445 records — Page 7 of 45
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Creators:
Gaylor, Wood, 1883-1957
Gaylor, Adelaide Lawson, 1889-1986
Artists Coordination Committee (New York, N.Y.)
Downtown Gallery (New York, N.Y.)
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Dates:
1866-[circa 1986]
Size:
2.56 Linear feet
Collection ID:
AAA.gaylwood
Repository:
Archives of American Art

Biographical material, correspondence, journals, notebooks, address books, business records, writings, sketchbooks, exhibition announcements and catalogs, clippings, photographs, and subject files relating to the artistic careers of Wood Gaylor and Adelaide Lawson, to Gaylor's work as a fashion pattern desiger, and, more broadly, to the New York ar...

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Creators:
Frankenstein, Alfred V. (Alfred Victor), 1906-1981
Dates:
1875-1985
Size:
19.1 Linear feet
Collection ID:
AAA.franalfr
Repository:
Archives of American Art

The papers of art critic and historian Alfred Victor Frankenstein measure 19.1 linear feet and date from 1875 to 1985. The bulk of the collection consists of Frankenstein's research and writing files on American painting, particularly artists working in the nineteenth-century. There are extensive files on artists John Haberle, William Michael Harnett, and William Sidney Mount. The collection also includes biographical material, correspondence, general writings and notes, professional activities files, personal business records, printed materials, photographs, and unidentified sound recordings.

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Creators:
United States National Museum. Division of Grasses
Dates:
1884, 1888, 1899-1965
Size:
13.84 cu. ft. (8 record storage boxes) (1 half document box) (13 12x17 boxes)
Collection ID:
Record Unit 229
Repository:
Smithsonian Institution Archives

These papers document the history of the agrostology section of the Bureau of Plant Industry, United States Department of Agriculture (1901-1939), and the Section of Grasses, United States National Herbarium, United States National Museum (1912-1963) at the time Albert Spear Hitchcock and Mary Agnes Chase worked for the USDA and the USNH, ...

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Creators:
Steinberg, Sally L. (Sally Levitt)
Dates:
1920s-1987
Size:
3.5 Cubic feet (7 boxes)
Collection ID:
NMAH.AC.0439
Repository:
Archives Center, National Museum of American History

This collection consists of ephemeral materials gathered by Sally L. Steinberg while she was researching her 1987 publication, The Donut Book: The origins, history, literature, lore, taste, etiquette, traditions, techniques, varieties, mathematics, mythology, commerce, philosophy, cuisine, and glory of the donut.

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Creators:
Bendix Corporation.
Bendix Aviation Corp
Dates:
1931-1985
bulk 1931-1939
bulk 1946-1962
Size:
7.28 Cubic feet (5 records center boxes, 1 16 x 20 x 3 inch flatbox, 1 12 x 16 x 3 inch flatbox)
7.66 Linear feet
Collection ID:
NASM.1988.0115
Repository:
National Air and Space Museum Archives

The Bendix Corporation (1924-1983), manufacturers of devices for the automotive and aviation industries, sponsored the Bendix Trophy Race—a transcontinental speed competition for aircraft—annually from 1931-1939, then sporadically from 1946-1962. This collection includes race-related materials from the Bendix Advertising and Publicity department, along with materials from other aviation events for which Bendix was a sponsor. Approximately a third of the collection relates to the corporation's activities from circa 1960 to 1983, including military and commercial avionics and communications systems, and support for the Unites States space program, particularly the construction of Kennedy Space Center (KSC) Launch Complex 39.

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Creators:
Macbeth Gallery
Dates:
1947-1948
1838-1968
bulk 1892-1953
Size:
131.6 Linear feet
Collection ID:
AAA.macbgall
Repository:
Archives of American Art

The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

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Creators:
Foster Brothers (Boston, Mass.)
Dates:
1875-1973
bulk 1893-1942
Size:
13 Linear feet
Collection ID:
AAA.fostbrot
Repository:
Archives of American Art

The records of Boston picture frame company Foster Brothers measure 13 linear feet and date from 1875-1973 with the bulk of the material falling between 1893 and 1942. Correspondence, stock records, financial records, writings, miscellaneous business records, printed material, scrapbooks, and photographs document the history of this company that operated a factory, retail store, and wholesale and mail order businesses between 1893 and 1942. A small number of family papers are included, with items pre-dating and post-dating the business.

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Creators:
Rattner, Abraham
Dates:
1891-1986
Size:
26.3 Linear feet
Collection ID:
AAA.rattabra
Repository:
Archives of American Art

The Abraham Rattner and Esther Gentle papers measure 26.3 linear feet and date from 1891 through the 1980s. The collection documents Rattner's life and career as an artist through interviews, extensive correspondence, gallery files, studio notebooks, writings, notes, date books and diaries, photographs, and works of art.

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Creators:
Drewal, Henry John
Drewal, Margaret Thompson
Dates:
1970-1989
Size:
10,000 Slides (color)
10,617 Copy slides
Collection ID:
EEPA.1992-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993).Both Henry John Drewal and Margaret Drewal traveled to Nigeria, Ghana and Togo (West Africa) for extended periods from 1967-1986. During their trips to Nigeria they conducted research into the ritual performance, masking traditions, and traditional sacred rites of the Yoruba people as well as Mami Wata devotes of Togo, Ghana, and Nigeria. They are the co-authors of Gelede: Art and Female Power among the Yoruba (1993). Photographs taken by Henry John and Margaret Thompson Drewal during the 1970s and 1980s of Yoruba and Ewe art and culture.

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Creators:
Gates, Margaret Casey, 1903-1989
Dates:
1934-1988
Size:
1 Linear foot
Collection ID:
AAA.gatemarg
Repository:
Archives of American Art

The papers of Washington, D.C. painter Margaret Casey Gates date from 1934-1988, and measure 1.0 linear foot. Gates' papers document her work as a painter, her projects for the New Deal federal arts programs, the Phillips Memorial Gallery and its art school, where she attended school and later worked as secretary and where her husband Robert Franklin Gates was a teacher, and the Washington, D.C. arts scene. Found are scattered correspondence, seven sketchbooks by Gates and two sketchbooks of her divorced husband Robert Franklin Gates. Miscellaneous notes and writings, a scrapbook, printed material, and photographs of Gates, her husband, friends, artwork, and views of the Virgin Islands are also included in the papers.

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445 records — Page 7 of 45