385 records — Page 7 of 39
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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 1983
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1983
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Smithsonian Institution. Office of the Provost, Committee for a Wider Audience
Dates:
1980-1997
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 15-254
Repository:
Smithsonian Institution Archives

This accession consists of Committee for a Wider Audience audiotape recordings documenting Heritage Month program keynote lectures, concerts, special events, symposiums, exhibition openings, and meetings. Earlier recordings date back to when the Committee for a Wider Audience was under the Office of the Assistant Secretary for Public Service, ...

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Creators:
Faris, James C.
Dates:
1960-2014, undated
Size:
7.67 Linear feet
Collection ID:
NAA.2016-36
Repository:
National Anthropological Archives

James Faris (1936 – present) is an American cultural anthropologist and epistemologist who received his PhD from Cambridge University in 1966. He conducted fieldwork in the fishing settlement of Cat Harbour, Newfoundland, among the Nuba of Southeastern Kordofan in the Sudan, and among the Navajo in the American Southwest. His research specializations include cognitive anthropology, art and aesthetics, ritual, social organization and reproduction, anthropological linguistics, and visual anthropology and critical theory and representation. The James Faris Papers, 1960-2014, primarily document his fieldwork with the Nuba peoples of Southeastern Sudan. His papers also include materials related to representation of the Nuba peoples and various controversies in visual anthropology and documentary film that related to Leni Riefenstahl and her filmmaking among the Nuba. During the 1960s Faris was drawn into activism against the Vietnam War while at the University of Connecticut and his papers contain ephemeral materials on radical anthropology and racism from that period. The collection consists of field notes, correspondence, photographs, sound recordings, films (including scripts and transcriptions), videos, book and papers drafts, and news and magazine clippings.

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Creators:
Knight, Gwendolyn
Lawrence, Jacob, 1917-2000
Dates:
1816
1914-2008
bulk 1973-2001
Size:
25.35 Linear feet
0.001 Gigabytes
Collection ID:
AAA.lawrjaco
Repository:
Archives of American Art

The papers of African American painter and educator Jacob Lawrence and his wife, artist Gwendolyn Knight measure 25.35 linear feet and 0.001 GB date from 1914 to 2008, with one item from 1816 and the bulk of the material dating from 1973 to 2001. The collection includes biographical material; correspondence including condolence letters to Gwendolyn Knight after Jacob Lawrence's death; writings by Jacob Lawrence and others; printed and digital material; photographs; personal business records; artwork; records from the Jacob Lawrence Catalogue Raisonné Project; materials related to the Jacob and Gwendolyn Knight Lawrence Foundation; professional files; and material related to awards and honors received by Jacob Lawrence and Gwendolyn Knight.

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Creators:
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
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Dates:
1925-1993
Size:
19 Boxes
The subseries contains black and white silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.11
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Mathis, Nathaniel, 1946- (barber, motivational speaker)
Dates:
1946-2004
bulk 1970-2004
Size:
5.5 Cubic feet (18 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.0641
Repository:
Archives Center, National Museum of American History

Nathaniel Mathis is a Washington, D.C., hairstylist, inventor, motivational speaker, and entrepreneur. His papers document his business life and community involvement.

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Creators:
National Museum of American History. Office of Special Events
Dates:
circa 1980-1987
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Record Unit 595
Repository:
Smithsonian Institution Archives

These records consist of Doubleday Lecture Series planning files, contracts, and invitation lists; floor plan drawings for events; information on opening exhibition tours and receptions; newspaper clippings, press releases, and articles pertaining to events; symposium information; photographs and contact sheets of lecturers, exhibition op...

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Creators:
Custom Craft
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
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Dates:
1922-1994, undated
Size:
41 Boxes
Collection ID:
NMAH.AC.0618.S06
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 6 primarily consists of photographic materials including color transparencies, slides, film, and proofs but occasionally includes notes, forms, and envelopes associated with the orders. An oveview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Vargus, Ione
Dates:
1910-2006
Size:
8 Linear feet
Collection ID:
NMAAHC.A2014.39
Repository:
National Museum of African American History and Culture

Edward Dugger (1894-1939) served as a first lieutenant and commanding officer in the African American unit, 372nd Infantry, during the 1920s and 1930s. The 372nd Infantry Regiment was a troop that was part of the 93rd Infantry Division (Colored) which served with the French Army during World War I. He retired in 1936 with the rank of Lieutenant Colonel with the Massachusetts National Guard and passed away in 1939.

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Creators:
Brinkworth, William Ian
Dates:
1901-1991
Size:
3600 Negatives (photographic) (0801-3332: B5-6; 3333-4422: B5-7, black and white ;, 35mm.)
637 Photographic prints (black and white.)
179 Transparencies (color ;, 35mm.)
8 Volumes (Books and magazines)
65 Manuscripts (document genre)
7 Sound recordings
Collection ID:
EEPA.2008-009
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

William Ian Brinkworth's collection, dated from 1901 to 1991, includes an extensive number of black and white photographs, negatives, color transparencies, books, audio tapes, manuscripts, and research materials. The manuscripts include Brinkworth's book drafts, film treatments, correspondence, historical documents, legal documents, journals and magazines in which his work was published.

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385 records — Page 7 of 39