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Creators:
National Museum of Natural History. Department of Botany
Dates:
circa 1947-1990, with related records from 1926
Size:
14 cu. ft. (14 record storage boxes)
Collection ID:
Record Unit 428
Repository:
Smithsonian Institution Archives

These records primarily document the operation of the Department of Botany under Head Curators Ellsworth Paine Killip, 1947-1950, and Jason Richard Swallen, 1950-1964, and Chairmen William L. Stern, 1965-1967, Mason E. Hale, Jr., 1967-1970, Edward S. Ayensu, Dieter C. Wasshausen, Mark M. Littler, and Laurence E. Skog. Records created prior ...

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Dates:
1921-1979
Size:
13 Linear feet (26 boxes, 2 audio reels)
Collection ID:
NAA.2006-22
Repository:
National Anthropological Archives

The bulk of this collection documents the professional life of Ruth Leah Bunzel from the 1940s to 1970s. The collection contains correspondence, manuscripts, notes, research files, teaching materials, card files, artwork, and sound recordings.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
July 1-6, 1969
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1969
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Lipchitz, Jacques, 1891-1973
Dates:
circa 1910-2001
bulk 1941-2001
Size:
52.8 Linear feet
Collection ID:
AAA.lipcjacq2
Repository:
Archives of American Art

The Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz measure 52.8 linear feet and are dated circa 1910-2001, with the bulk of the material from the period 1941-2001. Papers are comprised of sculptor Jacques Lipchitz's personal papers and filmmaker Bruce Bassett's papers relating to Jacques Lipchitz. Lipchitz's personal papers contain personal and professional correspondence, comprising nearly half of the series, and biographical material, writings by and about Lipchitz, printed material, and photographs documenting Lipchitz's commissions, exhibitions, friendships, and interests. Also found are records relating to the compilation and production of The Sculpture of Jacques Lipchitz: A Catalogue Raisonné by Alan G. Wilkinson. The Bruce Bassett papers relating to Jacques Lipchitz consist mainly of Bassett's extensive audiovisual documentation of Lipchitz's life and art. Also found are paper records related to the audiovisual projects, including letters, business records, printed materials, and production records. A small quantity of material unrelated to Lipchitz is also found among the Bassett material, including video and sound recordings related to Sidney Lifchez, IBM, Isamu Noguchi, the Storm King Sculpture Center, and Auguste Rodin.

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Creators:
National Museum of American History. Office of the Director
Dates:
circa 1989-1990
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 94-094
Repository:
Smithsonian Institution Archives

These records document the administrative activities of the National Museum of American History (NMAH). Materials include the outgoing and incoming correspondence and memoranda of Roger G. Kennedy, Director, 1980-1992, and Douglas E. Evelyn, Deputy Director, 1980-1991; records pertaining to budgetary and administrative affairs of NMAH departme...

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Creators:
Gordon, Elizabeth, 1906-2000
Dates:
1958-1987
Size:
3 Linear feet
Collection ID:
FSA.A1988.03
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.

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Creators:
Slivka, Rose
Dates:
circa 1947-2006
Size:
20.8 Linear feet
Collection ID:
AAA.slivrose
Repository:
Archives of American Art

The papers of craft expert Rose Slivka, an editor, writer, critic, and educator, measure 20.8 linear feet and date from circa 1947-2006. The papers reflect Slivka's work with associations and universities to encourage the recognition of crafts as an international and broadly defined art form. The routine business of publishing Craft Horizons magazine and the founding and operation of Craft International magazine are documented by correspondence and subject files. Correspondence is mainly professional with some scattered personal letters. Subject files concern various organizations, individuals and events related to Slivka's work and interests. Among the writings are manuscripts, notes, and research materials for her book about Peter Voulkos; also included are shorter writings on a variety of topics, poems, 2 diaries, lectures and talks. There are many interviews with craftspeople and artists conducted by Slivka and others, some undertaken as research for articles. Photographs include views of Slivka, craftspeople she observed when traveling abroad, and artwork.

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Creators:
Hollister, Paul M., 1918-2004
Dates:
bulk 1947-2004
circa 1883-2004
Size:
9.4 Linear feet
Collection ID:
AAA.hollpaul
Repository:
Archives of American Art

The Paul Hollister papers measure 9.4 linear feet and date from circa 1883 to 2004, with the bulk of the papers from 1947-1996. Biographical material and correspondence both personal and professional are included, in addition to project files documenting various writing, teaching and curatorial projects, as well as ongoing working relationships with various institutions. Also included are topical projects that overlapped with specific research interests, containing a considerable amount of research material. Writings by Paul Hollister include manuscript material spanning the breadth of his professional writing career, from his work as a columnist, to his articles on glass, as well as some works of fiction. Also included is a full manuscript of one of Hollister's books on glass paperweights. The published portion of this content is mirrored in the printed material series. The business records of Paul Hollister contain financial information about his household and collections, as well as his family's estate. Also included are records relating to Paul Hollister's art studio and an inventory of his paintings and other works of art in the form of index cards. Select photographs of Hollister's collection of art objects are included, along with images of Paul and Irene Hollister.

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Creators:
National Museum of African American History and Culture. Office of the Director
Dates:
1984-2014
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 16-069
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the activities and management of the National Museum of African American History and Culture (NMAAHC) during the tenure founding Director, Lonnie G. Bunch 2005- . Some records date from before the creation of the museum in 2003. Materials include correspondence; meeting agendas and notes; brochure...

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Creators:
Pach, Walter, 1883-1958
Dates:
1857-1980
Size:
20.7 Linear feet
Collection ID:
AAA.pachwalt2
Repository:
Archives of American Art

The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.

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