Lise Holst's research material relating to Robert Lea MacCameron
Research notes, printed matter, photographs, and correspondence, 1981-1983, of Lise Holst relating to her work on Robert Lea MacCameron; and photocopies of MacCameron's correspondence, 1900-1912, a journal, 1896-1912, and writings.
Hana Geber papers
Letters; photographs of Geber in her studio; photographs and slides of Geber's sculpture; three illustrated travel diaries, 1969, and 1974-1975; lecture notes; biographical data; price lists; a proposal for a documentary about Geber and Lucille Spiro-Smith, "Two Women: Profiles in Vision," by Myra Alperson and Cathy Hall Rikhye; thirteen sketches and three …
Oral history interview with Diane Waldman
Richards, Judith Olch
An interview of Diane Waldman conducted 2010 June 8-9, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Waldman's home, in New York, N.Y.
Oral history interview with Alanna Heiss
McElhinney, James Lancel, 1952-
Elizabeth Murray Oral History of Women in the Visual Arts Project
An interview of Alanna Heiss conducted 2010 June 15 and October 28, by James McElhinney, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Art International Radio, on Leonard Street, in New York, New York.
Edna Boies scrapbook of teaching notes
A scrapbook of lecture notes and student exercises for the 1902-1903 class on design taught by Edna Boies at the Veltin School for Girls, Manhattan. This scrapbook provides unusual documentation of the kind of instruction and course work found in an art class at the turn of the century. The chronologically …
Stuart Davis papers
The papers of painter Stuart Davis measure 0.8 linear feet and date from 1934 to 1940. The collection is comprised of correspondence that includes letters from Yasuo Kuniyoshi, Arnold Blanch, Rockwell Kent, and others regarding Pablo Picasso's statement against the fascist dictatorship in Spain, as well as a letter from Davis to Picasso inviting him to speak at the 2nd Annual American Artists' Congress meeting. Also found are files from Davis's position as editor of Art Front magazine; membership files documenting Davis's activities with the American Artists' Congress, Fine Arts Federation of New York, the New York World's Fair Artists Committee, and other organizations; printed materials; a project file for the Federal Art Project; and editorials. Additional items include an article manuscript and a draft of a letter to Ben Shahn suggesting that Downtown Gallery artists provide funding to Edith Halpert in order to open another gallery.
Stephan Bourgeois papers
The papers of New York art dealer and consultant Stephan Bourgeois measure 4.2 linear feet and date from 1908 to circa 1964. The papers include biographical material, correspondence, writings, personal business records and printed material.
We the People: The Citizens of NYCHA in Photos + Words Project Records
Yanagawa, Shino, Photographer
An exhibition exploring the varied stigmas and stereotypes applied to New York City's Housing Authority sites and the residents (past and present) who live in them. Journalist Rico Washington and photographer Shino Yanagawa collaborated on this exhibit which offers an in-depth look at how New York City public housing has impacted society-at-large by producing some of the world's most influential and dynamic artists, entrepreneurs, athletes, musicians, politicians, and thinkers. It was exhibited at the World Festival of Black Arts and Culture in Dakar, Senegal, 2010, at the Gordon Parks Gallery at the College of New Rochelle (NY), 2013, and the Brooklyn Historical Society from 2014-2015.
Oral history interview with Richard Tuttle
McElhinney, James Lancel, 1952-
59 Pages (Transcript)
An interview with Richard Tuttle conducted 2016 November 14 and 17, by James McElhinney, for the Archives of American Art, at Tuttle's home in New York, New York.
Luis Cancel papers
0.947 Gigabytes (ER01-ER04)
The papers of Puerto Rican arts administrator and artist Luis Cancel measure 10.1 linear feet and .947 gigabytes and date from circa 1900 to 1998 with the bulk of the material dating from 1970 to 1996. The collection is comprised of biographical material, professional files, arts administration records documenting his directorship at the Bronx Museum of the Arts and as Commissioner for the Department of Cultural Affairs in New York, subject and artist's files, files for the exhibition Legacy / Legado, printed materials, word processing documents, digital photographs, and unidentified sound recordings.