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Creators:
Slivka, Rose
Dates:
circa 1947-2006
Size:
20.8 Linear feet
Collection ID:
AAA.slivrose
Repository:
Archives of American Art

The papers of craft expert Rose Slivka, an editor, writer, critic, and educator, measure 20.8 linear feet and date from circa 1947-2006. The papers reflect Slivka's work with associations and universities to encourage the recognition of crafts as an international and broadly defined art form. The routine business of publishing Craft Horizons magazine and the founding and operation of Craft International magazine are documented by correspondence and subject files. Correspondence is mainly professional with some scattered personal letters. Subject files concern various organizations, individuals and events related to Slivka's work and interests. Among the writings are manuscripts, notes, and research materials for her book about Peter Voulkos; also included are shorter writings on a variety of topics, poems, 2 diaries, lectures and talks. There are many interviews with craftspeople and artists conducted by Slivka and others, some undertaken as research for articles. Photographs include views of Slivka, craftspeople she observed when traveling abroad, and artwork.

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Creators:
Abbott, Jackson Miles.
Dates:
circa 1931-1988
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Accession 92-117
Repository:
Smithsonian Institution Archives

These are the papers of Jackson Miles Abbott, noted bird watcher and authority on the American bald eagle. Papers include records of his bird sightings, his work on the preservation of the bald eagle, extensive notes on Virginia birds, as well as birds of other parts of the world, and his work to preserve Dyke Marsh.

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Creators:
National Museum of American Art. Exhibitions Coordinator
Dates:
1982-1991
Size:
13 cu. ft. (13 record storage boxes)
Collection ID:
Record Unit 449
Repository:
Smithsonian Institution Archives

These records consist of exhibition files maintained by the Exhibitions Coordinator. Included in the files are correspondence, staff memoranda, checklists, vouchers, and exhibition photographs. Exhibitions represented include Zoo to Art: Animal Subject by American Sculptors, 1985, and Still Lifes by Henry Lee McFee by Henry Lee McFee, 198...

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Creators:
National Portrait Gallery. Office of the Director
Dates:
1978, 1986-1997
Size:
3 cu. ft. (3 record storage boxes)
Collection ID:
Accession 01-123
Repository:
Smithsonian Institution Archives

This accession consists of records documenting the Director's involvement in many aspects of exhibition development at the National Portrait Gallery during the tenure of Alan Maxwell Fern (1982-2000). Materials include loan requests, correspondence, memoranda, agreements, scripts, catalog manuscripts, and newspaper clippings.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 25-July 5, 1992
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1992
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Okubo, Miné, 1912-2001
Dates:
circa 1940-2001
Size:
1.4 Linear feet
Collection ID:
AAA.okubmine
Repository:
Archives of American Art

The Roy Leeper and Gaylord Hall collection of Miné Okubo papers measure 1.4 linear feet and date from circa 1940 to 2001. Roy Leeper and Gaylord Hall were long-time friends with and patrons of Okubo from the late 1950s until her death. The collection contains letters, writings, and sketches by Okubo. Among the printed materials is a copy of the 1944 special edition of Fortune magazine which was sympathetic to Japanese Americans interned during World War II and for which Okubo was hired to illustrate. Also found are scattered documents relating to Hall and Leeper.

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Creators:
Uyehara, Grayce
Uyehara, Paul M.
Dates:
1929-2008
Size:
18 Cubic feet (18 boxes)
Collection ID:
NMAH.AC.1480
Repository:
Archives Center, National Museum of American History

The papers document the life and activism of Grayce Uyehara who was a pivotal figure within the Redress Movement and sought reparations for the incarceration of Japanese Americans during World War II.

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Creators:
Smithsonian Institution. Center for Folklife and Cultural Heritage
Dates:
June 30-July 4, 1972
Size:
1 Cubic foot (approximate)
Collection ID:
CFCH.SFF.1972
Repository:
Ralph Rinzler Folklife Archives and Collections

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

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Creators:
Morrison, Joan, -2010
Morrison, Robert K.
Beirne, Barbara T.
Dates:
1985 - 1987
Size:
6 Cubic feet (20 boxes )
Collection ID:
NMAH.AC.0359
Repository:
Archives Center, National Museum of American History

The collection is comprised of 139 audiocassettes (original copies only), 80 transcripts and tape summaries, and photographs (including some negatives). The transcripts and photographs also exist in single copies only, but they may be used with care by researchers.

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Dates:
1989-1990
Size:
4 videotapes (Reference copies). 9 digital .wmv files and .rm files (Reference copies).
Collection ID:
Record Unit 9545
Repository:
Smithsonian Institution Archives

The Smithsonian Videohistory Program, funded by the Alfred P. Sloan Foundation from 1986 until 1992, used video in historical research. Additional collections have been added since the grant project ended. Videohistory uses the video camera as a historical research tool to record moving visual information. Video works best in historical r...

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