The papers of sculptor Karl Bitter date from 1887 to 1977 and measure 2.5 linear feet. The bulk of the collection consists of photographs of works of art and commemorative medals from expositions. Also found are scattered biographical information, family correspondence, two diaries, printed materials, sketchbooks, and sketches.

The papers of painter, muralist, and educator Rico Lebrun measure 5.3 linear feet and date from 1935 to 1975. Found within the papers are biographical materials; personal and business correspondence, including extensive correspondence between Lebrun and his gallery, Jacques Seligmann and Co.; writings, including illustrated notebooks; personal business records; printed material; 3 sketchbooks; and photographs of Lebrun, travels in Mexico, and his work.

Photographs taken by Phyllis Galembo in Nigeria.

The archive is comprised of the papers of the artist (his writings, notes, scores, plans and designs, photographs and assorted print ephemera), his library (books, magazines, trade catalogs, etc.), as well as three dimensional artifacts from his studio (objects, toys, televisions, radios, the artist's desk, etc.) and over 200 videotapes (the artist's single-channel videotapes, installation videotapes, and videotape records of performances and interviews).

This collection is comprised primarily of menus. There are also programs, seating plans, invitations, announcements and admission cards from functions attended by John D. Crimmins. Some material bears autographs of other guests and/or rotations made by Mr. Crimmins. There are many items from civic, political, business, Roman Catholic and Irish A...

The papers of educator, painter, and art historian William Chapin Seitz measure 32.5 linear feet and date from circa 1930-1995. The collection includes biographical information, correspondence, notebooks, subject and people files, thesis research files, interviews and lecture recordings, teaching files, personal business records, scattered printed materials, photographs, and artwork. The bulk of the papers focus on Seitz's research and teaching career.

The papers of art historian, curator, and educator Patricia Hills measure 23.1 linear feet and date from circa 1900-2015, bulk 1968-2009. Central to this collection are project files documenting professional work that resulted in lectures, publications, exhibitions, art history courses on numerous artists including Alice Neel, Jacob Lawrence, May Stevens, Rudolf Baranik, and John Singer Sargent. These files and files documenting Hills's tenure at the Whitney Museum of American Art include planning documents, research files, correspondence, manuscripts and accompanying publications, as well as other printed materials. The collection also contains correspondence with art historians, artists, curators, and others, notably Lawrence Alloway, Lowery Stokes Sims, Lucy R. Lippard, T.J. Clark, Leon Golub, and Donald Kuspit; professional files documenting grants and residencies awarded and consulting work; artist and subject files; other writings; and printed material. Membership and affiliation records document Hills' service to the profession, including Women's Caucus for Art and the Visual Culture/Art History Caucus of the American Studies Association.

The Warren Buxton photograph collection includes photographic prints and slides made by Buxton in three different Native Communities. Series 1: Bruce Wynne (Spokane) and Family, 1965-1981, includes photographic prints of Spokane Artist and Leader Bruce Wynne and his family in Wellpinit, Washington. Series 2: U.S. Air Force Weather Station, Padlopin...

The records of the Sheldon Ross Gallery, Birmingham, Michigan, measure 1.8 linear feet and are dated 1970-2007, with the bulk of materials dating from 1976-1995. The majority of the collection consists of artists' files. About half of the materials relate to Romare Bearden's work and his relationship with Sheldon Ross, the gallery owner. Also included are artists' files regarding George Grosz and Michigan artists. The contents of artists' files vary but generally include biographical information, printed materials and photographic images. The collection also contains correspondence, exhibition files, and photographs documenting the gallery's activities.

The papers of Kenyon and Louise Cox measure 0.3 linear feet and date from 1876 to 1977. Included are Kenyon and Louise's Certificate of Marriage, autobiographical notes by Louise focusing on her time at the National Academy of Design, writings, and correspondence, primarily from Kenyon Cox, including several illustrated letters. Also found is artwork by Kenyon and others, including Julian Alden Weir, biographical material on Jacob Dolson Cox, Keyon's Father, photographs and printed reproductions of artwork, magazine and newspaper clippings, an unpublished bibliography on Kenyon Cox, and a handwritten list of Kenyon Cox paintings in the National Academy of Design permanent collection.