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Creators:
Jones, Meredith L.
Dates:
1950s-1989
Size:
14 cu. ft. (14 record storage boxes)
Collection ID:
Accession 90-017
Repository:
Smithsonian Institution Archives

This accession consists of correspondence, notes, research materials, manuscripts, and related materials documenting Meredith L. Jones' research on worms and his curatorial career at the American Museum of Natural History (AMNH) and the National Museum of Natural History (NMNH).

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Creators:
Payne, Ethel L.
Dates:
circa 1960s-1980s
Size:
0.5 Linear feet (2 boxes)
Collection ID:
ACMA.06-011
Repository:
Anacostia Community Museum Archives

The Ethel Payne papers, which date from circa 1960s to 1980s and measure .50 linear feet, document the career of journalist Ethel Payne. The collection is comprised of passports, badges, photographs, press credentials, awards and ephemera.

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Creators:
Nusbaum, Jesse L. (Jesse Logan)
Dates:
1910-1928
Size:
205 Acetate negatives
25 Albumen prints
Collection ID:
NMAI.AC.001.012
Repository:
National Museum of the American Indian

Includes images from the excavations at Hawikku near Zuni Pueblo and Basketmaker's Cave in Kane County, Utah, as well as objects found at Cave Lakes, also in Kane County, Utah. Also included are views of Zuni Pueblo, Santa Clara Pueblo, Jemez Pueblo, Puye cliff dwellings, Pecos Mission and other views of Arizona and New Mexico.

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Creators:
Rubin, David S., 1949-
Dates:
1960-2017
Size:
23 Linear feet
57.68 Gigabytes
Collection ID:
AAA.rubidavi
Repository:
Archives of American Art

The papers of curator and art critic David S. Rubin measure 23 linear feet and 57.68 gigabytes and date from 1960 to 2017. The papers are comprised of biographical materials, interviews, correspondence, writing projects and notes, artists' files, exhibition files, professional files, subject and research files, printed materials, and photographic materials documenting Rubin's work in California, Arizona, and other locations throughout the United States.

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Creators:
Shaw, J. Clifford (John Clifford), 1922-1991
Dates:
1933-1993
bulk 1950-1971
Size:
20.5 Cubic feet (59 boxes, 4 oversize folders)
Collection ID:
NMAH.AC.0580
Repository:
Archives Center, National Museum of American History

The John Clifford Shaw papers contain reports, research notes, correspondence, memorandum, and diagrams documenting Shaw's development of one of the earliest list processing languages (IPL) and an early interactive, time sharing program, the JOHNNIAC Open Shop System (JOSS). The collection also contains printed material on the RAND Corporation and the evolution of the artificial intelligence and electronic computer industry in the 1950s and 1960s. In addition there is biographical material documenting Shaw's personal interests, family, and academic career.

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Creators:
Ofcansky, Thomas P., 1947-
Dates:
1678-circa 2005
Size:
1 Booklet (sheet music)
30 Engravings
6 Photographic prints
6 Posters
1 Drawing
2 Documents
12 Maps
Collection ID:
EEPA.2015-012
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The collection dates from 1678 to circa 2005 and consists of 58 maps, engravings, posters, original documents and photographs related to East, Central and South Africa. There is a special focus on Ethiopia (Abyssinia), Tanzania and the Sudan, and the collection's subjects include East African geography, history, political affairs and African leaders, as well as European (German, Italian, British) and American colonization, exploration and warfare in Africa.

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Creators:
Ulrich, E. O. (Edward Oscar), 1857-1944
Dates:
circa 1880-1938 and undated
Size:
4.26 cu. ft. (7 document boxes) (1 half document box) (1 3x5 box) (1 5x8 box)
Collection ID:
Record Unit 7332
Repository:
Smithsonian Institution Archives

The 1879 act establishing the United States Geological Survey (USGS) declares, "And all collections of rocks, minerals, soils, and fossils, and objects of natural history, archaeology, and ethnology, made by the Coast and Interior Survey, the Geological Survey, or by any other parties for the Government of the United States, when no longer nee...

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Creators:
National Museum of African Art (U.S.)
Keystone View Company
Underwood & Underwood
Dates:
1882-1930
Size:
240 Stereographs (black and white, 9 x 22 cm.)
Collection ID:
EEPA.1986-022
Repository:
Eliot Elisofon Photographic Archives, National Museum of African Art

The photographs document African businesses, cities, industry, landscapes, peoples and resources. The collection documents various locations within Kenya, Tanzania, Congo (Democratic Republic of), Zimbabwe, Uganda and South Africa. Peoples represented include Kikuyu, Maasai, Bangi, Chagga, Ndombe, Poto, Bangala, Zulu, and Kongo peoples. There are many images of agriculture, hunting, making pottery, mining diamonds and gold, church services at a Catholic mission, a gathering of chiefs at a court, a lion-killing ceremony, and war dances. Businesses and industries shown include coffee plantations; the DeBeers Diamond Mine; a diamond mine compound and crushing mill; fishing boats; a hemp plantation; ivory trade; a market; and the stock market.

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Creators:
Butterfield, Jan
Dates:
1950-1997
Size:
15 Linear feet
Collection ID:
AAA.buttjan
Repository:
Archives of American Art

The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.

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Creators:
O'Connor, Francis V.
Dates:
1920-2009
Size:
23.4 Linear feet
0.001 Gigabytes
Collection ID:
AAA.oconfran
Repository:
Archives of American Art

The papers of New York art historian Francis O'Connor measure 23.4 linear feet and 0.001 GB and date from 1920-2009. Found within the papers are artist and exhibition files, questionnaires, transcripts, writings, project files, and printed and digital material that pertain to O'Connor's research and publications on the New Deal and the Federal Arts Project of the Works Progress Administration.

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