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Creators:
Marsh, Reginald, 1898-1954
Dates:
1897-1955
Size:
9.3 Linear feet
Collection ID:
AAA.marsregi
Repository:
Archives of American Art

The papers of Reginald Marsh (1898-1954) measure approximately 9.3 linear feet and date from circa 1897 to 1955. The collection documents the life and work of the artist, who was best known for his paintings and illustrations depicting scenes of vaudeville, night clubs, burlesque, and New York City. Marsh was a lifelong free-lance illustrator for the New Yorker, Esquire and many other national magazines. Papers include correspondence, diaries, notebooks, sketches, scrapbooks, business and financial papers, and photographs, as well as some biographical and printed material.

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Creators:
Rhees, William Jones, 1830-1907
Dates:
circa 1878-1907
Size:
25.72 cu. ft. (50 document boxes) (2 5x8 boxes)
Collection ID:
Record Unit 7081
Repository:
Smithsonian Institution Archives

The William J. Rhees Collection consists of the remains of his Manuscript and Newspaper Scrap portfolio files. The dates of the material indicate that Rhees was collecting these papers from the beginning of his tenure at the Smithsonian, but the files were not organized until 1891 when he was appointed keeper of the Archives. The collection ...

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Creators:
Crossfield, A. Scott (Albert Scott), 1921-
Dates:
1940 - 2004
Size:
18.71 Cubic feet (42 boxes)
Collection ID:
NASM.2006.0041
Repository:
National Air and Space Museum Archives

This collection consists of over nine cubic feet of material documenting Scott Crossfield's aviation career, with emphasis on his involvement with the North American X-15. The following types of material are included: correspondence; reel to reel tapes; papers, manuscripts; newspaper and magazine clippings; aviation manuals; photographs; film; and Crossfield's notes and reports.

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Creators:
Blue Eagle, Acee, 1907-1959
Dates:
1907 - 1975
Size:
673 paintings (visual works) (approximate)
30 Linear feet (55 document boxes and 8 oversize boxes)
Collection ID:
NAA.1973-51
Repository:
National Anthropological Archives

Acee Blue Eagle was a Pawnee-Creek artist, poet, dancer, teacher, and celebrity. The papers relate to both Blue Eagle's personal and professional life. Also included are some materials of Blue Eagle's friend Mae Abbott and a collection of art by other Indians.

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Creators:
Ailey, Alvin
Mitchell, Jack, 1925-
Dates:
1961-2004
Size:
16 Linear feet
Collection ID:
NMAAHC.A2013.245
Repository:
National Museum of African American History and Culture

Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.

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Creators:
Rosen, Judith B.
Reiss, Linda A.
Leeds, Pamela B.
Friedman, Robert A.
More …
Dates:
1915-2000
Size:
8 Cubic feet (17 boxes, 2 oversize folders)
Collection ID:
NMAH.AC.0769
Repository:
Archives Center, National Museum of American History

Papers relating to the development of the flexible drinking straw, Friedman's manufacturing company, and Friedman's other inventions, such as an ice cream scoop, fountain pens, and household appliances.

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Creators:
Halpert, Edith Gregor, 1900-1970
Phillips, Harlan B. (Harlan Buddington), 1920-
Dates:
1962-1963
Size:
436 Pages (Transcript)
Collection ID:
AAA.halper62
Repository:
Archives of American Art

An interview of Edith Halpert conducted 1962-1963, by Harlan Phillips, for the Archives of American Art.

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Creators:
Nordness, Lee
Dates:
circa 1931-1992
bulk 1954-1984
Size:
117.5 Linear feet (Boxes 1-121)
Collection ID:
AAA.nordlee
Repository:
Archives of American Art

The Lee Nordness business records and papers measure 117.5 linear feet and date from circa 1931 to 1992 with the bulk of materials dating from 1954 to 1984. The records document seven New York City art-related companies with which Nordness was involved: Talent Discovery Company, The Little Studio, Ltd., American Art Expositions, Inc., Nordness Gallery, Inc., Lee Nordness Galleries Art Advisory Section, Inc., Lee Nordness Galleries Exhibition Section, Inc., and Forms & Objects, Inc. Records include correspondence, artist's files, business and legal records, inventories, financial and sales records, printed materials, scrapbooks, and photographic materials. Also found is a small group of personal papers.

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Creators:
Cramer, Konrad, 1888-1963
Dates:
1897-1968
Size:
8.5 Linear feet
Collection ID:
AAA.cramkonr
Repository:
Archives of American Art

The papers of painter, printmaker, and photographer Konrad Cramer and his wife, painter and printmaker Florence Ballin Cramer, measure 8.5 linear feet and date from 1897 to 1968. Papers document both artists' personal and professional lives and are especially rich in documentation of the art community of Woodstock, New York, where Florence Ballin first attended art classes in 1906, and where the couple settled in 1911. Records include biographical materials, correspondence, a Christmas card album, diaries, writings, business records, personal financial records, printed materials, photographs, and artwork.

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Creators:
Bohm, Max, 1868-1923
Dates:
1873-1970
bulk 1880-1959
Size:
5.6 Linear feet
Collection ID:
AAA.bohmmax
Repository:
Archives of American Art

The papers of painter Max Bohm measure 5.6 linear feet and date from 1873-1970, with the bulk of the material dating from 1880-1959. Biographical material includes a file concerning the Provincetown artist's club The Beachcombers. Also found is detailed family correspondence, as well as general correspondence that includes exchanges with patron Mary Beecher Longyear and dealer William Macbeth. The papers contain scattered business records; five diaries written by Bohm's wife Zella; other notes and writings; art work including fifteen sketchbooks, loose drawings, and oil paintings; printed material; and photographs of Bohm, his family, and colleagues including artists attending a Salmagundi dinner. There is also a motion picture film Six Foot Art, in Which Max Bohm, Member of the National Academy Tells How He Does It.

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