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Creators:
Herbert, David, 1920-1995
Dates:
circa 1909-1996
bulk 1945-1995
Size:
5.8 Linear feet
Collection ID:
AAA.herbdavi
Repository:
Archives of American Art

The papers of New York gallery owner and art dealer David Herbert measure 5.8 linear feet and date from circa 1909-1996, with the bulk of the material dating from 1945-1995. Herbert's papers document his years working for Betty Parsons Gallery, Sidney Janis Gallery, Graham Gallery, and others; the operation of the David Herbert Gallery from 1959-1962; Herbert's partnerships and agreements with Richard Feigen and others; and his activities as an independent dealer. Records include biographical material, correspondence, notebooks, subject files, artist files, exhibition files, business records, printed material, and photographs.

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Creators:
Smithsonian Institution. Office of the Secretary. Special Assistant to the Secretary (Richard Hubbard Howland)
Dates:
1957-1985
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Record Unit 618
Repository:
Smithsonian Institution Archives

These records deal in some degree with Howland's work as Head Curator but mostly describe his assignment as a Special Assistant. Records include wide correspondence with furniture dealers, professional organizations, learned societies, historical preservation groups, and prospective donors. There is also some material documenting Howland's ...

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Creators:
Charlton, Maryette
Dates:
circa 1890-2013
Size:
80.6 Linear feet
0.34 Gigabytes
Collection ID:
AAA.charmary
Repository:
Archives of American Art

The papers of filmmaker, photographer, painter, printmaker, teacher, and arts advocate Maryette Charlton measure 81 linear feet and date from circa 1890 to 2013. This particularly rich collection includes biographical materials, correspondence, writings, 30 diaries, teaching files, professional and project files, major film project files, artist research files, exhibition files, printed material, scrapbooks, artwork, 22 sketchbooks, extensive photographic materials, numerous sound and film recordings, a digitized sound recording, and an unintegrated later addition to the papers containing additional biographical materials, journals, correspondence, subject files, printed materials, and scattered photographs.

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Creators:
Mair, LaVeda
Mair, Francis M., 1916-1991 (commercial artist)
Dates:
1935-1994
Size:
56 Cubic feet (104 Boxes, 40 map-folders)
Collection ID:
NMAH.AC.0548
Repository:
Archives Center, National Museum of American History

Client files, administrative files, artwork, and collected food labels from graphic and industrial designer Francis Mair. Mair specialized in beverage labels and packaging during his many years with Landor Associates in San Francisco. Late in his career, he directed Landor's Museum of Packaging History. His prolific freelance career included designs for furniture, decorative arts, letterhead, and corporate images. His personal artwork included alphabets, typefaces, and sketchbooks. Much of his personal artwork is humorous or erotic.

