The papers of Massachusetts painter, sculptor, and educator David Berger measure 3.8 linear feet and date from circa 1939 to 1986. His career as an artist and professor are documented through biographical material, personal business records, scattered correspondence, gallery files, exhibition catalogs, news clippings, and other printed material, as well as nine sketchbooks and photographs depicting Berger, his family, and artwork.

The papers of graphic artist and arts educator Calvin Burnett measure 6.1 linear feet and date from 1920 to 1979, with the bulk of the collection dating from the 1960s to the 1970s. The papers contain biographical material, correspondence, writings, material related to his education and professional activities, personal business records, printed material, a scrapbook, and a small amount of photographs and artwork.

The papers of New York City Asian American artist Ching Ho Cheng measure 6.8 linear feet and date from circa 1950 to 2014, with the bulk of the materials dating from 1970-1989. The collection documents Cheng's art career and life through biographical material, correspondence, personal business and estate records, printed material, a scrapbook, photographic material, artwork, sketchbooks, and artifacts.

The papers of Florida realist sculptor Duane Hanson date from 1935-2006 and measure 12.9 linear feet. Hanson's career is documented through biographical information, personal business records, correspondence, subject files, artwork, writings, printed materials, and photographs. There are numerous letters from the O.K. Harris Gallery and Ivan Karp, Dr. Martin Bush at Witchita State University, and Dewey Hanson.

The papers of painter Harriet Blackstone date from 1870-1984 and measure 5.4 linear feet. The collection provides documentation of Harriet Blackstone's career through scattered biographical material; personal and professional correspondence, including letters from Maria Oakey Dewing, Thomas Wilmer Dewing, Alice Tisdale Hobart, Joseph Cummings Chas...

The papers of New York art historian Francis O'Connor measure 23.4 linear feet and date from 1920-2009. Found within the papers are artist and exhibition files, questionnaires, transcripts, writings, project files, and printed material that pertain to O'Connor's research and publications on the New Deal and the Federal Arts Project of the Works Progress Administration.

The papers of painter, muralist, and educator Charles Pollock measure 3.1 linear feet and date from 1875 to 1994. Found within the papers are biographical materials; family and personal correspondence; subject files on art and professional topics; writings; printed material; artwork, including political cartoons and figurative sketches; and photographs of Pollock, his family and friends, and his work.

The papers of William Couper date from 1872 through 1971 with the bulk of the material dated 1872 through 1908. The collection consists of 0.9 linear feet of letters, photographs, and printed material that document William Couper's career as a sculptor and his family life. Letters are from Couper and his wife to his parents, and to his brother John, discussing family matters, his art training, his travels, and his work in New York. There are also several letters from his father-in-law, sculptor Thomas Ball.

The papers of art patron Harriet Collins Allen measure 0.2 linear feet and date from 1897-1925. Found within the papers are letters primarily written by Solon Borglum and his wife, Emma, to Harriet Collins Allen. The letters were written from Omaha, London, Paris, and New York and provide a cursory overview of some of the events in Borglum's career and insights into his relationship with his older brother sculptor Gutzon Borglum. Borglum writes about meeting and working with other sculptors in Paris and New York and his wife writes about conflicts between the two brothers and exhibitions of Solon's work. Also found within the papers are clippings, a brochure for Borglum's book A Comparative Analysis of Natural Forms and Their Relation to the Human Figure, and photographs of Borglum in his studio and of his works.

The papers of American art collector, paint manufacturer, lecturer, and painter, Leonard Bocour measure 11.8 linear feet and date from 1933 to 1993. Found within the papers are biographical material; miscellaneous correspondence with artists and colleagues, including Helen Frankenthaler, Chaim Gross, Philip Guston, Alex Katz, Jack Levine, Morris Louis, David Oxtoby, and Philip Pearlstein; diaries, daily calendars, notes and writings; personal business records and the business records of Bocour Artist Colors, Inc.; transcripts of interviews with Bocour; and printed material.