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Creators:
Ernst, Jimmy, 1920-1984
Dates:
1802-2010
bulk 1930-2005
Size:
16.3 Linear feet
Collection ID:
AAA.ernsjimm
Repository:
Archives of American Art

The papers of painter Jimmy Ernst measure 16.3 linear feet and date from 1802 to 2010, with the bulk of the records dating from the 1930s to 2005. The collection documents Ernst's work as a professional artist, educator and lecturer, and his involvement with the abstract expressionist art movement in the United States through biographical material, correspondence, writings, some personal business papers, teaching materials and lecture notes, printed material, photographs as well as sound and video recordings. Also found is a series of research material, drafts, notes, publicity, correspondence, and interviews pertaining to the writing of Ernst's memoir, A Not So Still-Life (1984).

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Creators:
Gabrielson, Ira Noel, 1889-1977
Dates:
1918-1987
Size:
6 cu. ft. (12 document boxes)
Collection ID:
Record Unit 7319
Repository:
Smithsonian Institution Archives

This finding aid was digitized with funds generously provided by the Smithsonian Institution Women's Committee.

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Creators:
Howard Wise Gallery
Dates:
1943-1989
Size:
11.4 Linear feet
Collection ID:
AAA.howawisg
Repository:
Archives of American Art

The records of the Howard Wise Gallery in New York, and its predecessor the Howard Wise Gallery of Present Day Painting and Sculpture in Cleveland, Ohio, measure 11.4 linear feet and date from 1943-1989. Records consist of correspondence, artist files, exhibition files, business records, writings, and video recordings that document the activities of Wise's gallery in Cleveland from 1957-1961 and, to a lesser extent, his gallery in New York City from 1960-1970. Wise's activities following the closing of the Howard Wise Gallery are also found among the correspondence, artist files, business records, writings, and video recordings.

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Creators:
Schultz, Leonard P. (Leonard Peter), 1901-1986
Dates:
circa 1915-1970, with related papers from 1899
Size:
16.36 cu. ft. (32 document boxes) (1 5x8 box)
Collection ID:
Record Unit 7222
Repository:
Smithsonian Institution Archives

These papers concern Schultz's personal and professional life and include notes, correspondence, research data, sketches, manuscripts, meeting programs, clippings, and published works concerning general ichthyology; ichthyological nomenclature; sharks and shark attacks; professional societies; expeditions, particularly the Bikini survey a...

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Creators:
Smithsonian Astrophysical Observatory. Sponsored Programs and Procurement Department
Dates:
2006-2009
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 12-501
Repository:
Smithsonian Institution Archives

This accession consists of records documenting outside funding for Smithsonian Astrophysical Observatory (SAO) research, projects, and activities. Materials include proposals, quotations, and bids from contractors, equipment makers, and other vendors to provide services, equipment, and instruments for SAO. Files marked [JPL RSA]* are Jet Prop...

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Creators:
Davis, Lenore , 1936-1995
Helwig, Harold B., 1938-2012
Dates:
1940-2013
Size:
14.5 Linear feet
7.85 Gigabytes
Collection ID:
AAA.helwharo
Repository:
Archives of American Art

The papers of artists and art educators Harold Helwig and Lenore Davis measue 14.5 linear feet and 7.85 GB and date from 1940 to 2013. The papers document Davis' career and personal life more heavily than Helwig's, however, material related to both individuals are present. Included is biographical information; correspondence; exhibition and business files; research and printed material; artwork and sketches; photographs; and papers and digital material related to both Helwig and Davis' teaching endeavors.

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Dates:
1836 - 2015
Size:
40 Cubic feet (85 boxes, 1 oversize folder)
Collection ID:
NMAH.AC.1319
Repository:
Archives Center, National Museum of American History

This collection consists of archival materials compiled by National Museum of American History Curator Katherine Ott, on numerous subjects relating to disability and the rights of the disabled.

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Creators:
Los Angeles Institute of Contemporary Art
Dates:
1973-1988
Size:
18 Linear feet
Collection ID:
AAA.losangin
Repository:
Archives of American Art

The records of the Los Angeles Institute of Contemporary Art measure 18 linear feet, date from 1973 to 1988, and document the brief thirteen-year history of LAICA's activities as a Southern California visual arts organization and exhibition space for contemporary art. Records detail the founding of the organization, operations and administration, exhibitions, events, and publications. More than half of the collection is comprised of exhibition, program, and event files that include correspondence with artists, curators, and others; printed materials; and photographs, negatives, and slides.

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Creators:
Smithsonian Astrophysical Observatory. Sponsored Projects and Procurement Department
Dates:
2003-2006
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Accession 09-292
Repository:
Smithsonian Institution Archives

This accession consists of records documenting outside funding for Smithsonian Astrophysical Observatory (SAO) research, projects, and activities. Materials include proposals, quotations, and bids from contractors, equipment makers, and other vendors to provide services, equipment, and instruments for SAO.

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Creators:
Mallery, Garrick, 1831-1894
Dates:
1849-1902
bulk 1870-1895
Size:
41.29 Linear feet (22 boxes, 29 folders, 3 mounted drawings, and 3 rolled items)
Collection ID:
NAA.MS2372
Repository:
National Anthropological Archives

Garrick Mallery (1831-1894) was an ethnologist with the Bureau of American Ethnology who focused primarily on Native American sign language and pictography. This collection reflects Mallery's research interests and methods. Much of the collection is comprised of correspondence and notes relating to sign language and pictography and is organized chiefly by either the cultural or geographic region to which the material belongs. Bound volumes of several of his publications are included, along with annotated draft copies from collaborators. In the case of Mallery's work on pictography, the collection includes several oversize items including original works and reproductions.

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