Scurlock Studio Records, Series 1: Black and White Photographs
Collapse [ ]
Expand
- Creators:
-
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock Studio (Washington, D.C.)
More … - Dates:
-
1888-1993
- Size:
-
106 Boxes
- Collection ID:
- NMAH.AC.0618.S01
- Repository:
-
Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.
Found In
Collapse [ ]
Expand
- Creators:
-
Scurlock, Addison N., 1883-1964
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock Studio (Washington, D.C.)
More … - Dates:
-
1925-1993
- Size:
-
19 Boxes
The subseries contains black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.11
- Repository:
-
Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.11 consists of orders placed at the Custom Craft Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Found In
Collapse [ ]
Expand
- Creators:
-
Scurlock, Addison N., 1883-1964
Scurlock Studio (Washington, D.C.)
Custom Craft
Scurlock, Robert S. (Saunders), 1917-1994
More … - Dates:
-
1964-1994, undated
- Size:
-
72 Boxes
- Collection ID:
- NMAH.AC.0618.S05
- Repository:
-
Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 5 primarily consists of color negatives, but occasionally includes order forms, envelopes, and other photographic materials associated with the order. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Found In
Collapse [ ]
Expand
- Creators:
-
Scurlock Studio (Washington, D.C.)
Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
More … - Dates:
-
1951-1994, undated
- Size:
-
57 Boxes
- Collection ID:
- NMAH.AC.0618.S09
- Repository:
-
Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1907 to 1996, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 9 includes the administrative, financial, sales, personnel, and office files of Custom Craft. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Found In
Collapse [ ]
Expand
- Creators:
-
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
-
1928-1994
- Size:
-
320 Boxes
- Collection ID:
- NMAH.AC.0618.S04.05
- Repository:
-
Archives Center, National Museum of American History
The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.
Found In
Collapse [ ]
Expand
- Creators:
-
Mangione, Chuck, 1940-
- Dates:
-
1972-2009
- Size:
-
6 Cubic feet (12 boxes, 10 oversize folders)
- Collection ID:
- NMAH.AC.1151
- Repository:
-
Archives Center, National Museum of American History
Archival materials documenting the career of musician Chuck Mangione.
Found In
Collapse [ ]
Expand
- Creators:
-
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
-
1929-1989
- Size:
-
87 Boxes
The subseries consists of black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.06
- Repository:
-
Archives Center, National Museum of American History
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Found In
Collapse [ ]
Expand
- Creators:
-
Custom Craft
Scurlock Studio (Washington, D.C.)
Scurlock, Robert S. (Saunders), 1917-1994
Scurlock, George H. (Hardison), 1919-2005
More … - Dates:
-
1932-1959
- Size:
-
320 Boxes
The subseries includes black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.03
- Repository:
-
Archives Center, National Museum of American History
The majority of materials are portrait sittings of individuals but there are also formal portraits of couples, families, groups, and organizations.
Found In
Collapse [ ]
Expand
- Creators:
-
Freeze, Gerald
Cozy Inn (Thurmont, Md.)
- Dates:
-
undated
- Size:
-
7.75 Cubic feet (8 boxes)
- Collection ID:
- NMAH.AC.1345
- Repository:
-
Archives Center, National Museum of American History
The collection documents the history of the Cozy Inn and Restaurant in Thurmont, Maryland.
Found In
Collapse [ ]
Expand
- Creators:
-
Scurlock, George H. (Hardison), 1919-2005
Scurlock Studio (Washington, D.C.)
Scurlock, Addison N., 1883-1964
Custom Craft
More … - Dates:
-
1931-1971
- Size:
-
320 Boxes
The materials in the subseries are black and white silver gelatin negatives.
- Collection ID:
- NMAH.AC.0618.S04.02
- Repository:
-
Archives Center, National Museum of American History
The vast majority of the negatives are individual portrait sittings but there are some family and group portraits. The box numbers in the finding aid are the old freezer box numbers and are not reflective of the physical number of boxes; when the negatives were rehoused, the physical number of boxes were reduced and the old freezer box numbers were...