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Creators:
Smithsonian Institution. Office of Exhibits Central
Dates:
1971-2002
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 08-051
Repository:
Smithsonian Institution Archives

This accession consists of records documenting exhibitions produced by the Office of Exhibits Central (OEC) for various Smithsonian Institution units. Exhibitions documented in this accession include Speak to My Heart: Communities of Faith and Contemporary African American Life; Caribbean Visions: Contemporary Paintings and Sculpture; In ...

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Creators:
National Zoological Park
Dates:
1887-1966
Size:
147 cu. ft. (288 document boxes) (1 tall document box) (4 bound volumes) (71 microfilm reels)
Collection ID:
Record Unit 74
Repository:
Smithsonian Institution Archives

The earliest records concerning the National Zoological Park date from 1887. They were kept by the Office of the Secretary of the Smithsonian Institution until 1890, when they were transferred to Holt House, the Park's administrative headquarters. During the late 1960's the records were transferred to the custody of the Smithsonian Institution...

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Creators:
Singletary, Preston, 1963-
Savig, Mary, 1982-
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Dates:
2011 March 23-24
Size:
8 Items (Sound recording: 8 sound files (3 hr., 48 min.), digital, wav)
55 Pages (Transcript)
Collection ID:
AAA.single11
Repository:
Archives of American Art

An interview of Preston Singletary conducted 2011 March 23-24, by Mary Savig, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Singletary's studio, in Seattle, Washington.

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Creators:
Smithsonian Institution. Traveling Exhibition Service
Dates:
1952-1981
Size:
46.19 cu. ft. (91 document boxes) (1 16x20 box)
Collection ID:
Record Unit 290
Repository:
Smithsonian Institution Archives

These records consist primarily of exhibition files, 1952-1981, for shows no longer traveling. The exhibitions are developed and organized by SITES and produced by both the Smithsonian's Office of Exhibits Central and outside sources. Exhibition themes cover the fields of art, history, and science, as well as current events. Also included ...

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Creators:
National Museum of American Art and Portrait Gallery. Library
Dates:
circa 1910-1986
Size:
10.43 cu. ft. (20 document boxes) (1 12x17 box)
Collection ID:
Record Unit 333
Repository:
Smithsonian Institution Archives

This collection consists primarily of brochures, booklets, and books cataloging single exhibitions at the National Gallery of Art, the National Collection of Fine Arts, the National Museum of American Art, and the Renwick Gallery. Also included are a few catalogs from exhibitions of SITES. There are catalogs from exhibitions staged by the ...

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Creators:
Warshaw, Isadore, 1900-1969
Dates:
1750-1988
Size:
10.02 Cubic feet (consisting of 14.5 boxes, 10 oversize folders, 4 map case folders, 6 flat boxes (2 full, 4 partial).)
Collection ID:
NMAH.AC.0060.S01.01.Art
Repository:
Archives Center, National Museum of American History

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Art forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

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Creators:
Messmore, George Harold
Messmore and Damon Company
Damon, Joseph
Dates:
1892 - 1998
Size:
16 Cubic feet (40 boxes)
Collection ID:
NMAH.AC.0846
Repository:
Archives Center, National Museum of American History

The records document Messmore and Damon's work in the design and construction of parade floats, museum dioramas, exhibitions, displays and scenery. The materials include business records, photographs, patents, scrapbooks, promotional materials, sound recordings and moving image.

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Creators:
March, Benjamin, 1899-1934
Dates:
1923-1934
Size:
15 Linear feet
Collection ID:
FSA.A1995.10
Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives

Writer, curator, and professor Benjamin Franklin March Jr. (1899-1934) studied, lectured, and wrote in the United States and in China, and through his works gained respect as one of the foremost authorities on Chinese art during the 1920s and 1930s. His papers, dating from 1923 to 1934, document his professional and personal life in the United States and in China and include lecture notes and outlines; research notes; diaries; scrapbooks; and photographs.

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Creators:
National Museum of American History. National Numismatic Collection
Dates:
circa 1921-1989
Size:
26.91 cu. ft. (26 record storage boxes) (1 tall document box) (3 oversize folders)
Collection ID:
Record Unit 359
Repository:
Smithsonian Institution Archives

This record unit consists of correspondence and memoranda pertaining to publications, exhibitions, acquisitions, numismatic conferences in foreign countries, and materials on loan; annual reports of the Division of Numismatics; budgetary files; American Numismatic Association convention information; exhibition scripts for the Hall of Monetary ...

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Creators:
Susan Conway Gallery (Washington, D.C.)
Dates:
circa 1928, 1940s-2003
bulk 1987-2003
Size:
23.9 Linear feet
0.001 Gigabytes
Collection ID:
AAA.susacong
Repository:
Archives of American Art

The modern and contemporary art gallery records of the Susan Conway Gallery in Washington, D.C. measure 23.9 linear feet and 0.001 GB and date from circa 1928, circa 1940s-2003, with the bulk of the material dating from 1987-2003. Nearly half of the collection documents the gallery's work as the sole representative of artist and political cartoonist Pat Oliphant through administrative records, exhibition files, press clippings, and a handful of photographs. Also found in the collection are artists' files of other artists represented by the gallery, client files, administrative records, printed and digital materials, and the records of the Susan Conway Conservation Studio.

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