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Creators:
National Portrait Gallery. Office of Public Affairs
Dates:
1968, 1974-1977, 1982-1998
Size:
9 cu. ft. (9 record storage boxes)
Collection ID:
Accession 01-126
Repository:
Smithsonian Institution Archives

This accession consists of records that describe all aspects of the National Portrait Gallery's publicity efforts through the former Office of Public Affairs, now called the Office of External Affairs, particularly the planning and execution of events associated with exhibitions or portrait presentations, such as receptions, dinners, performan...

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Creators:
National Museum of American Art. Office of Registration and Collections Management
Dates:
1989-1996
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Accession 99-076
Repository:
Smithsonian Institution Archives

This accession consists of exhibition files. Materials include checklists; condition reports; budget, shipping, and insurance records; lender files; and general correspondence. Exhibitions include: Metropolitan Lives: The Ashcan Artists and their New York, 1896-1917, Thomas Cole: Landscape into History, and The West as America: Reinterpreting ...

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Creators:
Deem, George, 1932-2008
Dates:
1904-2015
bulk 1960-2008
Size:
18.2 Linear feet
10.71 Gigabytes
Collection ID:
AAA.deemgeor
Repository:
Archives of American Art

The papers of painter, writer, and dancer George Deem measure 18.2 linear feet and 10.71 GB and date from 1904-2015, with the bulk of the material dating from 1960-2008. The collection documents Deem's path from Midwestern farm child to New York City artist and teacher who specialized in recreating works of great masters, especially Johannes Vermeer. Correspondence, exhibition files, subject files, project files, writings by and about Deem, printed and digital material and photographic materials all show the trajectory of Deem's development as an artist.

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Creators:
Colp, Norman
Dates:
circa 1973-2005
Size:
4 Linear feet
0.031 Gigabytes
Collection ID:
AAA.colpnorm
Repository:
Archives of American Art

The papers of conceptual artist and curator Norman B. Colp measure 4 linear feet and 0.031 GB and date between circa 1973 and 2005. The papers shed light on Colp's career through biographical material, project files, personal business records, printed and digital material, and sound and video recordings.

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Creators:
Smithsonian Institution. Office of the Secretary
Dates:
1949-1964
Size:
167.20 cu. ft. (5 record storage boxes) (324 document boxes) (10 microfilm reels)
Collection ID:
Record Unit 50
Repository:
Smithsonian Institution Archives

These records document part of the secretarial administration of Alexander Wetmore and the whole of Leonard Carmichael's tenure. During this period the Smithsonian Institution's capacity to carry out research in its traditional scientific disciplines was substantially strengthened. At the same time the Institution was able to invest much ...

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Creators:
Dickinson, Eleanor, 1931-
Dates:
1947-2014
Size:
29.8 Linear feet
0.002 Gigabytes
Collection ID:
AAA.dickelea
Repository:
Archives of American Art

The papers of painter, graphic and video artist, and educator Eleanor Dickinson measure 29.8 linear feet and 0.002 gigabytes, and date from 1947 to 2014. The collection comprises biographical materials; professional and personal correspondence; video and sound recordings of interviews for Dickinson's television program Art of the Matter; exhibition files; teaching files for the California College of Arts and Crafts and other professional and project files; research and subject files; membership records, including born-digital material, and sound and video recordings, for various organizations; personal financial and legal records; printed materials featuring Dickinson and her artwork; and photographic materials of Dickinson in her studio and with friends, colleagues, and family, as well as exhibitions and other art events, and works of art.

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Creators:
Patch, Margaret Merwin, 1894-1987
Dates:
1885-1986
Size:
10.9 Linear feet
Collection ID:
AAA.patcmarg
Repository:
Archives of American Art

The papers of arts administrator Margaret Merwin Patch measure 10.9 linear feet and date from 1885 to 1986. The bulk of the collection consists of material from Patch's involvement with the American Craftsmen's Council and the formation and administration of the World Crafts Council. Also found are scattered biographical materials from Patch and the Merwin and Patch families; correspondence; three diaries; writings and notes by Patch and by others; subject files regarding various other organizations and activities with which Patch was involved; printed material, and photographs.

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Creators:
Semmel, Joan, 1923-
Dates:
1949-2013
bulk 1960-2013
Size:
5.9 Linear feet
Collection ID:
AAA.semmjoan
Repository:
Archives of American Art

The papers of painter Joan Semmel measure 5.9 linear feet and span the dates of 1949-2013 with the bulk of the material dated circa 1960s-2013. The papers reflect her career and activities as a painter, writer, feminist, and educator through biographical materials, correspondence, interviews, writings, project files, teaching files, printed material, and photographic materials.

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Creators:
Dehner, Dorothy, 1901-1994
Dates:
1920-1987
bulk 1951-1987
Size:
4.5 Linear feet
Collection ID:
AAA.dehndoro
Repository:
Archives of American Art

The papers of Dorothy Dehner measure approximately 4.5 linear feet and date from 1920 to 1987, with the bulk of the material dating from 1951 to 1987. The collection documents the life and work of the sculptor. Papers include extensive correspondence, business and financial papers, writings, interviews, printed material, photographs, student papers, one item of art work, and scattered personal papers and material relating to David Smith.

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Creators:
Murray, Richard N., 1942-2006
Dates:
1896-2006
bulk 1970-2006
Size:
20.5 Linear feet
Collection ID:
AAA.murrrich
Repository:
Archives of American Art

The Richard Murray research material regarding mural painting in the United States measures 20.5 linear feet and dates from 1896 to 2006 with the bulk of the material dating from 1970 to 2006. The collection is comprised of Murray's extensive research files, scattered writings, and photographic materials for his life-long research on mural painting in the United States.

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