Query: Art of the Gold Rush (Exhibition) (1998-1999: Washington, D.C.)
John Marshall Ju/'hoan Bushman film and video collection
Creators:
McElwee, Ross
Blitz, Daniel
Bishop, John Melville
Baker, Peter
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Dates:
1950-2000
Size:
2 Boxes (map drawers)
3 Video recordings (published videos or video series)
99 Linear feet (714,405 feet (332 hours) 16mm film, 435 hours video tape, 309 hours audio tape, 21 published film and video titles, 29 unpublished film and video titles, 14 linear feet paper records)
Collection ID:
HSFA.1983.11
Repository:
Human Studies Film Archives

The John Marshall Ju/'hoan Bushman Film and Video Collection contains full film and video projects (outtake material), film production elements and edited films and videos, audio tapes, still photographs, negatives, transparencies, slides, published and unpublished writing by John Marshall and others, study guides for edited films, Nyae Nyae Development Foundation and Advocacy files, maps, and production files that include letters, shot logs, translations, transcriptions, editing logs, treatments, and proposals spanning from 1950-2000. This material comprises Marshall's long-term documentary record of the Ju/'hoansi of the Nyae Nyae region of the Kalahari Desert in northeastern Namibia. A great deal of the film and video footage focuses on one particular extended family, that of Toma Tsamko, whose ancestral home is at /Gautcha, an area with a large salt pan and a permanent waterhole. The life stories of some family members are captured in the footage; appearing as children in the 1950's, middle-aged parents in the 1980's, and pensioners in the final years of visual documentation. The Marshall Collection also documents other Ju/'hoansi living in Nyae Nyae and elsewhere, their relationships with neighboring ethnic groups, and national politics that affected Ju/'hoansi. Marshall also documented the local political body (the Nyae Nyae Farmers' Cooperative, or NNFC), the foundation he started (the Nyae Nyae Development Foundation of Namibia, or NNDFN), and the ways in which both groups worked with and were affected by international development organizations and foreign aid during the 1990's.

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in HSFA.1983.11 for Art of the Gold Rush (Exhibition) (1998-1999: Washington, D.C.)
Moses and Frances Asch Collection
Creators:
Asch, Moses
Distler, Marian, 1919-1964
Folkways Records
Dates:
1926-1986
bulk 1948-1986
Size:
841 Cubic feet
Collection ID:
CFCH.ASCH
Repository:
Ralph Rinzler Folklife Archives and Collections

This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.

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in CFCH.ASCH for Art of the Gold Rush (Exhibition) (1998-1999: Washington, D.C.)
Princeton University Poster Collection
Creators:
Princeton University
Dates:
1863-1950
Size:
135 Cubic feet (10,690 posters)
Collection ID:
NMAH.AC.0433
Repository:
Archives Center, National Museum of American History

An extensive and comprehensive collection of posters from World War I and World War II.

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in NMAH.AC.0433 for Art of the Gold Rush (Exhibition) (1998-1999: Washington, D.C.)
Dowd Harpsichord Collection
Creators:
Dowd, William R.
Dates:
1949-1997
Size:
33 Cubic feet (81 boxes, 7 map folders)
Collection ID:
NMAH.AC.0593
Repository:
Archives Center, National Museum of American History

The collection documents Dowd's career as a maker and scholar of harpsichords through correspondence, photographs, drawings, notes, and financial materials. The collection contains templates and drawings for harpsichords built or restored by Dowd. The collection also documents the activities of small business and its owner in Boston from 1959-1988.

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in NMAH.AC.0593 for Art of the Gold Rush (Exhibition) (1998-1999: Washington, D.C.)
CFCH Audiovisual Projects
Dates:
2011-2018
Size:
13 Terabytes
Collection ID:
CFCH.AVPR
Repository:
Ralph Rinzler Folklife Archives and Collections

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in CFCH.AVPR for Art of the Gold Rush (Exhibition) (1998-1999: Washington, D.C.)
The Garden Club of America collection
Creators:
Garden Club of America
Dates:
circa 1920-present
Size:
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
37,000 Slides (35mm slides)
33 Linear feet ((garden files))
3,000 Lantern slides
Collection ID:
AAG.GCA
Repository:
Archives of American Gardens

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland. A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

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in AAG.GCA for Art of the Gold Rush (Exhibition) (1998-1999: Washington, D.C.)
Product Development and Licensing Records
Dates:
circa 1974-1999
Size:
39 cu. ft. (39 record storage boxes)
Collection ID:
Accession 00-112
Repository:
Smithsonian Institution Archives

This accession consists of Smithsonian Institution Engagement Calendar correspondence, design concepts, solicited bids, and production information; product development and marketing information, licensing contracts, and royalty agreements with private manufacturers; records documenting the American Pacific Enterprises quilt controversy; product proposals for the Smithsonian 150th Anniversary observance; correspondence, contract product sheets, and meeting …

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in Accession 00-112 for Art of the Gold Rush (Exhibition) (1998-1999: Washington, D.C.)
Ivory Soap Advertising Collection
Creators:
Procter & Gamble Company
Leyendecker, J. C., 1874-1951
Smith, Jessie Willcox, 1863-1935
Elliott, Elizabeth Shippen Green
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Dates:
1883-1998
Size:
10 Cubic feet (30 boxes)
Collection ID:
NMAH.AC.0791
Repository:
Archives Center, National Museum of American History

Print advertisements covering almost the entire history of Ivory Soap, including advertisements designed by artists including Jesse Wilcox Smith, Elizabeth Shippen Green, and J. C. Leyendecker.

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in NMAH.AC.0791 for Art of the Gold Rush (Exhibition) (1998-1999: Washington, D.C.)
Sam DeVincent Collection of Illustrated American Sheet Music, Series 8: Geography
Creators:
DeVincent, Sam, 1918-1997
Dates:
1794-1987
Size:
100 Boxes
Collection ID:
NMAH.AC.0300.S08
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 8: Geography is divided into three sections: the United States, Foreign Countries, and Natural Features. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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in NMAH.AC.0300.S08 for Art of the Gold Rush (Exhibition) (1998-1999: Washington, D.C.)
Warshaw Collection of Business Americana Subject Categories: Dry Goods
Creators:
Warshaw, Isadore, 1900-1969
Dates:
1768-1973
Size:
37.8 Cubic feet (consisting of 76 boxes (including 12 off-site), 12 folders, 16 oversize folders, 7 flat boxes (6 full, 1 partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Dry
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Dry Goods forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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in NMAH.AC.0060.S01.01.Dry for Art of the Gold Rush (Exhibition) (1998-1999: Washington, D.C.)
82 records — Page 7 of 9