[ ]
Collapse
[ ]
Expand
Creators:
Cooper-Hewitt, National Design Museum. Department of Development and Public Affairs
Dates:
circa 1977-1996
Size:
6 cu. ft. (6 record storage boxes)
Collection ID:
Accession 97-045
Repository:
Smithsonian Institution Archives

These records were created by a succession of Public Affairs staff in the Cooper-Hewitt, National Design Museum. Arthur Lindo succeeded Isabelle Silverman as Public Information Manager around 1986. Michele Raphoon became Public Information Assistant at the same time, and took on additional duties as Special Events Coordinator in 1988. In ...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Browning, Augustus
Dates:
1982-1985
Size:
1 box
49 photographic prints (black & white, 8 x 10 in. or smaller)
Collection ID:
EEPA.1986-013
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Augustus Browning of Hausa and Fulani peoples in Nigeria between 1982 and 1985.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Smithsonian Institution. Office of Facilities Engineering and Operations
Dates:
1977-2002
Size:
4.19 cu. ft. (2 record storage boxes) (1 12x17 box) (4 blueprint storage boxes)
Collection ID:
Accession 10-134
Repository:
Smithsonian Institution Archives

This accession consists of project files of the Office of Facilities Engineering and Operations (OFEO), with earlier records dating from when OFEO was known as the Office of Design and Construction (ODC), that were reviewed by the Office of the Secretary. The files primarily document renovation and repair projects in the Smithsonian Insti...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
National Museum of Natural History. Department of Entomology
Dates:
1972-2010
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 11-081
Repository:
Smithsonian Institution Archives

This accession consists of curatorial records created and maintained by Terry L. Erwin, Curator of Coleoptera. Projects covered include Biological Diversity of Tropical Latin America (BIOLAT), All Taxa Biodiversity Inventory (ATBI), and the Encyclopedia of Life. Materials include correspondence, notes, manuscripts, newspaper clippings, drawing...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Mangione, Chuck, 1940-
Dates:
1972-2009
Size:
6 Cubic feet (12 boxes, 10 oversize folders)
Collection ID:
NMAH.AC.1151
Repository:
Archives Center, National Museum of American History

Archival materials documenting the career of musician Chuck Mangione.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Warshaw, Isadore, 1900-1969
Dates:
undated
Size:
0.98 Cubic feet (consisting of 2 boxes, 1 folder, 1 oversize folder, 1 map case folder.)
Collection ID:
NMAH.AC.0060.S01.01.Inks
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Inks forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Found In
[ ]
Collapse
[ ]
Expand
Creators:
National Museum of History and Technology. Division of Preindustrial Cultural History
Dates:
1953-1975
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 03-070
Repository:
Smithsonian Institution Archives

This accession includes records that document planning for the exhibition "Growth of the United States," primarily during the years when the National Museum of History and Technology was known as the Museum of History and Technology. Materials include the correspondence, memoranda, and notes of Peter C. Welsh, Curator; Rodris C. Roth, Curator;...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Medellin, Octavio, 1907 or 1908-1999
Dates:
circa 1935-circa 1979
Size:
3.6 Linear feet
Collection ID:
AAA.medeocta
Repository:
Archives of American Art

The papers of Mexican born painter, sculptor, and educator Octavio Medellin measure 3.6 linear feet and date from circa 1935 to circa 1979. The collection is comprised of correspondence with Carlos Mérida, Stanley Marcus, Lucy Maverick, Bess Hubbard, Xavier Gonzalez, and others; commission files for projects in Texas; professional files that include notes, biographical essays, and material for the Medellin School of Sculpture, Mendocino Art Center, International Institute of Arts and Letters, and the San Antonio Religious Show; printed and documentary materials consisting of an art reproduction, booklets, exhibition catalogs, magazines and yearbooks, and video recordings of Swank in the Arts; and photographic materials of Medellin, his studio, family and friends, travel in Mexico, his students, and works of art.

Found In
[ ]
Collapse
[ ]
Expand
Creators:
National Museum of American History. Office of the Director
Dates:
circa 1977-1992
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 98-041
Repository:
Smithsonian Institution Archives

This accession consists of records that primarily document administrative activities of the National Museum of American History (NMAH), Office of the Director, concerning NMAH departments, divisions, and exhibitions. Some of the records date prior to 1980, when NMAH was known as the National Museum of History and Technology. Materials include ...

Found In
[ ]
Collapse
[ ]
Expand
Creators:
Clarke, Thomas B. (Thomas Benedict), 1848-1931
Dates:
1893-1897
Size:
0.2 Linear feet
Collection ID:
AAA.clartbhm
Repository:
Archives of American Art

The Thomas B. Clarke letters from or about Homer Dodge Martin measure 0.2 linear feet and date from 1893-1897. Twenty-two letters from Martin to art collector and patron Thomas B. Clarke, document Martin's work, his financial struggles, and his physical and mental condition in the last 5 years of his life. Additional letters to and from others further illuminate Martin's relationship with Clarke and provide insight into his financial affairs and the increasingly favorable market for the painter's work just prior to and following his death in 1897.

Found In