These papers document much of the career of Wilcomb E. Washburn (WEW), the greater part of it spent on the staff of the Smithsonian Institution as a curator at the National Museum of American History and as director of the Office of American Studies. The papers include correspondence, draft and finished scholarly and popular articles, and...

This accession consists of information files, original reports and correspondence, papers and articles, and other background material on Smithsonian buildings. Most records document the Smithsonian Institution Building ("Castle"). There are a few files on the Arts & Industries Building and other Smithsonian facilities. These records were ...

The Smithsonian Speech Synthesis History Project, conducted by H. David Maxey from 1986 through 2002, created a collection of archival materials documenting the history and development of speech synthesis technology. Maxey collaborated with Dr. Bernard Finn, Elliot Sivowitch and Harold Wallace of the National Museum of American History's Division of Information, Technology, and Society.

Records documenting Pratt, Read and Company; its early competitor and later partner, Comstock, Cheney and Company; and a number of predecessor, subsidiary and related companies. Other topics include the late 19th century African ivory trade and Pratt, Read's production of troop-carrying gliders during World War II.

These records document primarily the history of typeface development at the Mergenthaler Linotype Company of Baltimore, Maryland. The company supplied most of the typesetting machines used in the printing industry, both in America and worldwide. As changing technology ended the usefulness of the linotype machine the company pioneered new computer-driven, photo typesetting machines.

This accession consists of the records of Robert H. Gibbs, Jr., documenting his tenure as ichthyologist and curator at the National Museum of Natural History (NMNH), Division of Fishes. Materials include correspondence, memoranda, and notes; research files; reports; budget summaries; conference and symposium information; contracts; proposals; ...

This accession consists of information files, original reports and correspondence, papers and articles, and other background material on Smithsonian buildings. These records were compiled by the Office of Architectural History and Historic Preservation (OAHP), research associates, and volunteers. Items in brackets describe cross-references ...

The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.

This accession consists of incoming and outgoing memoranda among the Department of Paleobiology and Smithsonian bureaus, offices and staff; and correspondence among departmental staff and non-Smithsonian researchers and colleagues. Chairmen of the Department during this period included G. Arthur Cooper, 1963-1967; Porter M. Kier, 1967-1972; ...

The Louis K. Meisel Gallery selected records measure 0.4 linear feet and date from 1964-2003. The records of this New York gallery consist of correspondence with artists and other individuals, writings by Louis K. Meisel, subject files on Gregory Battcock and Jason Seley, and photographs. Correspondence documents the gallery's dealings with its artists.