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Creators:
Paik, Nam June, 1932-2006
Dates:
1832-2008
bulk 1960-2000
Size:
55 Linear feet
Collection ID:
SAAM.NJP.1
Repository:
Smithsonian American Art Museum, Research and Scholars Center

The archive is comprised of the papers of the artist (his writings, notes, scores, plans and designs, photographs and assorted print ephemera), his library (books, magazines, trade catalogs, etc.), as well as three dimensional artifacts from his studio (objects, toys, televisions, radios, the artist's desk, etc.) and over 200 videotapes (the artist's single-channel videotapes, installation videotapes, and videotape records of performances and interviews).

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Creators:
National Museum of American History. Office of Special Events
Dates:
circa 1980-1987
Size:
15 cu. ft. (15 record storage boxes)
Collection ID:
Record Unit 595
Repository:
Smithsonian Institution Archives

These records consist of Doubleday Lecture Series planning files, contracts, and invitation lists; floor plan drawings for events; information on opening exhibition tours and receptions; newspaper clippings, press releases, and articles pertaining to events; symposium information; photographs and contact sheets of lecturers, exhibition op...

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Creators:
Salem China Company
American Limoges China Co.
Sebring Pottery Company
Crescent China Company
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Dates:
1930s-1981
Size:
10.15 Cubic feet (26 boxes, 9 map-folder)
Collection ID:
NMAH.AC.0325
Repository:
Archives Center, National Museum of American History

Includes records of the Salem China Company relating to the administration of the company, its sales and art department, and other material relating to plant operations prior to 1960, when the company ceased manufacturing and became a distributor only. Includes photographs of various promotions, Salem China patterns, factory buildings, sales staff, show rooms, etc. as well as extensive advertising material of the Salem China Co. and its competitors. Another series contains blueprints and drawings of the Salem China Company's plant and equipment. Another series contains bulletins issued by the Associated Industries of Cleveland from 1977 to 1981.

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Creators:
Jantzen, Carl C.
Dates:
1925-1977
Size:
7 Cubic feet
Collection ID:
NMAH.AC.0233
Repository:
Archives Center, National Museum of American History

Carl C. Jantzen and John C. Zehntbauer founded the Portland Knitting Company in 1910 as a retail store selling knitted products (i.e. sweaters, hosiery, jackets). Carl Jantzen later invented an automated circular knitting machine that allowed the company to make light-weight materials for swimsuits. In 1916, the company first used the name Jantzen as their trademark and went on to specialize in swimsuits.

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Creators:
Liberman, Alexander, 1912-1999
Dates:
circa 1912-2003
Size:
59 Linear feet
Collection ID:
AAA.libealex
Repository:
Archives of American Art

The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.

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Creators:
Blue Eagle, Acee, 1907-1959
Dates:
1907 - 1975
Size:
673 paintings (visual works) (approximate)
30 Linear feet (55 document boxes and 8 oversize boxes)
Collection ID:
NAA.1973-51
Repository:
National Anthropological Archives

Acee Blue Eagle was a Pawnee-Creek artist, poet, dancer, teacher, and celebrity. The papers relate to both Blue Eagle's personal and professional life. Also included are some materials of Blue Eagle's friend Mae Abbott and a collection of art by other Indians.

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Creators:
Smithsonian Institution. Office of Design and Construction
Dates:
circa 1960-1980
Size:
107.16 cu. ft. (105 record storage boxes) (2 document boxes) (2 tall document boxes)
Collection ID:
Record Unit 638
Repository:
Smithsonian Institution Archives

This record unit consists of project files documenting the repairs, improvement, and renovation of existing Smithsonian buildings. The records include memoranda with Smithsonian offices, correspondence with contractors, blueprints, cost analyses, specifications, and photographs. Buildings and museums documented in this collection include: the...

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Creators:
National Museum of History and Technology. Division of Medical Sciences
Dates:
circa 1890-1977
Size:
21.13 cu. ft. (42 document boxes) (1 oversize folder)
Collection ID:
Record Unit 244
Repository:
Smithsonian Institution Archives

These records document the activities of the Division of Medical Sciences and its predecessors, chiefly for the years 1917-1975. Included are correspondence, memoranda, annual reports, and administrative files concerning the Division's collections, exhibits, and research into the history of medicine and pharmacy. Of special interest is an ...

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Creators:
Frank Hubbard
Dates:
1930-2003
bulk 1949-2003
Size:
30 Cubic feet (76 boxes)
Collection ID:
NMAH.AC.1256
Repository:
Archives Center, National Museum of American History

The collection documents approximately fifty years of the Hubbard Harpsichord business. The records include correspondence, financial and accounting materials, sales and promotional materials, records, newsletters, dealer files, project files, photographs, research files on European instruments, kit manuals, and design drawings.

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Creators:
Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.
Dates:
1996 November 11-16
Size:
7.5 Cubic feet (15 boxes )
Collection ID:
NMAH.AC.0610
Repository:
Archives Center, National Museum of American History

This week-long event explored the intersection of technology and music in the 20th century; it included oral and video histories, exhibitions, concerts, and a symposium discussing the cultural significance of the electric guitar as instrument, technology, and symbol.

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