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Creators:
Kurtz, Charles M. (Charles McMeen), 1855-1909
Dates:
1843-1990
bulk 1884-1909
Size:
27.74 Linear feet
Collection ID:
AAA.kurtchar
Repository:
Archives of American Art

The papers of arts administrator, museum director, collector, dealer, and editor Charles M. Kurtz (1855-1909), measure 27.74 linear feet and date from 1843-1990 (bulk dates 1884-1909). The bulk of the collection consists of detailed chronological correspondence between Kurtz and his wife and family, friends, colleagues, and business associates that documents many notable exhibitions, galleries, museums, private collections, as well as cities, people, and events of the period. Also found in the collection are Kurtz's diaries, scrapbooks, printed materials, and photographs.

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Creators:
Weston, Harold, 1894-1972
Dates:
1894-1978
bulk 1912-1972
Size:
24.3 Linear feet
Collection ID:
AAA.westharo
Repository:
Archives of American Art

The papers of modernist painter and activist Harold Weston (1894-1972) date from 1894 to 1978 and measure 24.3 linear feet. The papers focus on Weston's painting career and his involvement with humanitarian and artistic causes. Found are biographical materials, correspondence, personal business records, association and organization records, commission and project files, materials relating to Weston's book Freedom in the Wilds, writings, artwork, printed materials, two scrapbooks, and photographs.

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Creators:
Gruppo, Barbara Pease
Rodney W. Pease, III
Piotrowicz, Elizabeth Pease
Pease, L.F.
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Dates:
1908-1936; undated
Size:
2.33 Cubic feet (7 boxes)
Collection ID:
NMAH.AC.1251
Repository:
Archives Center, National Museum of American History

The collection consists of samples of primarily greeting cards designed and created by the Lillian Pease Card Company.

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Creators:
Ofcansky, Thomas P., 1947-
Dates:
1678-circa 2005
Size:
1 Booklet (sheet music)
30 Engravings
6 Photographic prints
6 Posters
1 Drawing
2 Documents
12 Maps
Collection ID:
EEPA.2015-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from 1678 to circa 2005 and consists of 58 maps, engravings, posters, original documents and photographs related to East, Central and South Africa. There is a special focus on Ethiopia (Abyssinia), Tanzania and the Sudan, and the collection's subjects include East African geography, history, political affairs and African leaders, as well as European (German, Italian, British) and American colonization, exploration and warfare in Africa.

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Creators:
Sowerby, Arthur de Carle, 1885-1954
Dates:
1904-1954 and undated
Size:
14.05 cu. ft. (20 document boxes) (20 3x5 boxes) (1 5x8 box) (1 16x20 box)
Collection ID:
Record Unit 7263
Repository:
Smithsonian Institution Archives

These papers document the multi-faceted career of Arthur deC. Sowerby, especially his work as a naturalist and expedition member. They include correspondence, including a large amount with Robert Sterling Clark; fiscal records; material relating to his genealogical research and "The Sowerby Saga;" manuscripts, newspaper articles, and research ...

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Creators:
Humphrey, Joseph
Humphrey, Marion
Humphrey Family
Dates:
ca. 1905-1906.
Size:
0.2 Cubic feet (1 box)
Collection ID:
NMAH.AC.1196
Repository:
Archives Center, National Museum of American History

An album of postcards dating from 1903 to 1907, including some that are unsent and undated. Many are addressed to members of the Humphrey family, but the individual who created the album is unknown.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1857-1961
Size:
0.57 Cubic feet (consisting of 1 box, 1 folder, 3 oversize folders, 2 map case folders.)
Collection ID:
NMAH.AC.0060.S01.01.Fairs
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Fairs forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Cooper-Hewitt, National Design Museum. Exhibitions
Dates:
1980-2006
Size:
10.56 cu. ft. (24 blueprint storage boxes)
Collection ID:
Accession 10-061
Repository:
Smithsonian Institution Archives

This accession consists of drawings documenting the design of exhibitions at the Cooper-Hewitt, National Design Museum. Exhibitions documented in this accession include "Huguenot Legacy: English Silver, 1680-1760;" "Avant-Garde Letterhead;" "Lace;" "What Could Have Been: Unbuilt Architecture of the 80s;" "Solos: Smartwrap;" "Faberge: Jeweler ...

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Creators:
Brusseaux, Eugene
Dates:
between 1900-1905
Size:
35 negatives (photographic) (black & white, 6 x 7 cm.)
354 photographic prints (silver gelatin (1 box), black & white, 7 x 8 cm. or smaller.)
Collection ID:
EEPA.1999-004
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The album was compiled by Eugene Brusseaux, a French colonial, very likely a merchant, who lived, worked and traveled in the Republic of Congo and the Central African Republic (then Afrique Equatoriale Francaise), and in northern Cameroon (then German colony of Kamerun). The images may well have been taken by Brusseaux himself. Mr. de Strycker acquired the album, which previously belonged to Professor Verneau of the Musee de L'Homme, Paris, in a sale from Professor Verneau of the Musee de l'Homme, Paris. The album shows the classic arrangement of many similar colonial albums, depicting Brusseaux's voyage from France to Libreville in Gabon, and Matadi on the mouth of the Congo River. From there Brusseaux took the railroad to Leopoldville (Kinshasa) and traveled on the Brazzaville. He continued on the Congo River to Balobo and Kounda, then over land towards the Sangha River, through Bonga and Loboko to M'Bako on the Sangha River and to Ouesso, now on the border of the Republic of the Congo and the Central African Republic. From Ouesso, he continued on to Nola, Carnot and Baboua. He then visited Kounde, and crossed into German territory, moving on the Ngaoundere. This is where the album ends. The photographs depict some of the Belgian and French colonial cities. There are excellent images of transportation in Matadi. Brazzaville is the topic of many good architectural photographs. A very interesting set shows the Catholic Mission of Brazzaville in 1901 and 1904 with a unique interior shot of the cathedral. Further inland, the photographs of colonial settlements focus on trading posts, such as Bonga, Kadei, Carnot and Baboma. Many photographs show Africans, indigenous architecture, and celebrations. They focus on the Pomo, the Pande, the Baya (Baja in German writing), and Hausa and Fulbe. Images from Baboma, Kounde and Ngaoundere show indigenous Fulbe architecture, including a series of the Lamido's palace at Ngaoundere, and Fulbe kings, retainers and women. One set depicts women with Fulbe style coiffures of extraordinary complexity (wigs).

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1818-1973
Size:
9.47 Cubic feet (consisting of 16 boxes, 1 folder, 13 oversize folders, 5 map case folders, 3 flat boxes (2 full, 1 partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Men
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Men's Clothing forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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