506 records — Page 7 of 51
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Creators:
Weems, Katharine Lane, 1899-
Olmsted, Frederick Law, Jr.
Whiting, Edward Clark
Massachusetts Horticultural Society
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Dates:
1903-1985
Size:
15 Cubic feet
Collection ID:
AAG.CHM
Repository:
Archives of American Gardens

Correspondence, invoices, nursery and seed catalogs, estimates, planting plans, photocopies of blueprints, photographs, negatives, autochromes, and drawings relating to the gardens of The Chimneys, the home of Emma and Gardiner Martin Lane and their daughter Katharine Lane Weems in Manchester, Massachusetts. Also included are four garden journals (1903-1928), garden-related medals awarded to Emma Lane, index files of plant materials, photocopies of garden related library cards belonging to Gardiner M. Lane, a diascope and nursery and seed catalogs. The collection also includes architectural plans, invoices and specifications from, and a framed photograph of, Raleigh C. Gildersleeve, architect of The Chimneys and brother of Emma Lane.

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Creators:
Collins, Henry Bascom, 1899- interviewee
Dates:
1985
Size:
7 audiotapes (reference copies). 14 digital .mp3 files (reference copies).
Collection ID:
Record Unit 9528
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
History of Science Society
Dates:
circa 1930-1993
Size:
65 cu. ft. (33 record storage boxes) (64 document boxes)
Collection ID:
Record Unit 7474
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Davis, Benjamin O., Jr., 1912-
Dates:
1928-1990
Size:
75.03 Cubic feet (168 boxes)
Collection ID:
NASM.1992.0023
Repository:
National Air and Space Museum Archives

This collection consists of 72 linear feet of the papers of Benjamin O. Davis. Included are the following types of material: programs, invitations, certificates, correspondence, published material, and photographs.

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Creators:
Simons, Vera
Dates:
bulk 1960s-1980s
Size:
23.5 Cubic Feet ((22 boxes))
Collection ID:
NASM.2016.0013
Repository:
National Air and Space Museum Archives

This collection consists of approximately 23 cubic feet of material relating to Vera Simons' ballooning and art careers. Types of materials include: newspaper articles, flight covers, photographs, slides, audio recordings, and reports relating to Simons' time with Winzen Research, inc. and her "Da Vinci" and "Aerolus" projects.

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Creators:
Reeside, John B,(John Bernard),1889-1958
Dates:
1916-1958 and undated
Size:
0.7 linear meter.
Collection ID:
Record Unit 7326
Repository:
Smithsonian Institution Archives

The 1879 act establishing the United States Geological Survey (USGS) declares "And all collections of rocks, minerals, soils, and fossils, and objects of natural history, archaeology, and ethnology, made by the Coast and Interior Survey, the Geological Survey, or by any other parties for the Government of the United States, when no longer need...

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Creators:
Patterson, Frederick D. (Frederick Douglass), 1901-1988
Dates:
1882 - 1988
Size:
18.66 Linear feet (21 boxes)
Collection ID:
ACMA.06-010
Repository:
Anacostia Community Museum Archives

President of Tuskegee Normal and Industrial Institute (later Tukegee Institute; now Tuskegee University) from 1935 - 1953 and founder of the United Negro College Fund (1944). Patterson was born on October 10, 1901. Orphaned at age two, he was raised by his eldest sister, Wilhelmina (Bess), a school teacher in Texas. He studied at Iowa State College, where he received a doctorate in veterinary medicine in 1923 and a master of science degree in 1927. Five years later, he was awarded a second doctorate degree from Cornell University. Patterson taught veterinary science for four years at Virginia State College, where he was also Director of Agriculture. His tenure at Tuskegee University started in 1928 and spanned almost 25 years, first as head of the veterinary division, then as the director of the School of Agriculture and finally as Tuskegee's third president. He married Catherine Elizabeth Moton, daughter of Tuskegee University's second president, Dr. Robert R. Moton. Patterson also founded the School of Veterinary Medicine at Tuskegee in 1944, the same year he founded the United Negro College Fund (UNCF). The UNCF continues today as a critical source of annual income for a consortium of Historically Black Colleges and Universities, Tuskegee University among them.

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Creators:
Keen, A. Myra (Angeline Myra), 1905-1986
Dates:
circa 1918-1985 and undated, with family material dating from 1839
Size:
13.69 cu. ft. (13 record storage boxes) (1 16x20 box)
Collection ID:
Record Unit 7333
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
United States, Bureau of Fisheries
Dates:
circa 1877-1948
Size:
4 linear meters and 5 microfilm reels.
Collection ID:
Record Unit 7184
Repository:
Smithsonian Institution Archives

These papers include original logbooks for the Fish Commission vessels Albatross, Fish Hawk, Grampus, Halcyon, Yvonne, and Danglade containing hydrographic and dredging data; transcribed records of some of that data; accession records, transmittal records, lists, and correspondence concerning specimens taken by the Commission; material concern...

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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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506 records — Page 7 of 51