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Creators:
Smithsonian Institution. Office of Design and Construction
Dates:
1986-1987
Size:
32.48 cu. ft. (25 record storage boxes) (17 blueprint storage boxes)
Collection ID:
Accession 92-068
Repository:
Smithsonian Institution Archives

This accession documents various Office of Design and Construction projects. Materials include blueprints and specifications. Buildings and museums documented in this collection include: Quadrangle Building, the National Mall, National Museum of American History (formerly National Museum of History and Technology), Conservation Analytical ...

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Creators:
Smithsonian Institution. Office of Design and Construction
Dates:
1985-1995
Size:
20 cu. ft. (20 record storage boxes) (30 oversize folders)
Collection ID:
Accession 96-028
Repository:
Smithsonian Institution Archives

This accession consists of project files for various renovation and construction projects within Smithsonian Institution buildings. Box 20 contains microfilms and microfiches of documents, and of 1165 blueprints and architectural drawings. Buildings and museums documented in this collection include: National Air and Space Museum, Smithsonian I...

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Creators:
National Museum of American History. Office of the Director
Dates:
circa 1945-1987 and related records, 1920-1930
Size:
103.51 cu. ft. (100 record storage boxes) (1 12x17 box) (7 tube boxes) (oversize materials)
Collection ID:
Record Unit 334
Repository:
Smithsonian Institution Archives

These records document the tenures of Frank A. Taylor, John C. Ewers, and Robert P. Multhauf as Directors of the Museum of History and Technology (NMHT); of Daniel J. Boorstin, Brooke Hindle, and Roger G. Kennedy as Directors of the National Museum of History and Technology; and of Roger G. Kennedy as Director of the National Museum of Am...

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Creators:
Clarke, Thomas B. (Thomas Benedict), 1848-1931
Dates:
1880-1936
bulk 1883-1920
Size:
3.6 Linear feet
Collection ID:
AAA.clarthom
Repository:
Archives of American Art

The scrapbooks of Thomas Benedict Clarke measure 3.6 linear feet and date from 1879-1930. Twelve scrapbooks contain mostly newspaper clippings, but also include correspondence, invitations, exhibition catalogs, programs, magazine articles, art auction catalogs, and other material relating to Clarke's personal art collection and general art patronage. The scrapbooks also include clippings and miscellany relating to the Clarke family and influential society clubs, such as the Union League, Lambs, and New York Athletic clubs.

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Creators:
Biddle, Livingston, 1918-2002
Dates:
circa 1940-2002
Size:
40.2 Linear feet
Collection ID:
AAA.biddlivi
Repository:
Archives of American Art

The papers of government arts administrator and novelist Livingston L. Biddle, Jr. (1918-2002) measure 40.2 linear feet and date from circa 1940 to 2002. The papers are comprised of biographical materials, correspondence, interviews, writings, numerous files reflecting his work to establish the National Endowment for the Arts (NEA), political committee files, personal legal records, printed materials, scrapbooks, and photographs. Throughout the collection are video and sound recordings.

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Creators:
Smithsonian Institution. Office of Design and Construction
Dates:
1973, 1977-1982
Size:
12 cu. ft. (12 record storage boxes)
Collection ID:
Accession 84-081
Repository:
Smithsonian Institution Archives

This accession consists of project files, including memoranda, blueprints, specifications, and correspondence. Museums and facilities documented include the Smithsonian Institution Building (Castle), the Silver Hill Facility (Museum Support Center), the Cooper-Hewitt Museum, the Smithsonian Astrophysical Observatory, the Smithsonian Environmen...

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Creators:
Hirshhorn Museum and Sculpture Garden. Office of the Director
Dates:
1934-2001
Size:
2 cu. ft. (2 record storage boxes)
Collection ID:
Accession 04-157
Repository:
Smithsonian Institution Archives

This accession consists of research materials collected by James Demetrion, Director, 1984-2001, about Clyfford Still, his works, and exhibitions of his works. Materials include photocopies of clippings, articles, and publications; images and lists of artwork; bibliographies; and press releases. It is unknown when the photocopies were made ...

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Creators:
Anacostia Museum. Exhibits Department
Dates:
1967-1984, 1987
Size:
14 cu. ft. (14 record storage boxes)
Collection ID:
Record Unit 378
Repository:
Smithsonian Institution Archives

This record unit documents the administration of the Exhibits Design and Production Laboratory for approximately first ten years of operation, and describes the mission, philosophy, planning, and construction of the facility. The records contain planning materials for many of the museum's early exhibitions, which reflect the involvement of ...

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Creators:
Ranger, Henry Ward, 1858-1916
Dates:
1888-circa 1999
bulk 1904-1954
Size:
1 Linear foot
Collection ID:
AAA.ranghenr
Repository:
Archives of American Art

The estate papers of New York tonalist painter Henry Ward Ranger, measure one linear foot and date from 1888-circa 1999, with the bulk of the material dating from 1904-1954.The collection primarily documents the settlement of Ranger's contested will and the administration of his estate, but also provides scattered biographical information on Ranger's life, provenance information about his work, and documentation of the significance of his estate gift to the National Academy of Design. Records include appraisal information including an estate ledger, correspondence and memoranda including two letters from Ranger, court documents, financial and real estate records, news clippings, and two photographs and eight negatives of Ranger.

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Creators:
Bonney, M. Thérèse (Mabel Thérèse), 1897-1978
Dates:
1925-1937
Size:
4,300 Photographs (black and white)
Collection ID:
SIL-CH.2000-42-1
Repository:
Smithsonian Libraries

This collection contains4,300 black and white photographs that document architecture and design in Paris from 1925-1937.These silver-gelatin prints, mostly 8 x 10, depicting French industrial art objects, interior settings, and window displays were amassed by Bonney who lived most of her life in Paris. Many of the photographs were done by Bonney. She collected others from news agencies, photographers, and stock photograph vendors. Many of the photographs are accompanied by captions composed in a conversational manner by Bonney.

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