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Creators:
Smithsonian Institution, Office of the Secretary
Dates:
1950, 1964-1984
Size:
14.5 cu. ft. (14 record storage boxes) (1 document box)
Collection ID:
Accession 84-219
Repository:
Smithsonian Institution Archives

This accession consists mostly of photocopies of S. Dillon Ripley's speeches, and includes 3 audiotapes; subject personal/confidential files including correspondence, reports and memoranda; draft copies of the Secretary's Statement; journal articles for various publications by Ripley; and Administrative Assistant to the Secretary M. L. Mc...

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Creators:
National Collection of Fine Arts. Office of the Director
Dates:
1892-1960
Size:
22 cu. ft. (44 document boxes)
Collection ID:
Record Unit 311
Repository:
Smithsonian Institution Archives

This record unit documents the administration of William Henry Holmes, first Curator of the National Gallery of Art (NGA), 1907-1920, and Director of the Gallery, 1920-1932. To a lesser extent, it also documents the administration of Ruel P. Tolman, Acting Director of NGA, 1932-1937, and the National Collection of Fine Arts (NCFA), 1937-1946, ...

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Creators:
Library of Congress. Copyright Office
Dates:
bulk 1890s-1920s
1860s-1930s
Size:
6,085 mounted prints (circa, albumen, collodion, silver gelatin, platinum)
Collection ID:
NAA.PhotoLot.59
Repository:
National Anthropological Archives

The collection consists of photographs relating to Native Americans, which were submitted to the copyright office of the Library of Congress in and around the early 20th century. Many of the photographs are studio portraits as well as photographs made as part of expeditions and railroad surveys. It includes images of people, dwellings and other str...

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Creators:
Cunningham, Imogen, 1883-1976
Dates:
1903-1991
Size:
5.9 Linear feet
Collection ID:
AAA.cunnimog
Repository:
Archives of American Art

The papers of photographer and teacher Imogen Cunningham, date from 1903 to 1991. The collection measures 5.9 feet of material, including correspondence, business and financial records, writings, printed matter, and photographs, and provides a good overview of Cunningham's life and career.

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Creators:
Smithsonian Astrophysical Observatory, Office of the Director
Dates:
circa 1966-1994
Size:
51.5 cu. ft. (51 record storage boxes) (1 document box)
Collection ID:
Accession 98-100
Repository:
Smithsonian Institution Archives

These records document the administration of Irwin I. Shapiro, Smithsonian Astrophysical Observatory (SAO) Director, and consist mostly of correspondence, memoranda, notes, publications, reports, project files, travel files, budget materials, directories, program files, recommendations, personnel files, grant proposals, and meeting minutes.

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Creators:
Blanch, Gertrude
Bloch, Richard M.
Bradburn, James
Brainerd, John G.
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Dates:
1969-1973, 1977
Size:
43.5 Cubic feet (158 boxes)
Collection ID:
NMAH.AC.0196
Repository:
Archives Center, National Museum of American History

The Computer Oral History Collection (1969-1973, 1977), was a cooperative project of the American Federation of Information Processing Societies (AFIPS) and the Smithsonian Institution. This project began in 1967 with the main objective to collect, document, house, and make available for research source material surrounding the development of the computer.

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Creators:
Milch Gallery
Dates:
1911-1995
Size:
42.2 Linear feet
Collection ID:
AAA.milcgall
Repository:
Archives of American Art

The records of Milch Gallery measure 42.5 linear feet and date from 1911-1995. Edward Milch (1865-1953) opened the Edward Milch Gallery in New York City. In 1916, he formed a partnership with his brother Albert Milch (1881-1951), a gilder and framer, creating E. & A. Milch, Inc., a gallery specializing in American art. Harold C. Milch (1904-1981), Albert's son, was appointed a partner in 1944 and continued the business until his death. Business records of Milch Gallery, 1911-1968, include correspondence, sales records, inventories, financial records, printed matter, photographs, and legal documents. Later additions to the records date from 1922-1995 and include correspondence; artists' files; financial, sales, and stock records; printed material; and photographs.

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Creators:
Cahill, Holger, 1887-1960
Dates:
1910-1993
bulk 1910-1960
Size:
15.8 Linear feet
Collection ID:
AAA.cahiholg
Repository:
Archives of American Art

The papers of Holger Cahill (1887-1960) date from 1910 to 1993, with the bulk of the material dating from 1910-1960, and measure 15.8 linear feet. The collection offers researchers fairly comprehensive documentation of Cahill's directorship of the Works Progress/Projects Administration's (WPA) Federal Art Project (FAP) in addition to series documenting his work as a writer and art critic. Material includes correspondence, reports, artist files, scrapbooks, printed material, and photographs.

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Creators:
Norrell, Thomas, 1899-1985
Dates:
circa 1840-circa 1960
bulk 1870-1940
Size:
18 Cubic feet (84 boxes)
Collection ID:
NMAH.AC.1174
Repository:
Archives Center, National Museum of American History

Approximately 11,000 images collected by Thomas Norrell consisting of original photographic prints and photographic postcards, original film and glass plate negatives, and duplicate/copy photographic prints and negatives. The majority are external views of single locomotive engines of North American railroad and industrial companies. Images of international railroad company locomotives and of representative locomotives from various locomotive works and builders are also included. The collection contains a small number of subject-specific images covering such topics as train wrecks, funeral trains, experimental locomotives, miniature trains, and locomotives at the 1933 and 1939 World's Fairs.

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Creators:
Finch College. Museum of Art
Varian, Elayne H.
Dates:
1943-1975
bulk 1964-1975
Size:
20.9 Linear feet
Collection ID:
AAA.finccoll
Repository:
Archives of American Art

The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.

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