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Creators:
Rutgers University. Institute of Jazz Studies
Dates:
1971-1986.
Size:
1.5 Cubic feet (4 boxes)
Collection ID:
NMAH.AC.0328
Repository:
Archives Center, National Museum of American History

Collection consists of twenty-five (25) 7-inch reel-to-reel audiotapes of nine (9) radio interviews documenting the career of Duke Ellington as composer and musician.

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Creators:
Seeman, Joan French
Dates:
1973-1981
Size:
1.2 Linear feet
Collection ID:
AAA.seemjoan
Repository:
Archives of American Art

The papers of art historian Joan Seeman measure 1.2 linear feet and date from 1973-1981. Included are sound recordings of interviews Seeman conducted with artists, transcripts of interviews, correspondence with artist Theodore Roszak, and notes from a visit with Hugo Robus. There is also a list of works in the Wallace Wilson Collection, which was curated by Seeman.

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Creators:
Swift, Mary
Dates:
1973-2004
Size:
8.2 Linear feet
Collection ID:
AAA.swiftmar
Repository:
Archives of American Art

The papers of photographer and curator Mary Swift measure 8.2 linear feet and date from 1973-2004. The bulk of the collection contains photographs that Swift took while working for the Washington Review. The images consist of photographs, contact sheets, and negatives of artists and art events in Washington, D.C. Also included are some personal papers; two video recordings of art events in Washington, D.C.; research material and a manuscript from Swift's M.A. thesis "Howard William Mehring, 1931-1978: Washington Color Painter" from George Washington University; and approximately 130 sound recordings of interviews conducted by Swift and panel discussions.

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Creators:
Rose, Barbara
Dates:
1962-circa 1969
Size:
1.4 Linear feet
Collection ID:
AAA.rosebarb
Repository:
Archives of American Art

The Barbara Rose papers date from 1962 to circa 1969 and measure 1.4 linear feet. Papers include letters, writings, printed material, interviews with artists, panel discussions, and lectures relating to Barbara Rose's research as an art historian.

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Creators:
Wetmore, Alexander, 1886- interviewee
Dates:
1974
Size:
2 audiotapes (reference copies). 4 digital .mp3 files (reference copies).
Collection ID:
Record Unit 9504
Repository:
Smithsonian Institution Archives

The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program ...

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Creators:
Myhra, David
Dates:
1913 -1998
bulk 1982-1988
Size:
7.91 Linear feet (20 boxes)
Collection ID:
NASM.1999.0065
Repository:
National Air and Space Museum Archives

This collection contains interviews with Reimar and Walter Horten that were recorded by David Myhra.

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Creators:
Larsen, Susan C.
Dates:
1973-1978
Size:
0.4 Linear feet
Collection ID:
AAA.larssusa
Repository:
Archives of American Art

The oral history interviews conducted by Susan C. Larsen measure 0.4 linear feet and date from 1973 to 1978. The majority of the interviews were conducted by Susan Larsen in preparation for her dissertation, "The American Abstract Artists Group: A History and Evaluation of Its Impact Upon American Art, 1936-1974" at Northwestern University in 1975. Interviews on this topic include Rosalind Bengelsdorf Browne, Ilya Bolotowsky, George McNeil, Ruth Vollmer, Balcomb Greene, and Vaclav Vytlacil. Also included are an interview with Charles Carpenter, executor of the Charles Greene Shaw estate; an interview conducted by Sandra Kraskin, at the request of Larsen, with Willem and Elaine de Kooning regarding the Albert Eugene Gallatin Collection and its impact upon artists in the 1930s and 1940s; and an interview with Richard Diebenkorn. These interviews were not used in Larsen's dissertation.

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Creators:
Slivka, Rose
Dates:
circa 1947-2006
Size:
20.8 Linear feet
Collection ID:
AAA.slivrose
Repository:
Archives of American Art

The papers of craft expert Rose Slivka, an editor, writer, critic, and educator, measure 20.8 linear feet and date from circa 1947-2006. The papers reflect Slivka's work with associations and universities to encourage the recognition of crafts as an international and broadly defined art form. The routine business of publishing Craft Horizons magazine and the founding and operation of Craft International magazine are documented by correspondence and subject files. Correspondence is mainly professional with some scattered personal letters. Subject files concern various organizations, individuals and events related to Slivka's work and interests. Among the writings are manuscripts, notes, and research materials for her book about Peter Voulkos; also included are shorter writings on a variety of topics, poems, 2 diaries, lectures and talks. There are many interviews with craftspeople and artists conducted by Slivka and others, some undertaken as research for articles. Photographs include views of Slivka, craftspeople she observed when traveling abroad, and artwork.

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Creators:
Tizol, Juan
Ellington, Mercer Kennedy, 1919-1996 (musician)
Williams, Cootie
Bigard, Barney
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Dates:
1971-1984
Size:
4.5 Cubic feet (9 boxes)
Collection ID:
NMAH.AC.0327
Repository:
Archives Center, National Museum of American History

160 7" reel-to-reel audiotapes and 12 transcriptions of 15 oral history interviews with prominent jazz musicians and their professional relationships with Duke Ellington. Tapes are copies of originals held at the at Institute for Jazz Studies, Rutgers University. Interviewees include Sonny Greer, Russell Procope, Clark Terry, Juan Tizol, Tom Whale...

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Creators:
Segalove, Ilene, 1950-
Dates:
1964-2017
Size:
4.4 Linear feet
6.06 Gigabytes
Collection ID:
AAA.segailen
Repository:
Archives of American Art

The papers of feminist, conceptual, video, and performance artist Ilene Segalove measure 4.4 linear feet and 6.06 gigabytes and date from 1964 to 2017. The collection contains a small amount of biographical material including resumes, certificates, and address lists; correspondence with family and friends; writings; and teaching files from the University of California, Santa Barbara. The bulk of the collection consists of project and exhibition files for both solo works and works in collaboration with Lowell Darling, and printed material. Also included are photographic materials such as snapshots of exhibition openings and slides of artwork; and artwork, primarily artist notebooks and video art.

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