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Creators:
National Museum of American Art. Department of Design and Production
Dates:
1964-1991
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Record Unit 451
Repository:
Smithsonian Institution Archives

These records consist of correspondence, memoranda, photographs, floor plans, illustrations, and architectural drawings which document the installation of exhibitions at the National Museum of American Art (NMAA) and the Renwick Gallery. Also included are exhibition scripts, catalogues, work orders, and administrative records of the Department...

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Creators:
National Museum of American History. Division of Musical History
Dates:
circa 1954-1994
Size:
64.08 cu. ft. (49 record storage boxes) (26 tall document boxes)
Collection ID:
Record Unit 485
Repository:
Smithsonian Institution Archives

This record unit consists of curatorial and staff correspondence and memoranda pertaining to the Tower Concert series, exhibitions at the Hall of Musical Instruments, staff research and publications, organ building, acquisition of musical instruments, and funding for seminars and musical performance recordings. Also included are inquiries ...

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Creators:
Smithsonian American Art Museum., Office of Design and Production
Dates:
1970-2000
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 01-108
Repository:
Smithsonian Institution Archives

This accession consists of records that document the design, production, and installation of permanent and temporary exhibitions at the Smithsonian American Art Museum and the Renwick Gallery. There are also records related to the renovation of the Alice Pike Barney Studio House. Materials include drawings, sketches, floor plans, correspondenc...

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Creators:
National Museum of the American Indian. Curatorial Office
Dates:
1979-2003
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Accession 08-029
Repository:
Smithsonian Institution Archives

This accession consists of records which document the activities of the curatorial staff of the National Museum of the American Indian (NMAI). Subjects covered include the exhibition master plan, workshops, repatriation, exhibitions, councils, collections management, collection research, conservation treatment, budgetary matters, and research....

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Creators:
National Museum of African Art. Department of Education and Research
Dates:
1967-1987
Size:
5 cu. ft. (5 records storage boxes)
Collection ID:
Accession 05-033
Repository:
Smithsonian Institution Archives

This accession includes records documenting public educational programs in African art, history, and culture. Materials include correspondence and memoranda; grant proposals; workshop and symposium information; budget summaries; contractual agreements; press kits; reports; evaluation forms; teacher's guides; docent training information; a...

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Creators:
Woolworth, Alan R.
Weslager, C.A.
Witthoft, John
Swauger, James Lee
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Dates:
1824-1992
bulk 1950-1982
Size:
10.25 Linear feet
Collection ID:
NAA.1994-30
Repository:
National Anthropological Archives

To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.

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Creators:
National Museum of American Art. Curatorial Department
Dates:
1986-1997
Size:
1.5 cu. ft. (1 record storage box) (1 document box)
Collection ID:
Accession 00-100
Repository:
Smithsonian Institution Archives

This accession consists of records that document the administrative work conducted by Andrew L. Connors, Curator. Materials include lectures, exhibition records, subject files, committee files; records of Connors' involvement in the annual National Museum of American Art (NMAA) staff art show; and the Forum on Material Culture.

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Department of Education
Dates:
1985-2014
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 17-089
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the planning and development of educational activities, workshops, special events, and other educational programs at the Freer Gallery of Art and Arthur M. Sackler Gallery. In approximately 2007, the department was renamed Education and Public Programs, but it reverted back to the Department ...

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Creators:
Hirshhorn Museum and Sculpture Garden. Department of Public Programs/Curatorial Division
Dates:
1992-2000
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 00-126
Repository:
Smithsonian Institution Archives

This accession consists of records that document the activities of Neal David Benezra, Assistant Director for Art and Public Programs (1995-2000). Materials dated prior to 1995 were created and maintained by the Benezra during his tenure as the Chief Curator (1995). Please note that a small portion of the records was created and maintained ...

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Creators:
Freer Gallery of Art and Arthur M. Sackler Gallery. Department of Education
Dates:
1993-2011
Size:
1 cu. ft. (1 record storage box)
Collection ID:
Accession 12-191
Repository:
Smithsonian Institution Archives

This accession consists of concert notes and other programs for the Bill and Mary Meyer Concert Series and Asian performances presented by the Freer Gallery of Art and Arthur M. Sackler Gallery.

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