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Creators:
Ireland, David, 1930-2009
Dates:
circa 1910s-circa 2009
bulk 1960-2005
Size:
24.8 Linear feet
8.39 Gigabytes
Collection ID:
AAA.ireldavi
Repository:
Archives of American Art

The papers of California conceptual artist and sculptor David Ireland measure 24.8 linear feet and 8.39 GB and date from circa 1910s to circa 2009, with the bulk of the material dating from 1960 to 2005. The papers include biographical material, correspondence, notes and notebooks, installation projects and exhibition files, teaching files, travel files, personal business records, printed and digital material and commercial recordings, photographic materials, artwork, and video and sound recordings.

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Creators:
Cole, Alphaeus Philemon, 1876-1988
Dates:
1885-1988
Size:
4.5 Linear feet ((on 12 microfilm reels))
Collection ID:
AAA.colealph
Repository:
Archives of American Art

Biographical material; diaries; correspondence, financial material; notes; writings; art work; printed material; and photographs

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Creators:
Faggi, Alfeo, 1885-1966
Seckler, Dorothy Gees, 1910-1994
Dates:
1963 Aug. 1
Size:
2 Sound tape reels (Sound recordings, 5 in.)
29 Pages (Transcript)
Collection ID:
AAA.faggi63
Repository:
Archives of American Art

An interview of Alfeo Faggi conducted in Woodstock, N.Y., by Dorothy Seckler, on 1963 Aug. 1, for the Archives of American Art.

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Creators:
Ramírez Jonas, Paul, 1965-
Dates:
circa 1989-2014
Size:
6.3 Linear feet
19.73 Gigabytes
Collection ID:
AAA.ramipaul
Repository:
Archives of American Art

The papers of New York multimedia artist and educator Paul Ramírez Jonas, measure 6.3 linear feet and 19.73 GB and date from circa 1989-2014. The collection documents the work of this social practice artist through correspondence, exhibition and project files, and professional files, and provides relatively thorough coverage of Ramírez Jonas's work and development to late mid-career.

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Creators:
Miller, Dorothy Canning, 1904-2003
Dates:
1853-2013
bulk 1920-1996
Size:
34.6 Linear feet
Collection ID:
AAA.milldoro
Repository:
Archives of American Art

The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.

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Creators:
Hrdlička, Aleš, 1869-1943
Dates:
1912
Size:
1 Copy negative
135 Prints (circa, silver gelatin and albumen)
2 Copy prints
Collection ID:
NAA.PhotoLot.9
Repository:
National Anthropological Archives

Front and profile images of Apache, Kiowa, Omaha, Osage, Teton, and Yankton people made for Ales Hrdlicka's use in preparing busts and physical anthropological exhibits for the Panama-California Exposition in 1915. Accompanying the photographs are notes produced under the supervision of Lucile Eleanor St. Hoyme; these include the tribe, age, sex, ...

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Creators:
Suttman, Paul, 1933-1993
Dates:
1947-1998
Size:
9.9 Linear feet
8 Items (rolled docs)
Collection ID:
AAA.suttpaul
Repository:
Archives of American Art

Biographical material, correspondence, subject and teaching files, photographs, works of art, financial records, motion picture film and video recordings, and printed material concerning Suttman and his career as a sculptor and educator.

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Creators:
Schmidt, Lynn, 1949-
Noguchi, Isamu, 1904-1988
Dates:
1980-1990
Size:
0.2 Linear feet
Collection ID:
AAA.schmlynn
Repository:
Archives of American Art

Tape-recorded interviews on 13 cassettes and duplicates on 25 CDs with Isamu Noguchi conducted 9 July and 5 Aug. 1980, in his studio, (now the Noguchi Museum) in Long Island City, N.Y., and Tom Nakashima, conducted 31 July 1989 to 10 Mar. 1990. Also included is a radio interview of Nakashima on WPFW, Federal Communications Commission, Washington, D...

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Creators:
Angel, John, 1881-1960
Dates:
1912-1960
Size:
4.1 Linear feet
Collection ID:
AAA.angeljoh
Repository:
Archives of American Art

Biographical material; general correspondence; files on sculpture commissions containing correspondence, financial material, notes, blueprints, a few sketches; writings, lectures, and notes by Angel; 30 sketchbooks (28.8 x 21.9 cm. or smaller), undated, 1912-1958, and 64 sketches (26.5 x 35.5 cm. or smaller), undated, in pencil, ink, chalk, and wat...

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Creators:
Biederman, Charles Joseph, 1906-2004
Dates:
1930-1977
Size:
23 Microfilm reels
Collection ID:
AAA.biedchar
Repository:
Archives of American Art

The microfilmed Charles Biederman papers contain correspondence, journals, writings, printed material, and published materials. Microfilmed on Reels 1446-1450 are personal and business correspondence regarding Biederman's art and books Art as Evolution of Visual Knowledge and The New Cézanne. Among the correspondents are John and Joan Barnes, David...

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