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Creators:
Richard York Gallery
Dates:
circa 1865-2005
bulk 1981-2004
Size:
89.5 Linear feet
Collection ID:
AAA.richyorg
Repository:
Archives of American Art

The records of the Richard York Gallery, a New York gallery specializing in American art from early 1800s to 1950, measure 79.3 linear feet and date from circa 1865-2005, with the bulk of the material dating from 1981 to 2004. Three-fourths of the records are artists' artwork files, documenting the sale and consignment of nearly 6,500 works of art. The gallery's activities are also recorded through correspondence, client files, gallery invoices, inventories, business and financial records, printed materials, scrapbooks, photographic materials of artwork, and estate records for the John Marin estate and Sergio Stella estate (Joseph Stella). An addition of 10.2 linear feet, dated circa 1865 to 2005, includes artists' files arranged alphabetically containing printed material, clippings, exhibition announcements, and scattered correspondence and financial documents.

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Creators:
Smithsonian Institution,Office of Quincentenary Programs
Dates:
1984-1993
Size:
37.86 cu. ft. (37 record storage boxes) (2 12x17 boxes)
Collection ID:
Accession 94-149
Repository:
Smithsonian Institution Archives

These records document the activities which the Office of Quincentenary Programs coordinated or organized to mark the 500th anniversary of Christopher Columbus's first landfall in the Americas on October 12, 1492. The Quincentenary programs began in 1985 under the coordination of Smithsonian's Directorate of International Activities, Magali ...

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Creators:
National Portrait Gallery. Office of Exhibitions
Dates:
1974-1976
Size:
3.5 cu. ft. (3 record storage boxes) (1 document box)
Collection ID:
Accession 99-106
Repository:
Smithsonian Institution Archives

This accession consists of exhibition records pertaining to The Dye is Now Cast: The Road to American Independence, an exhibition at the National Portrait Gallery (NPG) from April 19-November 16, 1975. Materials include photographs, loan agreements, correspondence, memoranda, notes, scripts, labels, and reports.

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Creators:
Smith, Myron Bement, 1897-1970
Blake, Marion Elizabeth
Dates:
circa 1910-1970
Size:
192 Linear feet
Collection ID:
FSA.A.04
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

The Myron Bement Smith collection consists of two parts, the papers of Myron Bement Smith and his wife Katharine and the Islamic Archives. It contains substantial material about his field research in Italy in the 1920s and his years working on Islamic architecture in Iran in the 1930s. Letters describe the milieu in which he operated in Rochester NY and New York City in the 1920s and early 1930s; the Smiths' life in Iran from 1933 to 1937; and the extensive network of academic and social contacts that Myron and Katharine developed and maintained over his lifetime. The Islamic Archives was a project to which Smith devoted most of his professional life. It includes both original materials, such as his photographs and notes, and items acquired by him from other scholars or experts on Islamic art and architecture. Smith intended the Archives to serve as a resource for scholars interested in the architecture and art of the entire Islamic world although he also included some materials about non-Islamic architecture.

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Creators:
Tarbell, Edmund Charles, 1862-1938
Dates:
circa 1855-circa 2000
bulk 1885-1938
Size:
7.2 Linear Feet
Collection ID:
AAA.tarbedmu
Repository:
Archives of American Art

The papers of Boston painter Edmund Charles Tarbell measure 7.2 linear feet and date from circa 1855-circa 2000, bulk 1885-1938. The collection includes biographical material, correspondence, writings, diaries, personal business records, printed material, photographs, albums, glass plate negatives, and a scrapbook.

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Creators:
National Museum Act Program
Dates:
1966-1986
Size:
53 cu. ft. (53 record storage boxes)
Collection ID:
Record Unit 574
Repository:
Smithsonian Institution Archives

The National Museum Act (NMA) of 1966 affirmed the Smithsonian Institution's traditional role of assisting other museums and authorized the Institution to strengthen its activities of service to them. Funds appropriated to the Smithsonian for the implementation of the National Museum Act were made available primarily by grants and contracts ...

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Creators:
Cook, Lia, 1942-
Dates:
1968-2012
Size:
5.9 Linear feet
Collection ID:
AAA.cooklia
Repository:
Archives of American Art

The papers of fiber artist and painter Lia Cook measure 5.9 linear feet and date from 1968 to 2012. Cook's career and exhibition activities are documented through biographical material, correspondence, professional files, gallery and exhibition files, printed material, photographs, and artwork.

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Creators:
Breuer, Marcel, 1902-
Dates:
1920-1986
Size:
37.6 Linear feet
0.14 Gigabytes
Collection ID:
AAA.breumarc
Repository:
Archives of American Art

The Marcel Breuer papers, 1920-1986, contain biographical material, correspondence, business and financial records, interviews, notes, writings, sketches, project files, exhibition files, photographs, and printed material that document the career of architect and designer Marcel Breuer.

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Creators:
Smithsonian Institution. Office of Architectural History and Historic Preservation
Dates:
circa 1960-2000
Size:
24.5 cu. ft. (49 document boxes)
Collection ID:
Accession 09-007
Repository:
Smithsonian Institution Archives

This accession consists of information files, original reports and correspondence, papers and articles, and other background material on Smithsonian buildings. Most records document the Smithsonian Institution Building ("Castle"). There are a few files on the Arts & Industries Building and other Smithsonian facilities. These records were ...

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Creators:
Antonakos, Stephen, 1926-2013
Dates:
1932-2014
bulk 1960-2014
Size:
24.2 Linear feet
1.73 Gigabytes
Collection ID:
AAA.antostep
Repository:
Archives of American Art

The papers of American sculptor Stephen Antonakos measure 24.2 linear feet and 1.73 GB and date from 1932-2014, with the bulk of the material dating from 1960-2014. The collection documents Antonakos's pioneering work in neon, through biographical material, correspondence, writings and notes, project files, exhibition files, printed and digital material, and photographs.

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