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Creators:
DeCorse, Christopher
Dates:
1978-1987
Size:
2363 slides (photographs) ((6 v.), color)
2,363 color copy slides
Collection ID:
EEPA.1993-028
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Christopher DeCorse during his travels in Ghana, Gambia, Senegal, Mali and Cote d'Ivoire.

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Creators:
Guthrie, Woody, 1912-1967
Dates:
1912-1977
bulk 1940-1951
Size:
1.75 linear feet
Collection ID:
CFCH.GUTH
Repository:
Ralph Rinzler Folklife Archives and Collections

Original song text, music, drawings, correspondence, and other writings by Woody Guthrie; news clippings, articles, correspondence, and business records related to Woody Guthrie. Date span: 1927-1985. Bulk dates: Guthrie song text, writings, and drawings, 1940-1948; correspondence by and to Woody Guthrie, 1944-1951; correspondence regarding Woody Guthrie, 1956-1977.

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Creators:
Smithsonian Institution. Office of the Secretary
Dates:
1866-1906, with related records to 1927
Size:
65.91 cu. ft. (98 document boxes) (6 12x17 boxes) (1 16x20 box) (88 3x5 boxes) (1 tube box) (oversize material)
Collection ID:
Record Unit 31
Repository:
Smithsonian Institution Archives

These records document the history of the Smithsonian from 1872-1927. Most of the records concern the tenure of Samuel P. Langley, the third Secretary, who served from 1887-1906. There is also some material dating from as early as 1866 to as late as 1927 in the collection. This record unit is the last to be based on a distinction between ...

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Creators:
National Museum of the American Indian. Office of Community Services
Dates:
1999-2004
Size:
33 cu. ft. (33 record storage boxes)
Collection ID:
Accession 11-065
Repository:
Smithsonian Institution Archives

This accession consists of exhibition fieldwork records and production recordings produced by the Office of Community Services for the National Museum of the American Indian (NMAI) inaugural exhibitions Our Lives: Contemporary Life and Identities and Our Peoples: Giving Voice to Our Histories. Native American communities represented in...

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1911-1986
Size:
42 flat boxes
Collection ID:
NMAH.AC.0300.S06
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 6: Moving Pictures and Movie Stars forms part of the DeVincent collection. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
DeVincent, Sam, 1918-1997
Dates:
1827-1986; undated
Size:
66 Boxes
Collection ID:
NMAH.AC.0300.S09
Repository:
Archives Center, National Museum of American History

Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 9: Domestic and Community Life documents family, love, marriage, home, and social organizations. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music.

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Creators:
Dorsey, James Owen, 1848-1895
Dates:
circa 1870-1956
bulk 1870-1895
Size:
30 Linear feet (70 boxes, 1 oversized box, 20 manuscript envelopes, 4 rolled maps, and 23 map folders)
Collection ID:
NAA.MS4800
Repository:
National Anthropological Archives

Reverend James Owen Dorsey (1848-1895) was a missionary and Bureau of American Ethnology ethnologist who conducted extensive research on Siouan tribes and languages.The papers of James Owen Dorsey comprise mostly ethnographic and linguistic materials on various tribes of the Siouan language family as well as tribes from Siletz Reservation in Oregon. These materials include texts and letters with interlineal translations; grammar notes; dictionaries; drawings; and his manuscripts. In addition, the collection contains Dorsey's correspondence, newspaper clippings, his obituaries, and reprints.

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Creators:
Antonakos, Stephen, 1926-2013
Dates:
1932-2014
bulk 1960-2014
Size:
24.2 Linear feet
1.73 Gigabytes
Collection ID:
AAA.antostep
Repository:
Archives of American Art

The papers of American sculptor Stephen Antonakos measure 24.2 linear feet and 1.73 GB and date from 1932-2014, with the bulk of the material dating from 1960-2014. The collection documents Antonakos's pioneering work in neon, through biographical material, correspondence, writings and notes, project files, exhibition files, printed and digital material, and photographs.

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Creators:
Hopper, Grace Murray, 1906- (mathematician)
Physical Sciences, Division of (NMAH, Smithsonian Institution).
Dates:
1944-1965
Size:
2.5 Cubic feet (7 boxes, 1 map-folder)
Collection ID:
NMAH.AC.0324
Repository:
Archives Center, National Museum of American History

The material includes technical notes, operating instructions and descriptions relating to projects which Hopper participated in at Harvard during and after World War II and later in the private sector. These projects involved the creation of the Navy's Mark I, II and III "mechanical calculators" (the fore runners of today's computers) and the UNI...

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Creators:
Arnold, Rudy, 1902-1966
Dates:
circa 1920s-1950s
bulk 1920-1940
Size:
10.91 Cubic feet (9,579 photographic items)
25.37 Linear feet (38 boxes)
Collection ID:
NASM.XXXX.0356
Repository:
National Air and Space Museum Archives

Rudy Arnold (1902-1966) was introduced to photography in 1918. After studying at the New York School of Photography, he worked at the New York Journal-American and the New York Graphic. During his stint at the latter he started to focus on aviation photography. In 1928, Arnold started his own aviation photography business and worked out of the following New York air fields and airports during his career: Roosevelt Field, the old Curtiss Airport, Floyd Bennett Field, and LaGuardia Airport His coverage of a wrecked airliner in upstate New York was the first photograph sent by wire to newspapers across the country. Arnold's work appeared in every aviation magazine, house organs (Douglas, Grumman), and mass circulation magazines as well as many newspapers. He also did motion-picture camera work for Universal and Paramount.

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