates:
1981
Size:
5.1 Linear feet
Collection ID:
AAA.tartjame
Repository:
Archives of American Art

The Murals of Aztlán Film Production Records measures 5.1 linear feet and consists of film footage, sound recordings, and notes from the documentary produced by James Tartan during the exhibition Murals of Aztlán: the Street Painters of East Los Angeles at the Craft and Folk Art Museum, Los Angeles in 1981. Film and sound elements in the collection include original sound recordings, work print, outtakes, and trims. Also found are production notes, museum memorandums concerning the exhibition schedule, and a transcript of a recorded conversation among muralists.

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Creators:
Holliday, Frank
Kerr, Theodore
Dates:
2017 January 24-26
Size:
5 Items (Sound recording: 5 sound files (5 hr., 18 min.), digital, wav)
136 Pages (Transcript)
Collection ID:
AAA.hollid17
Repository:
Archives of American Art

An interview with Frank Holliday conducted 2017 January 24 and 26, by Theodore Kerr, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Holliday Studios in New York, New York.

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Creators:
Brynner, Irena
Dates:
1914-2003
Size:
14.2 Linear feet
Collection ID:
AAA.bryniren
Repository:
Archives of American Art

The papers of jeweler Irena Brynner measure 14.2 linear feet and date from circa 1914 to 2003. The papers document Brynner's career as a jeweler in California and New York through biographical material including sound recordings of her diary; correspondence with family, friends, and art organizations; diaries, notebooks, and other writings; exhibition announcements, news clippings, and other printed material; photographs and slides; artwork including eight sketchbooks; and eleven scrapbooks.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1911-1986
Size:
42 flat boxes
Collection ID:
NMAH.AC.0300.S06
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 6: Moving Pictures and Movie Stars forms part of the DeVincent collection. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Weir family
Dates:
1809-circa 1961
bulk 1830-1920
Size:
0.8 Linear feet
Collection ID:
AAA.weirweir
Repository:
Archives of American Art

The papers of the prominent New York and Connecticut Weir family of artists measure 0.8 linear feet and date from 1809-circa 1961, with the bulk of the material dating from 1830-1920. The papers are a collection of correspondence and photographs that constitute a small but vivid record of the influence and relationships of this family of Hudson River School, landscape, and miniature painters. Correspondence consists primarily of letters to painter John Ferguson Weir when he was director of the Yale School of Fine Arts, with scattered letters to his daughter Edith Weir (Perry), and a small amount of correspondence of Robert Weir, his daughter Carrie M. Mansfield, son-in-law Lewis William Mansfield, and Julia Bayard. Letters to John F. Weir are from many late-19th century artists, as well as actors, poets, lawyers, scholars, and clergymen, often concerning arrangements for visiting lectures at the school. Photographs are of Robert Walter Weir, Susan Bayard Weir, Julian Alden Weir, and artwork.

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Creators:
Gatschet, Albert S. (Albert Samuel), 1832-1907
Dates:
1895
Size:
24 Pages
Collection ID:
NAA.MS3437
Repository:
National Anthropological Archives

Grammatical terms: Terms expressing actors, actions, etc. in the following dialects: Page: 2. Isleta 3. Arapaho 4. Nahuatl 5. Delaware 6. Penobscot 7. Passamaquoddy 8. Maya 9. Quiche 10. Kechua 11. Ojibwa 12. Kataba 13, 18, 24. Tonkawa 14. Dakota 15. Shawnee 16. Peoria 17. Blackfoot 19. Cree 20. Micmac 21. Peoria 22. Hidatsa 23. Wichita.

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Dates:
1936-1937 and undated
Size:
0.5 cu. ft. (1 document box)
Collection ID:
Accession 06-152
Repository:
Smithsonian Institution Archives

This accession consists of publications created in conjunction with the Educational Radio Project which created several educational radio series while providing employment for out-of-work writers and actors. Development of the project began in 1935 in association with the Civilian Conservation Corps and the United States, Works Progress Admini...

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277 records — Page 7 of 28