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Creators:
National Museum of American History. Archives Center
Dates:
circa 1985-1993
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 98-129
Repository:
Smithsonian Institution Archives

This accession consists of the records of Fitzroy Thomas. Materials include Duke Ellington Collection budget information; Thomas' correspondence and memoranda; meeting minutes; information documenting the Duke Ellington Collection program; Oral History Project information; articles on Ellington and those associated with him; and photographs.

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Creators:
Strayhorn, Billy (William Thomas), 1915-1967
Claxton, William
Kenton, Stan
Leonard, Herman, 1923-2010
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Dates:
1920-2002
Size:
87 Cubic feet (188 boxes)
Collection ID:
NMAH.AC.0845
Repository:
Archives Center, National Museum of American History

Papers and audiovisual materials documenting Russo's career in music.

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Creators:
National Air and Space Museum. Exhibits Design Department
Dates:
1980-2014
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 18-277
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the development, design, installation, and evaluation of exhibitions and other projects at the National Air and Space Museum and the Steven F. Udvar-Hazy Center. Materials include correspondence, memoranda, scripts, reports, proposals, installation images, object lists, floor plans, architectural ...

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Creators:
SHARE (Association)
Computers, Information and Society, Division of (NMAH, SI).
Dietz, C. P.
Dates:
1964-1970
Size:
5 Cubic feet (14 boxes )
Collection ID:
NMAH.AC.0498
Repository:
Archives Center, National Museum of American History

Correspondence, abstracts and reports of computer programs, punch cards, Numerical Analysis project reviews, meeting notes, and research papers.

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Creators:
Zimmerman, Elyn, 1945-
Dates:
1969-2017
Size:
28.5 Linear feet
0.223 Gigabytes
Collection ID:
AAA.zimmelyn
Repository:
Archives of American Art

The papers of sculptor and site-specific installation artist Elyn Zimmerman measure 28.5 linear feet and 0.223 gigabytes, and date from 1969-2017. The collection documents the artist's life and work through correspondence, writings, project and commission files, exhibition files, teaching files, and printed material. Project and commission files comprise the majority of the collection at 18.2 linear feet and comprehensively document dozens of Zimmerman's site-specific sculptural projects and proposals for public and private sites across the United States and internationally. Items include correspondence, contracts, photographs, models, blueprints, and original sketches and drawings. The papers include a small number of born digital records, including digital images of projects, construction sites, and floorplans, as well as PowerPoint presentations.

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Creators:
Snelson, Kenneth, 1927-2016
Dates:
1947-2016
Size:
21.8 Linear feet
Collection ID:
AAA.snelkenn
Repository:
Archives of American Art

The papers of artist Kenneth Snelson measure 21.8 linear feet and date from 1947-2016. While primarily known for his sculptures incorporating the structural principle of tensegrity, Snelson was also a prolific photographer and forerunner of computer art. The collection document's the artist's life and work through chronological files, correspondence, project files, gallery and exhibition files, photographic material, and printed material. Chronological files detail seven decades of personal and professional activities, beginning with Snelson's summers at Black Mountain College where he studied with Buckminster Fuller. Project files comprise nearly half of the collection and extensively document his sculptures, towers, atom model, computer art, patents, and cataloging and publishing projects.

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Creators:
Maxey, H. David
Smithsonian Institution National Museum of American History
Dates:
1939-1999
Size:
8 Cubic feet (32 boxes)
Collection ID:
NMAH.AC.0417
Repository:
Archives Center, National Museum of American History

The Smithsonian Speech Synthesis History Project, conducted by H. David Maxey from 1986 through 2002, created a collection of archival materials documenting the history and development of speech synthesis technology. Maxey collaborated with Dr. Bernard Finn, Elliot Sivowitch and Harold Wallace of the National Museum of American History's Division of Information, Technology, and Society.

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Creators:
Smithsonian National Associate Regional Events Program
Dates:
1971-1986
Size:
4 cu. ft. (4 record storage boxes)
Collection ID:
Accession 88-077
Repository:
Smithsonian Institution Archives

This accession consists of travel vouchers and charts, tour reports, foreign study tour information and Associates Travel Program reports. Also included are fiscal year reports, budget proposals, audit and annual reports. There is also Smithsonian National Associates Program (SNAP) meeting minutes; newspaper clippings; correspondence from...

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Creators:
Rowe, Basil Lee
Dates:
1917-1973
bulk 1930-1968
Size:
5.35 Cubic feet (5 document boxes, 4 flat boxes)
Collection ID:
NASM.XXXX.0019
Repository:
National Air and Space Museum Archives

Basil Lee Rowe (1896-1973) enjoyed a long and successful career in aviation, initially as a military exhibition pilot, barnstormer, air racer, charter operator, flight instructor, aircraft salesman, and rumrunner, before moving to the West Indies to start an airline, the short-lived West Indian Aerial Express, bought out by Pan American Airways in 1928. Rowe became a pioneering senior pilot for Pan Am, flying with them for 28 years before his retirement in 1956. This collection includes scrapbooks, photo albums, memorabilia, and first day covers, in addition to the draft manuscript for Rowe's 1956 autobiography, Under My Wings.

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Creators:
Frank K. M. Rehn Galleries
Dates:
1858-1969
bulk 1919-1968
Size:
21.8 Linear feet
Collection ID:
AAA.franrehg
Repository:
Archives of American Art

The Frank K. M. Rehn Galleries records measure 21.8 linear feet and are dated 1858-1969 (bulk 1919-1968). The records consist mainly of business correspondence with collectors, artists, museums and arts organizations, colleagues, and others. A small amount of Frank K. M. Rehns personal correspondence and a few stray personal papers of individual artists are interfiled. Also included are financial records, scrapbooks, printed matter, miscellaneous records, and photographs documenting most of the history of a highly regarded New York City art gallery devoted to American painting.

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