This accession consists of the records of William A. Oliver in his positions at the United States Geological Survey (1957-1993) and the National Museum of Natural History, Department of Paleobiology (1967-2005), as well as some materials dating back to his studies at Cornell University. His research interests included the study of Silurian and...

This accession consists of program files and docent files related to summer intern programs, docent training, and education programs and lectures sponsored throughout the year at the Cooper-Hewitt, National Design Museum. Materials include newspaper clippings, planning files, brochures, lectures, correspondence with participating scholars, ...

Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.

In 1971, the National Museum of Natural History, Department of Botany, transferred its official records and collections of personal papers relating to the early history of the Department to the Hunt Botanical Library at the Hunt Institute for Botanical Documentation. The official correspondence files generated by Charles Louis Pollard during ...

The papers of artist and educator Craig Kauffman measure 4.6 linear feet and date from 1946 to 1997. The collection comprises biographical materials including address books, 10 day journals, identification documents, oral history transcripts, student records, and a few writings; correspondence with Lisa Adams, Billy Al Bengston, Alan Lynch, Ed Moses, and Babe Shapiro; and correspondence between Kauffman and his family. Also found are records documenting Kauffman's professional and business activities; printed materials featuring Kauffman, his exhibitions, and artwork; and photographic materials and moving images that include portraits and snapshots of Kauffman, personal photographs, photos of travel and works of art, and 3 unidentified film reels.

These papers relate to Kopp's work in visible speech technology, especially a project to develop a machine that would enable the deaf to understand the spoken voice; including biographical materials, research notes, lecture notes, spectrograms, research reports, log books, correspondence, slides and photographs, books, and documentation of grants f...

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

These records consist of correspondence of the members of the staff of the Division of Fishes, 1922, 1927-1965. Most of the correspondence is from domestic and foreign ichthyologists, aquarists, collectors, colleges and universities, museum officials, and the general public. The correspondence generally concerns the identification, exchange, ...

The Library of Congress Copyright Deposit Collection is comprised of 2,335 photomechanical reproductions of works by 741 artists (mostly American). The large-format prints, deposited with the Library of Congress for copyright between 1890 and 1945, represent a broad range of nineteenth- and twentieth-century American art.

This collection, which dates from 1926-1986, documents the output of Moses Asch through the various record labels he founded and co-founded, and includes some of his personal papers. The Asch collection includes published recordings, master tapes, outtakes, business records, correspondence, photographs, and film.