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Creators:
Renwick Gallery
Dates:
1970-1983
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 16-149
Repository:
Smithsonian Institution Archives

This accession consists of records that document the exhibitions Woodenworks: Furniture Objects by Five Contemporary Craftsmen; Design Is . . .; and Craft Multiples. Woodenworks: Furniture Objects by Five Contemporary Craftsmen was the major inaugural exhibition at the Renwick Gallery and was on display from January 28 - July 19, 1972. I...

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Creators:
Schoener, Allon
Dates:
1966-2007
Size:
3 Linear feet
0.371 Gigabytes
Collection ID:
AAA.schoallo
Repository:
Archives of American Art

The Harlem on My Mind exhibition records measure 3.0 linear feet and 0.371 GB and date from 1966-2007. The records contain exhibition and book files, correspondence, research material, printed and digital material and photographs from the Metropolitan Museum of Art exhibition. Also included is material documenting additional exhibitions, conferences and events relating to the original exhibition.

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Creators:
Volk, Leonard Wells, 1828-1895
Volk, Douglas , 1856-1935
Dates:
circa 1858-1965
2008
bulk 1870-1935
Size:
12.4 Linear feet
Collection ID:
AAA.volkleon
Repository:
Archives of American Art

The papers of painter and teacher Douglas Volk (1856-1935) and his father, sculptor Leonard Wells Volk (1828-1895), measure 12.4 linear feet and date from circa 1858-1965, 2008, with the bulk of the material dating from circa 1870-1935. Douglas Volk's papers document his life and career through biographical material, family and professional correspondence, writings and notes, diaries and journals, financial records, printed material, scrapbooks, artwork and sketchbooks, and photographs of the artist, his family, friends, and artwork. The papers also provide documentation of the formation and operations of the Sabatos Handicraft Society established with Marion Volk from the Volk's summer home, Hewnoaks, in Center Lovell, Maine. Scattered documentation of the life and work of Leonard Wells Volk, is found in biographical material, land records, letters, memoirs, and photographs.

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Creators:
March, Benjamin, 1899-1934
Dates:
1923-1934
Size:
15 Linear feet
Collection ID:
FSA.A1995.10
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Writer, curator, and professor Benjamin Franklin March Jr. (1899-1934) studied, lectured, and wrote in the United States and in China, and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. His papers, dating from 1923 to 1934, document his professional and personal life in the United States and in China and include lecture notes and outlines; research notes; diaries; scrapbooks; and photographs.

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Creators:
Rosin, Henry D., Dr.
Lyman, Benjamin Smith, 1835-1920
Ueno, Hikoma, 1838-1904
Beato, Felice, b. ca. 1825
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Dates:
1860 - ca. 1900
Size:
616 Items (approximate count)
Collection ID:
FSA.A1999.35
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Assembled by collectors Dr. Henry D. Rosin and Nancy Rosin to document nineteenth-century and early twentieth-century photography of Japan. Includes albumen prints, portions handcolored, some signed and numbered in the negative. Taken by photographers Felice Beato (b. ca. 1825), Baron Raimon von Stillfried (1938-1911), Kusakabe Kimbei (active 1880s...

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Creators:
Tokita, Kamekichi
Dates:
circa 1900-circa 2010
bulk 1900-1948
Size:
1.5 Linear feet
Collection ID:
AAA.tokikame
Repository:
Archives of American Art

The scattered personal papers of Seattle area painter Kamekichi Tokita (1897-1948) measure 1.5 linear feet and date from circa 1900 to circa 2010 with the bulk of the material dating from circa 1910 to 1948. The papers include biographical materials, including documents about the closing of the War Relocation Authority's Minidoka Camp in Idaho; correspondence; three diaries written in Japanese documenting Tokita's war time experiences and relocation to Minidoka, two earlier notebooks, also written in Japanese, and scattered notes; a few personal business records; printed materials; one scrapbook; sketches; and one family photograph album.

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Creators:
Apeda Studio (New York, N.Y.)
Camuzzi, M.
Harris & Ewing
Sommariva, Emilio, Photographer, 1883-1956
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Dates:
circa 1850-1997
Size:
25.54 Linear feet (46 boxes; 3 cabinet drawers)
Collection ID:
ACMA.06-016
Repository:
Anacostia Community Museum Archives
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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1750-1988
Size:
10.02 Cubic feet (consisting of 14.5 boxes, 10 oversize folders, 4 map case folders, 6 flat boxes (2 full, 4 partial).)
Collection ID:
NMAH.AC.0060.S01.01.Art
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Art forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
National Museum of American History (U.S.). Division of Music, Sports and Entertainment
Sidney, Corinne Entratter
Sidney, George, 1916-2002
Dates:
1885-2002
bulk 1940-1967
Size:
54 Film reels
96 Cubic feet (288 boxes, 6 oversize folders)
Collection ID:
NMAH.AC.0867
Repository:
Archives Center, National Museum of American History

George Sidney (1916-2002) was a film director during the Golden Age of Hollywood filmmaking (1927-1954). He spent the longest period of his career at Metro-Goldwyn-Mayer (MGM) until the 1950s. He later produced and directed films for Columbia Pictures and Paramount Pictures. He was a president of the Directors Guild of America and an avid photographer. He was the recipient of three awards from the Academy of Motion Picture Arts and Sciences (Oscar). The collection consists of photographs, photographic negatives, personal and business materials, and film. The collection also contains material created by George Sidney's uncle, George Sidney, vaudevillian and motion picture actor.

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Creators:
Louis, Morris, 1912-1962
Dates:
circa 1910s-2007
bulk 1965-2000
Size:
17.8 Linear feet
Collection ID:
AAA.louimorr
Repository:
Archives of American Art

The Morris Louis and Morris Louis Estate papers measure 17.8 linear feet and date from circa 1912-2007, with the bulk of the material dating from 1965-2000. The collection documents Morris Louis' career as a Color Field painter and founding participant in the Washington Color School, as well as the subsequent administration of his estate by his wife Marcella Brenner. Found within Morris Louis' papers are biographical materials, correspondence, photographs, scattered financial records, notes, writings, printed materials, and a canvas sample. The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis' artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, documentation of PBS documentaries, video recordings of the exhibition "Morris Louis Now", and numerous sound recordings of interviews with artists discussing Morris Louis conducted by Anita Faatz.

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