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Creators:
Scurlock, George H. (Hardison), 1919-2005
Custom Craft
Scurlock, Addison N., 1883-1964
Scurlock, Robert S. (Saunders), 1917-1994
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Dates:
circa 1870-1989
Size:
25 Boxes
The subseries contains black and silver gelatin negatives.
Collection ID:
NMAH.AC.0618.S04.08
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.8 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Smith, Joseph Lindon, 1863-1950
Dates:
1647-1965
bulk 1873-1965
Size:
8.8 Linear feet
Collection ID:
AAA.smitjose
Repository:
Archives of American Art

The papers of Boston and New Hampshire painter Joseph Lindon Smith date from 1647-1965, with the bulk of papers dating from 1873-1965, and measure 8.8 linear feet. Found within the papers are biographical materials; letters from family members, artists, museums, and art patrons; seven diaries by Smith and two by his wife Corinna, personal business records, notes and writings, files concerning charitable theatrical productions, one sketchbook and other art work, a scrapbook, printed material, photographs, and sound recordings of radio interviews and a radio program on Smith.

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Creators:
Scurlock, George H. (Hardison), 1919-2005
Scurlock, Robert S. (Saunders), 1917-1994
Custom Craft
Scurlock Studio (Washington, D.C.)
More …
Dates:
1907-1996, undated
Size:
66 Boxes
Collection ID:
NMAH.AC.0618.S08
Repository:
Archives Center, National Museum of American History

The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1907-1996, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 8 consists of paperwork pertaining to the administration of the business, the financial documentation of the business, the records of sales, the advertising signs and promotions of the business, the files kept on employees, and other materials kept at the Scurlock Studio. An overview to the entire Scurlock collection is available here: Scurlock Studio Records

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Creators:
Rankin, Robert Louis, 1939-
Dates:
1886, 1914, 1956-2011
Size:
31.77 Linear feet (55 boxes, 1 map folder)
196 sound recordings
Collection ID:
NAA.2014-16
Repository:
National Anthropological Archives

The Robert Rankin papers, 1886, 1914, 1956-2011, document his field work, research, and professional activities, primarily in relation to his work studying American Indian languages. Rankin was professor of linguistics at the University of Kansas from 1969 until his retirement in 2005. The collection consists of sound recordings, field notebooks, vocabulary lists and bibliographies, dictionaries, research files, slip files, word lists, correspondence, ephemera, notes, readings and reprints, writings, drafts, and teaching materials. This includes materials from Rankin's work with the last native speakers of the Quapaw and Kaw (Kansa, Kanza) languages and subsequent research, writings, and collaborations with tribes and fellow linguists.

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Creators:
Conant, Francis
Dates:
1946-2011
bulk 1953-2008
Size:
20 Linear feet ((43 boxes) plus 25 digital storage media and 5 map folders )
Collection ID:
NAA.2012-13
Repository:
National Anthropological Archives

The papers of Francis P. Conant document his anthropological work and, to a lesser extent, his previous career as a journalist and photographer. Francis Paine Conant was a cultural anthropologist who pioneered the use of satellite data in anthropology. He conducted fieldwork in Nigeria and Kenya, and his research interests spanned cultural ecology, AIDS, malaria, and sex and gender studies. He was also Professor Emeritus of Anthropology at Hunter College, where he taught from 1962 to 1995.

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Creators:
Dasburg, Andrew, 1887-1979
Dates:
1833-1980
bulk 1900-1980
Size:
8.8 Linear feet
Collection ID:
AAA.dasbandr
Repository:
Archives of American Art

The papers of painter Andrew Dasburg and his wife and sculptor Grace Mott Johnson date from 1833 to 1980 (bulk 1900 to 1980), and measure 8.8 linear feet. The collection documents each artist's career and personal lives, including their brief marriage and their friendships with many notable artists in the New Mexico and New York art colonies during the early twentieth century. The papers of Dasburg (6 linear feet) and Johnson (2.8 linear feet) include biographical materials; extensive correspondence with family, friends, and fellow artists, such as John F. Carlson, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, and Ward Lockwood; writings by Dasburg, Johnson, and others; scattered legal, financial, and business records; clippings; exhibition materials; numerous photographs of Johnson and Dasburg, friends, family, and artwork; and original artwork, including two sketchbooks by Johnson.

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Creators:
Stella, Frank
Dates:
1941-1993
bulk 1978-1989
Size:
12.4 Linear feet
Collection ID:
AAA.stelfran
Repository:
Archives of American Art

The Frank Stella papers measure 12.4 linear feet and date from 1941 to 1993, with the bulk of the records spanning the period 1978 to 1989. The collection documents the professional and personal life of abstract artist, Frank Stella. Among the papers are correspondence, a small cache of records from his years as an undergraduate at Princeton University, writings by and about Stella, interview transcripts, sketchbooks, registers and inventories, financial records, printed matter, and photographs.

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Creators:
Warshaw, Isadore, d. 1969
Dates:
1893-1969
Size:
2.96 Cubic feet (consisting of 5.5 boxes, 1 folder, 7 oversize folders, 8 map case folders, 1 flat box (partial), plus digital images of some collection material. )
Collection ID:
NMAH.AC.0060.S01.01.Motion
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Motion Pictures forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Hedges, Jimmy, 1942-2014
Dates:
1969-2016, bulk 1991-2013
Size:
23.5 Linear feet
15.63 Gigabytes
Collection ID:
AAA.hedgjimm
Repository:
Archives of American Art

The papers of art collector and dealer Jimmy Hedges and the records of his Rising Fawn Folk Art Gallery measure 23.5 linear feet and 15.63 GB and date from 1969-2016, with the bulk of the material dating from 1991-2013. The collection documents Hedges's career as a dealer of outsider art and as an advocate for self-taught artists. Records include administrative and sales records, correspondence, artist files, collector and gallery files, exhibition and art fair files, regional files, printed and digital material, photographic material, and unidentified sound and video recordings. The bulk of the collection consists of artist files and color photographs documenting hundreds of artists that Hedges visited at their homes and studios, including Georgia Blizzard, Howard Finster, Homer Green, Bessie Harvey, Danny Hoskinson, Paul Lancaster, A.J. Mohammed, Charlie Simmons, Jimmy Lee Sudduth, Mose Tolliver, and Purvis Young, among many others.

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Creators:
Richardson, Deborra
Reagon, Bernice Johnson, 1942-
Dates:
circa 1822-1994
Size:
6.55 Cubic feet (17 boxes)
Collection ID:
NMAH.AC.0653
Repository:
Archives Center, National Museum of American History

The collection documents the customs and culture of black gospel song and its performance in 19th- and 20th-century America. Dr. Reagon collected photographs, sheet music, and other primary and secondary sources chronicling the development and legacy of this medium, from the Civil War to the Civil Rights movement, from blues to Gospel to classical to jazz. Among the subjects included in this collection are trailblazers such as Charles Tindley, Thomas A. Dorsey, Rosetta Tharpe, Duke Ellington, and Nathaniel Dett. Noted performers are the Fisk Jubilee Singers, the Harmonizing Four, the Hampton University Choir, and the Chick Webb Orchestra.

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