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- Creators:
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Larrabee, Constance Stuart
- Dates:
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1900-1997
- Size:
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circa 11000 Negatives (photographic) (black and white and color, 2.5 x 2.5 inches or smaller)
circa 5000 Photographic prints (silver gelatin, black and white, 8 x 10 inches or smaller)
circa 20 Linear feet (Manuscript Materials)
5.4 Linear feet (Office Files)
- Collection ID:
- EEPA.1998-006
- Repository:
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Eliot Elisofon Photographic Archives, National Museum of African Art
The collection dates from 1900 to 1997 and mostly includes images taken in South Africa. The images document the peoples of South Africa, particularly the Loved, Ndebele, San, Sotho, Xhosa, and Zulu peoples. Locations photographed include Basutoland (now Lesotho), Bechuanaland (now Botswana), Johannesburg, Natal, Pretoria, Soweto, Swaziland, Transkei, Transvaal, the Umzimkulu Valley and Zululand. Manuscript and office files include clippings, correspondence, exhibition announcements, invitations and reviews, notes, essays, receipts, and other materials that document Larrabee's career, family history, and personal life.
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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June 23-July 4, 1988
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.1988
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Smithsonian Institution. Center for Folklife and Cultural Heritage
- Dates:
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2017
- Size:
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1 Cubic foot (approximate)
- Collection ID:
- CFCH.SFF.2017
- Repository:
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Ralph Rinzler Folklife Archives and Collections
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
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- Creators:
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Withers, Margret Craver, 1907-
- Dates:
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1908-2016
- Size:
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9.6 Linear feet
0.002 Gigabytes
- Collection ID:
- AAA.withmarg
- Repository:
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Archives of American Art
The papers of silversmith and arts administrator Margret Craver Withers measure 9.6 linear feet and 0.002 GB and date from 1908 to 2016. The papers document her career as an silversmith and jeweler through biographical material; correspondence with family, friends, colleagues, and art organizations; manuscripts, notes, lectures, and other writings; professional activity records with various organizations; photographs, printed material, correspondence related to specific subject materials such as individuals or organizations; exhibition catalogs, clippings, published articles, and other printed materials; designs, sketches, sketchbooks, and other artwork; and personal photographs, some in digital format, and photographs and slides of works and works by other artists.
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- Creators:
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Harrington, John Peabody, 1884-1961
- Dates:
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1907-1959 (some earlier)
- Size:
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683 Linear feet
- Collection ID:
- NAA.1976-95
- Repository:
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National Anthropological Archives
Harrington was a Bureau of American Ethnology ethnologist involved in the study of over one hundred American tribes. His speciality was linguistics. Most of the material concerns California, southwestern, northwestern tribes and includes ethnological, archeological, historical notes; writings, correspondence, photographs, sound recordings, biological specimens, and other types of documents. Also of concern are general linguistics, sign language, writing systems, writing machines, and sound recordings machines. There is also some material on New World Spanish, Old World languages. In addition, there are many manuscripts of writings that Harrington sketched, partially completed, or even completed but never published. The latter group includes not only writings about anthropological subjects but also histories, ranging from a biography of Geronimo to material on the history of the typewriter. The collection incorporates material of Richard Lynch Garner, Matilda Coxe Stevenson, and others. In his field work, Harrington seems sometimes to have worked within fairly firm formats, this especially being true when he was "rehearing" material, that is in using an informant to verify and correct the work of other researchers. Often, however, the interviews with informants (and this seems to have been the case even with some "rehearings") seem to have been rather free form, for there is a considerable intertwining of subjects. Nevertheless, certain themes frequently appear in his work, including annotated vocabularies concerning flora and fauna and their use, topography, history and biography, kinship, cosmology (including tribal astronomy), religion and philosophy, names and observations concerning neighboring tribes, sex and age division, material culture, legends, and songs. The fullness of such materials seems to have been limited only by the time Harrington had to spend with a goup and the knowledge of his informants.
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- Creators:
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James Graham & Sons
- Dates:
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1821
1815
circa 1896-2011
- Size:
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103.6 Linear feet
- Collection ID:
- AAA.jamegras
- Repository:
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Archives of American Art
The records of the New York City gallery James Graham & Sons measure 103.6 linear feet and date from 1815, 1821, circa 1896-2011 (bulk 1950s-1980s). The collection generally documents the gallery's contemporary art department during the time in which Robert Claverhouse Graham, Sr. worked at the gallery (1940-1979); records prior to 1954 are sparse and scattered. Gallery records include artist files; correspondence; exhibition files; financial records; inventory records; printed materials; sales, loans, and consignment records; scrapbooks; and photographic materials. Also found are records from Coe Kerr Gallery regarding exhibitions.
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- Creators:
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Rinzler, Ralph
- Dates:
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1890-2011
bulk 1950-1994
- Size:
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106.32 Cubic feet (87.5 cubic feet of papers, 18.82 cubic feet of audio)
- Collection ID:
- CFCH.RINZ
- Repository:
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Ralph Rinzler Folklife Archives and Collections
This collection, with bulk dates from 1950-1994, documents the life of Ralph Rinzler and his professional activities as Director of Field Programs for the Newport Folk Festival, Director of the Smithsonian Folklife Festival (formerly the Festival of American Folklife) and the Office of Folklife Programs (now the Center for Folklife and Cultural Heritage), and the Smithsonian Institution's Assistant Secretary for Public Service. Includes personal papers, business records, correspondence, notes, photographs, audiotapes and field recordings.
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- Creators:
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National Philatelic Collection, Smithsonian Institution.
Blenkle, Victor A., Dr., 1900-1978 (physician)
- Dates:
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circa 1880-circa 1970
- Size:
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10 Cubic feet (29 boxes)
- Collection ID:
- NMAH.AC.0200
- Repository:
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Archives Center, National Museum of American History
This collection consists of postcards gathered by Dr. Victor A. Blenkle, a twentieth century physician. The postcards primarily concern geographical locations and landmarks in the United States and Western Europe, but also include materials from six other continents.
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- Creators:
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Shamir, Marli
- Dates:
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1966-1976
- Size:
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33 Negatives (photographic) (color, 35mm)
1790 Negatives (photographic) (black and white, 120mm)
1,519 Color slides (35mm)
- Collection ID:
- EEPA.2013-009
- Repository:
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Eliot Elisofon Photographic Archives, National Museum of African Art
Collection dates from 1966 to 1976 and includes 1,817 black and white negatives, 1,519 35mm color slides, several hundred prints, and manuscript materials. Locations include Burkina Faso, Cote d'Ivoire, Gabon, Israel, Mali, and Niger and depict agriculture, architecture, especially mosques, landscapes, marketplaces, masquerade and musical performances, sculptures, and textiles. Peoples depicted include the Bambara, Bella, Bozo, Dogon, Fulani, Gao, Mandingo, San, Songhai, and Tuarag peoples.
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- Creators:
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Procter & Gamble Company
Leyendecker, J. C., 1874-1951
Smith, Jessie Willcox, 1863-1935
Elliott, Elizabeth Shippen Green
More … - Dates:
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1883-1998
- Size:
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10 Cubic feet (30 boxes)
- Collection ID:
- NMAH.AC.0791
- Repository:
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Archives Center, National Museum of American History
Print advertisements covering almost the entire history of Ivory Soap, including advertisements designed by artists including Jesse Wilcox Smith, Elizabeth Shippen Green, and J. C. Leyendecker.