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Creators:
Harris, Nancy H.
Gorlia, Emile E.O.
Dates:
1909-1958
bulk 1909-1928
Size:
258 Negatives (photographic) (black & white, 8 x 10.5 cm.)
308 Lantern slides (black & white, 8.5 x 10 cm.)
1,446 Photographic prints ((contact prints) (5 vols.), black & white, 6 x 13 cm. or smaller )
46 Photographic prints (black & white, 48 x 58 cm. or smaller.)
556 Negatives (photographic) (glass plate stereographic negatives , black & white, 6 x 13 cm.)
Collection ID:
EEPA.1977-001
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Photographs taken by Judge Emile E.O. Gorlia during five journeys through the Belgian Congo and two vacation leaves, one in Belgium and one in the Canaries Islands, 1909-1928 and at the World Exposition in Brussels (1958). The collection dates from 1909-1958. His first mission was from January 1910 to January 1912; the second, from February 1915 to March 1917; the third, from December 1917 to April 1920; the fourth, from November 1920 to February 1923 and, the fifth, from March 1926 to December 1928. For his first four missions at Lusambo in the Kasai province, district of Sankuru, Emile Gorlia was acting as an alternate to the public officer at one of the seven tribunals of first instance. During his fifth and final mission, he was promoted as president of the Court at Albertville in the ditrict of Katanga. Judge E.O. Gorlia was a keen amateur photographer with the advantage of not only traveling extensively around the state but also with the privilege of being able to afford the time and money to produce a prolific number of images. His images illustrate with great detail the full experience of a government official in mission in the Belgian Congo, starting in Antwerp at the pier of this Belgian harbor and taking up his duties at Lusambo, an administrative town in the hearth of th Belgian congo. The majority of images are of the following Belgian Congo districts, Lower Congo, Kassai, Sankuru, and Katanga. They include the cities of Banana, Boma, Matadi, Leopoldville (now Kinshasa), Lusambo, Luebo, Dilolo, Albertville (now Kalemie) in the Belgian Congo, Brazzaville in the French Equatorial africa, Zanzibar, Dar es Salaam, Tabora and Kigoma in tanganyika, Dakar in Senegal, Conakry in Guinea, Freetown in Sierra Leone, Port Said in Egypt and finally Casablanca in Morocco. There are also images of villages scenes and portraits of the Tetela, Songye, Luba, Kanioka, Lunda, Chokwe, Pende, Bangala and Kuba. Also included are images of the natural environment as the Congo river, the Kasai and Sankuru rivers, the banks of Lake Tanganyika and the savanna-woodland of the western part of the Katanga district as well as as the south part of the Sankuru region.

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Creators:
Reitz, Don, 1929-2014
Dates:
circa 1935-2015
Size:
11.6 Linear feet
11.2 Gigabytes
Collection ID:
AAA.reitdon
Repository:
Archives of American Art

The papers of artist and educator Don Reitz measure 11.6 linear feet and date from circa 1935 to 2015. The collection documents Reitz's work as a professional artist and educator through biographical material, correspondence; writings, interviews and lectures; documentation on workshops and performances; studio records; gallery and exhibition files; printed material, photographic material, and artwork.

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Creators:
Marshall, Richard, 1947-2014
Dates:
1969-2014
Size:
15.8 Linear feet
26.07 Gigabytes
Collection ID:
AAA.marsrich
Repository:
Archives of American Art

The papers of New York-based curator and art consultant Richard D. Marshall measure 15.8 linear feet and 26.07 GB and date from 1969-2014. The interviews, exhibitions and research files, client files, other professional files, printed material, photographic material of artwork, and born-digital material primarily reflect Marshall's work outside his role at the Whitney Museum. The exhibition and research files make up the bulk of the collection and document his independent curatorial and writing projects on artists Jean-Michel Basquiat, Alexander Calder, Robert Mapplethorpe, Jack Pierson, and Ed Ruscha, as well as his role in building the Lever House Art Collection. Sound and video recordings are also found in the collection, primarily with interviews and exhibition and research material.

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Creators:
Munro, Eleanor, 1928-
Dates:
circa 1880-2011
bulk 1950-2011
Size:
36.7 Linear feet
0.001 Gigabytes
Collection ID:
AAA.munrelea
Repository:
Archives of American Art

The papers of writer and art critic Eleanor Munro measure 36.7 linear feet and 0.001 GB and date from circa 1880-2011, bulk 1950-2011. The collection documents Munro's life, career, and research on women artists, through biographical and family material, correspondence, writing projects, diaries, dream journals and notebooks, subject and research files, printed and digital material, and photographic material.

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
circa 1871-1925
Size:
6.79 Cubic feet (consisting of 11 boxes, 2 folders, 10 oversize folders, 3 map case folders, 1 flat box, plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Photography
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Photography forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Smithsonian Institution. Office of Product Development and Licensing
Dates:
circa 1974-1999
Size:
39 cu. ft. (39 record storage boxes)
Collection ID:
Accession 00-112
Repository:
Smithsonian Institution Archives

This accession consists of Smithsonian Institution Engagement Calendar correspondence, design concepts, solicited bids, and production information; product development and marketing information, licensing contracts, and royalty agreements with private manufacturers; records documenting the American Pacific Enterprises quilt controversy; p...

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