239 records — Page 7 of 24
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Dates:
1865–1870
Size:
20,203 digital files
Collection ID:
NMAAHC.FB.M1053
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 20 rolls of microfilm described in the NARA publication M1053. These digital surrogates reproduced the records of the Superintendent of Education for the State of Virginia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–70. The records consist of 11 volumes and of unbound documents. The volumes include letters and endorsements sent and registers of letters received and endorsements sent. The unbound records consist primarily of letters received and reports.

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Creators:
Turner, John F.
Dates:
circa 1928-2015
bulk 1978-1990
Size:
6.9 Linear feet
Collection ID:
AAA.turnjohn
Repository:
Archives of American Art

The John F. Turner collection of research material on visionary self-taught artist Howard Finster measures 6.9 linear feet and dates from circa 1928 to 2015, with the bulk of the materials dating from 1978 to 1990. John Turner is a California-based curator who compiled this collection in preparation for his book Howard Finster: Man of Visions (1989). Found within the collection are correspondence; numerous interviews with Finster and Finster family members, curators and historians, collectors, and artists; draft manuscripts and research notes; compiled research files on other topics; printed materials and commercial broadcast video recordings; and photographic material, including polaroids annotated by Finster. There is also one series of Howard Finster's papers that include writings by Finster, sound and video recordings of Finster exhibitions and talks by Finster related to those exhibitions, recordings of other speaking engagements, sermons, and other events, a scattering of personal business records that includes a ledger and price list of artwork, and artwork.

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Creators:
Daniel, Pete
Dates:
1986-1991
Size:
25 Cubic feet (79 boxes)
Collection ID:
NMAH.AC.0773
Repository:
Archives Center, National Museum of American History

The collection is divided into four series. Series 1: Oral History Transcripts, 1982-1991 are transcribed versions of the oral interviews. Correspondence and/or notes pertaining to the interviewed individual collected or written by the interviewer are filed in this series following the transcription. The majority of the oral histories were done by ...

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Creators:
Cook Labs
Cook, Emory, 1913-2002
Dates:
1908-2002, bulk 1948-1965
Size:
6.3 Cubic feet (Phonograph albums)
63.5 Cubic feet (Open-reel tapes)
8.75 Cubic feet (Business records)
78.55 Cubic feet
Collection ID:
CFCH.COOK
Repository:
Ralph Rinzler Folklife Archives and Collections

The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

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Dates:
2005-2006
Size:
0.5 cu. ft. (2 half document boxes)
Collection ID:
Record Unit 9619
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives (SIA) began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. P...

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Creators:
Byrd, Charlene Hodges, 1929-2009
Dates:
circa 1750-2009
bulk 1880-1960
Size:
43 Linear feet (35 document boxes and 39 oversize boxes)
Collection ID:
NMAAHC.2010.26
Repository:
National Museum of African American History and Culture

The Charlene Hodges Byrd collection measures 43 linear feet, and dates from circa 1750-2009, with the bulk of the material dating from 1880-1960. The collection documents the personal life and professional career of Charlene Hodges Byrd, an African American teacher from Washington, D.C., along with material for several related families from Pennsylvania, Maryland, and Washington, D.C. Family members prominently represented include Sarah A. Shimm, teacher and essayist under the name Faith Lichen; her daughters Erminie F. Shimm and Grace E. Shimm Cummings, both teachers; and Byrd's mother, Joyce Ethel Cummings Hodges, also a teacher. Correspondence and writings chiefly discuss family life, religion, race, education, and the relationship with Frederick Douglass and his family. The collection is arranged in 10 series: Biographical Material, Correspondence, Writings, Subject Files, Financial and Legal Records, Printed Material, Volumes, Memorabilia, Textiles, and Photographs.

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Dates:
1865–1869
Size:
10 Reels
Collection ID:
NMAAHC.FB.M1483
Repository:
National Museum of African American History and Culture

The collection is comprised of digital surrogates previously available on the 10 rolls of microfilm described in the NARA publication M1483. These digital surrogates reproduced the records of the New Orleans area field offices of the Bureau of Refugees, Freedmen, and Abandoned Lands for Iberville, Orleans, Plaquemines, St. Bernard, and West Baton Rouge Parishes, together with those of the Freedmen's Hospital, 1865–69. These records, consist of 38 bound volumes and approximately 6.5 linear feet of unbound records. The volumes include letters and endorsements sent, registers of letters received, circulars and special orders, journals, registers of patients, reports of occupancy and conditions in the Freedmen's Hospital, and abstracts of internments in the Freedmen's Cemetery. The unbound documents consist primarily of letters received, morning reports of sick and wounded in the Freedmen's Hospital, and various field office reports. There is also a register of patients in the Corps d'Afrique General Hospital, 1863–1865.

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Creators:
Nasisse, Andy S., 1946-
Dates:
circa 1979-circa 1986
Size:
0.8 Linear feet
Collection ID:
AAA.nasiandy
Repository:
Archives of American Art

The Andy Nasisse files relating to self-taught artists measure 0.8 linear feet and date from 1979 to 1986, with additional undated materials. Included are artist files on twenty-five self-taught artists. Files consist primarily of black and white photographs of artists, their artworks, and photographs of unidentified artworks. Also included is a letter discussing artist Howard Finster's first dealer, Jeffrey Camp, and in which Nasisse offers his advice to Finster to limit production of his work. An audio recording of an interview with Miles Carpenter conducted by Nasisse, and a documentary about J. B. Murray, A Video Documentary of an Artist and His Work, are also present in these files. The documentary features many of Murray's paintings and drawings, as well as his comments on his art and visions. The artists included in the files are Eldren M. (E. M.) Bailey, Miles Carpenter, Tessie Carroll, Emanuel "Litto" Damonte, Samuel Perry (S.P.) Dinsmoor, Sam Doyle, John Ehn, Howard Finster, Laura Pope Forrester, Dilmus Hall, Irene Hall, Bessie Harvey, St. EOM (Eddie Owens Martin), Jeff McKissack, John Milkovitch, J. B. Murray, Grandma Tressa Prisbrey, Dow Pugh, W.T. Ratcliffe (or Ratliff), William Carlton Rice (Mr. Rice), Royal Robertson, James "Son Ford" Thomas, Mose Tolliver, Frank van Zant (Chief Rolling Mountain Thunder), and Brother Joseph Zoetl.

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Creators:
Martin and Morris Music Company
Morris, Necey, Mrs.
Martin, Sallie
Morris, Kenneth, 1917-
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Dates:
circa 1930-1985
Size:
8.7 Boxes (27 boxes)
Collection ID:
NMAH.AC.0492
Repository:
Archives Center, National Museum of American History

The Martin and Morris Company Records date from ca. 1930 to 1985 and document a neglected part of the American music historical record. The collection is particularly important because of the company's contributions to the field of Gospel music. According to Horace Boyer (in We'll Understand It Better....), Martin and Morris Music Company was the o...

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 1-10, 1994
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1994
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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239 records — Page 7 of 24