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Creators:
Houlberg, Marilyn
Dates:
1961-circa 2005
Size:
6567 slides (photographs) (11 Binders, color)
14 Documents (1 Binder)
Collection ID:
EEPA.2005-002
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection consists of 6,567 color slides taken by Dr. Marilyn Houlberg during various field studies among the Yoruba in southwest Nigeria between 1961 and circa 2005. The images depict Yoruba art and culture with a special focus on artisans, art objects, body arts, costume, festivals, hairstyles, indigenous photography, weaving and textiles. Cultural events depicted include Balufon festivals, Egungun and Gelede masquerades, social events (weddings, christenings, funerals), and religious ceremonies (initiation and animal sacrifice). Also included are various scenes of daily life, architecture, food preparation, markets, portraits and landscapes. Houlberg extensively documented Yoruba artists in the process of creating their art, including carvers Yesufu Ejigboye, Runshewe, and Lamidi Fakeye, as well as the final pieces themselves. Houlberg documentated art in situ, such as Yoruba house posts, shrines, wall art and wood doors and art objects, including Gelede masks, Ibeji (twin) and Eshu figures, Osanyin staffs, and Ogboni and Shango shrines. Manuscript and printed materials, including Houlberg's resume, thesis, and numerous published articles are also available in this collection.

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Creators:
Bartlett, John Russell, 1805-1886
Husband, Bruce
Encinas, Fr
Whipple, Amiel Weeks, 1817?-1863
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Dates:
undated
Size:
183 items (numbered pages )
Collection ID:
NAA.MS1627
Repository:
National Anthropological Archives

On page 129-134, there is a Comanche vocabulary alongside with Spanish and Luiseno. Follows items called for in Smithsonian Institution Comparative Vocabulary. Some Comanche terms lacking.

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Creators:
Science, Medicine and Society, Division of (NMAH, SI).
Dates:
1985-1992
bulk 1987-1989
Size:
4 Cubic feet (8 boxes)
Collection ID:
NMAH.AC.0538
Repository:
Archives Center, National Museum of American History

The collection was assembled by Museum curators and documents the efforts of persons in eight states to have the Superconducting Super Collider (SSC), a particle accelerator, built in their state. Also documents efforts in each state to oppose locating the SSC in their state. The collection contains correspondence, press kits, posters, signs, bumper stickers, leaflets, handbills, clippings, photographs, and a videotape.

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Creators:
Musical History, Division of (NMAH, SI)
Odell, Scott, 1935-
Dates:
1964-1977
Size:
18 Cubic feet
Collection ID:
CFCH.ODEL
Repository:
Ralph Rinzler Folklife Archives and Collections

The J. Scott Odell folk music collection (1945-2016, inclusive) contains AV recordings, photographs, correspondence, writings, and other materials relating to Odell's career at the Smithsonian as a musical instrument conservator and researcher of American music traditions. The collection largely consists of materials relating to Odell's research trips (often combined with personal visits) throughout the Eastern United States. Research strengths of the collection include the history of the Appalachian dulcimer and banjo, the Smithsonian Folkways project "Black Banjo Songsters," musician and poet Burt Porter, and the Bread and Puppet Theater.

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Creators:
Clark, Ella
Troll Associates
Coronet (Firm)
January Productions
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Dates:
circa 1970-1984
Size:
20 Linear feet
Collection ID:
NMAI.AC.382
Repository:
National Museum of the American Indian

This collection contains American Indian educational filmstrips and associated teacher's guides and other materials from circa 1970-1984. They were collected by Ella Clark, a schoolteacher in Oklahoma.

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Creators:
National Museum of the American Indian. Curatorial Office
Dates:
1979-2003
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Accession 08-029
Repository:
Smithsonian Institution Archives

This accession consists of records which document the activities of the curatorial staff of the National Museum of the American Indian (NMAI). Subjects covered include the exhibition master plan, workshops, repatriation, exhibitions, councils, collections management, collection research, conservation treatment, budgetary matters, and research....

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Creators:
Seherr-Thoss, Hans Christoph, Graf von, 1918-
Seherr-Thoss, Sonia P.
Dates:
circa 1960-1968
Size:
4 Linear feet (approximate: 1250 items)
Collection ID:
FSA.A2001.15
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Photographs and negatives of Sonia P. and Hans C. Seherr-Thoss. Mounted and unmounted color slides, transparencies, black and white negatives, mounted prints, contact sheets, and a photograph, circa 1960-1968. The majority of images, taken by Hans C. Seherr-Thoss, appear in their publication, Design and Color in Islamic Architecture: Afghanistan, Iran, and Turkey, published by the, Smithsonian Institution Press, in 1968. Countries depicted are Iran, Turkey, Afghanistan, Tajikistan, and Uzbekistan.

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Creators:
Washburn, Wilcomb E
Dates:
circa 1985-1988
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 90-083
Repository:
Smithsonian Institution Archives

This accession consists of an addition to the papers of historian Wilcomb E. Washburn. All of the material concerns Volume 4 of the Handbook of North American Indians, (HNAI) for which Washburn served as volume editor.

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Creators:
Holstein, Otto, 1883-1934
American Geographical Society
Dates:
1925-1926
Size:
425 Photographic prints
68 copy negatives
Collection ID:
NMAI.AC.114
Repository:
National Museum of the American Indian

Photographic prints and copy negatives made by Major Otto Holstein in and around the ruins of Chan Chan, Peru between 1925 and 1926. Some of these photographs were later used by Holstein to illustrate his article publication "Chan-Chan: Capital of the Great Chimu" in the American Geographical Society's publication Geographical Review.

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Creators:
Higley, Elmer Ellsworth
Dates:
bulk circa 1900-1968
Size:
534 lantern slides
0.2 Linear feet
Collection ID:
NMAI.AC.228
Repository:
National Museum of the American Indian

This collection consists of 534 glass lantern slides depicting Indigenous groups throughout North America. It also includes a small number of publications written by Elmer E. Higley and others about Native Americans and missionary work during the early twentieth century.

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