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Creators:
Swift, Mary
Dates:
1973-2004
Size:
8.2 Linear feet
Collection ID:
AAA.swiftmar
Repository:
Archives of American Art

The papers of photographer and curator Mary Swift measure 8.2 linear feet and date from 1973-2004. The bulk of the collection contains photographs that Swift took while working for the Washington Review. The images consist of photographs, contact sheets, and negatives of artists and art events in Washington, D.C. Also included are some personal papers; two video recordings of art events in Washington, D.C.; research material and a manuscript from Swift's M.A. thesis "Howard William Mehring, 1931-1978: Washington Color Painter" from George Washington University; and approximately 130 sound recordings of interviews conducted by Swift and panel discussions.

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Creators:
Fewkes, Jesse Walter, 1850-1930
Dates:
1873-1927
Size:
13 Boxes
Collection ID:
NAA.MS4408
Repository:
National Anthropological Archives

This collection consists principally of Fewkes's archeological and ethnological field notebooks, 1890-1927. It also includes correspondence, 1873-1927; lectures, circa 1907-1926; and unpublished manuscripts by Fewkes and others, circa 1893-1923.

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Creators:
American Petroleum Institute.
Dates:
1860s-1980s
bulk 1955-1990
Size:
45 Cubic feet (122 boxes)
Collection ID:
NMAH.AC.0711
Repository:
Archives Center, National Museum of American History

Collection includes historic photographs, slides and films on subjects relating to all aspects of the petroleum industry, including exploration, drilling, refineries, tankers, pipelines, automobiles, trucks, aviation, refueling, buildings, coal, gasification, plants, mining, surface mining, fields, land reclamation, coastal zone management, corporate public service, educational programs, crude oil, deepwater ports, and watercraft It also documents numerous products other than gasoline produced by the petroleum industry, such as propane, lubricants, heating oil, and plastics.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1871-1925
Size:
6.79 Cubic feet (consisting of 11 boxes, 2 folders, 10 oversize folders, 3 map case folders, 1 flat box, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Photography
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Photography forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
National Museum of American History (U.S.). Division of Ceramics and Glass
Magdoff, Sam
Piette, Andre, 1934-1984 (ceramic designer, artist)
Dates:
1954-1979
Size:
8 Cubic feet (8 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.0129
Repository:
Archives Center, National Museum of American History

Collection documents Andre Piette's career as an illustrator and designer. The materials include sketches, drawings, tracings, photographs (color transparencies, slides, and prints), and samples of wallpaper, designs for gift wrap, and a few textiles.

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Creators:
Engman, David
Simmons, David
Society for Industrial Archeology
Starbuck, David, Dr.
More …
Dates:
1965-2017
Size:
40 Cubic feet (100 boxes, 7 map-folders)
Collection ID:
NMAH.AC.0688
Repository:
Archives Center, National Museum of American History

Collection consists of the records of the Society for Industrial Archaeology, including officers' files; grant files, journals, newsletters, editorial files, films, photographs, and posters.

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Creators:
National Collection of Fine Arts. Fine Arts Lending Program
Dates:
circa 1965-1980
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Record Unit 445
Repository:
Smithsonian Institution Archives

These records consist of administrative files of the Program, including a large volume dealing with loans to the White House. Other records relating to the Lending Program can be found in Record Unit 453, the Office of the Registrar.

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Creators:
Vassos, John, 1898-1985
Dates:
1915-1989
Size:
18.7 Linear feet
Collection ID:
AAA.vassjohn
Repository:
Archives of American Art

The papers of designer, illustrator, and muralist John Vassos measure 18.7 linear feet and date from 1915 to 1989. The papers include biographical materials, personal and professional correspondence, writings and writing project files, Industrial Designers Society of America (IDSA) files, Radio Corporation of American (RCA) files, Silvermine Guild of Artists files, general professional and committee files, printed materials, four scrapbooks, photographic materials, and artwork.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 23-July 4, 1989
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1989
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
National Museum of American History (U.S.). Archives Center
Ravnitzky, Michael
Dates:
circa 1900-present
Size:
29 Cubic feet (55 boxes)
Collection ID:
NMAH.AC.0404
Repository:
Archives Center, National Museum of American History

This collection contains a variety of business ephemera similar to that found in the Warshaw Collection of Business Americana. The material in the Business Americana Collection is newly acquired ephemera received from many sources including curatorial units, the public, and Smithsonian Institution staff.

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