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Creators:
Murray, Richard N., 1942-2006
Dates:
1948-2004
bulk 1994-2001
Size:
9 Linear feet
Collection ID:
AAA.murrrich2
Repository:
Archives of American Art

The Richard Murray research material regarding Abbot Handerson Thayer measures 9.0 linear feet and dates from 1948 to 2004, with the bulk of the material dating from 1994 to 2001. Project files primarily document Murray's work on the 1999 exhibition "Abbott Thayer: The Nature of Art" and subsequent Thayer book project. Also found are extensive research files on Abbott Handerson Thayer and his specific works of art as well as photographic materials depicting Thayer, his family, studio, house, and works of art.

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Creators:
Dodge, Winnie K. (Winnefred Kies), 1868-1939
Dates:
circa 1913-1931
2010-2012
Size:
0.4 Linear feet
0.572 Gigabytes
Collection ID:
AAA.dodgwinn
Repository:
Archives of American Art

The papers of Winnie Dodge measure 0.4 linear feet and 0.572 GB and date from circa 1913 to 1931 and 2010 to 2012. The collection contains photographs of the Walter L. Dodge House in West Hollywood, CA and documents Winnie Dodge's life through travel journals, diaries, photographs, and digital materials.

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Creators:
Rodríguez, Arturo, 1956-
Demi, 1955-
Dates:
circa 1957-2016
Size:
6.42 Linear feet
12.79 Gigabytes
Collection ID:
AAA.rodrartu
Repository:
Archives of American Art

The papers of Cuban born Miami painters Demi and Arturo Rodríguez measure 6.42 linear feet and 12.79 GB and date from 1957 to 2016. The collection documents Arturo Rodríguez's career, travels, and childhood as well as the artwork of Demi, Rodriquez's wife and partner, and their relationship. Included are biographical materials, correspondence, interviews, writings, project and exhibition files, personal business records, printed and digital material, artwork, and photographic materials.

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Creators:
Smithsonian Institution. Office of Telecommunications
Dates:
1982-1989
Size:
36.54 cu. ft. (58 document boxes) (7.54 tall document boxes)
Collection ID:
Accession 00-132
Repository:
Smithsonian Institution Archives

Here At The Smithsonian was a series of short features for television created and produced by the staff of the Smithsonian's Office of Telecommunications between the years 1982 and 1989. The series was designed for public dissemination of information about Smithsonian exhibition and research activities. Each year had a volume number [1982...

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Creators:
Borgatti, Jean
Dates:
1971-2003
Size:
3617 Slides (photographs) (color, 35 mm)
166 Contact sheets ((2 binders))
3555 Negatives (photographic) (black and white, 35 mm)
4 Notebooks ((1 box))
1 Cassette tape ((2 boxes))
25 Film reels (Super 8)
Collection ID:
EEPA.2016-007
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

Jean Borgatti's collection dates from 1971 to 2003 and was created in Nigeria and Ghana. Much of the collection documents masquerades, shrines, festivals, market scenes, and ceremonies, and includes images of Urhobo, Uzairue, Ishan (Esan), Etsako, and Otuo peoples.

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Creators:
Stewart, Robert G. , 1931-2005
Dates:
1952-2004
bulk 1970-1990
Size:
3 Linear feet
Collection ID:
NPG.CAP.00002
Repository:
National Portrait Gallery

Research material gathered by Robert G. Stewart on Robert Edge Pine, Auguste Hervieu, Henry Benbridge, James Earl, and other artists, including correspondence, printed matter, notes, and photographs.

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Creators:
Blackmun, Barbara Winston
Dates:
circa 1969-1994
Size:
1,469 color slides
Collection ID:
EEPA.2016-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection includes 1,469 color slides (35mm) which were taken in Nigeria from circa 1964-1994, and focus on ancestral altars; artists; art objects in museums, including bronze plaques and carved ivory tusks; ceremonies and festivals, including the Igue and Ewere Festivals, and the Emobo, Otue, Olokun, title-taking, and Blackmun's initation ceremonies; and people, including Oba Erediauwa and chiefs Eribo, Ero, Esogban, Ezomo, Ohanmu and Osaigeide; and street and landscape scenes in Benin City, Ife, Lagos, Ishiago, and Mbarri, Owerri, Owo, among other locations in Nigeria.

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Creators:
Archipenko, Alexander, 1887-1964
Dates:
1904-1986
bulk 1930-1964
Size:
19.5 Linear feet
Collection ID:
AAA.archalex
Repository:
Archives of American Art

The Alexander Archipenko papers measure 19.5 linear feet and date from 1904 to 1986, with the bulk of materials dating from 1930 to 1964. The sculptor's personal and professional life is documented by correspondence, financial records, scrapbooks, printed matter, and photographs documenting his art, exhibitions, travel, teaching activities, and the Archipenko Art School. Archipenko wrote and lectured extensively about his philosophies of art and the relationship between art and nature. The papers include drafts, notes, and final manuscripts of published and unpublished writings, and notes, outlines, transcripts, and audio recordings of some of his lectures.

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Creators:
Miller, Flora Whitney
Dates:
1915-1982
Size:
0.2 Linear feet
Collection ID:
AAA.millflor
Repository:
Archives of American Art

This small collection of papers (168 items) of socialite, art collector and patron Flora Whitney Miller document Miller's life-long friendship with surrealist artist Kay Sage measure 0.2 linear feet and date from 1915 to circa 1982. Found within the papers are 79 letters written to Miller by Sage; four letters written to Miller after Sage's suicide about Sage, and one reply letter; typescripts of 63 poems written by Sage, one handwritten poem by Sage, two Sage exhibition catalogs, and 18 snapshot photographs of Sage, Miller, and their friends. Documentation of Miller's career is not found within the papers.

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Creators:
Soyer, Raphael, 1899-1987
Dates:
1933-1989
Size:
3.9 Linear feet
Collection ID:
AAA.soyeraph
Repository:
Archives of American Art

The papers of realist painter Raphael Soyer date from 1933 to 1989 and measure 3.9 linear feet. They document Soyer's career as a painter, printmaker, and writer. Found within the papers are scattered biographical materials, including several transcripts of interviews with Soyer; extensive personal and professional correspondence; writings and notes by Soyer and others; scattered legal and financial records; exhibition materials, clippings and other printed material; and photographs of Soyer in his studio, with artists and friends, and at art events. Also found are one sketch and a facsimile of Soyer's 1968 sketchbook produced by Forum Gallery.

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